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LATE RENT Theme Song In Famous Hammond Orgasm Rock Club Tokyo Japan - November 10, 2016

#WATCHMOVIE HERE: LATE RENT Theme Song In Famous Hammond Orgasm Rock Club Tokyo Japan Jon's archive https://archive.org/details/LATERENTThemeSongInFamousHammondOrgasmRockClubTokyoJapan Youtube https://youtu.be/J7nAQP5KpO4 Facebook video https://www.facebook.com/hammondcast/videos/10153878446947102/ Shinjuku-ku, Tokyo -- LATE RENT Theme Song in famous Hammond orgasm​ #Hammondorgasm Rock Club Tokyo Japan - Hammond B3 organ lounge where the late great Keith Emerson used to hang out - MUSICIANS: KOEI TANAKA harmonica, - Koei Tanaka​ JOE BERGER guitar, - Joe Berger​ KIMIAKI TOBE drums, - Kimiaki Tobe​ JON HAMMOND B3 organ - Jon Hammond Special thanks: George Massahillo Oya​ & Atsuko Oya​ - Hammond orgasm Team http://www.HammondCast.com - Shinjuku Tokyo - "Shinjuku is a special ward in Tokyo, Japan. It is a major commercial and administrative centre, housing the busiest railway station in the world and the Tokyo Metropolitan Government Building," Producer Jon Hammond Audio/Visual sound, color Language English Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Hammond orgasm, Shinjuku-ku, Tokyo, Organ Lounge, B3, Jon Hammond, Keith Emerson, Late Rent, Theme Song, Rock Club, #HammondOrgan H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 25 Files download 5 Original Jon's archive https://archive.org/details/MusicalInstrumentsFairJapanNOXCESSBAGGAGEBLUESInSuzukiMusicalInstrumentsStandXK5 Youtube https://youtu.be/F5Fq9rDCruk Vimeo https://vimeo.com/190629641 Facebook video https://www.facebook.com/hammondcast/videos/10153872242402102/ Musical Instruments Fair Japan NO X-CESS BAGGAGE BLUES in Suzuki Musical Instruments Stand XK-5 - Musicians: Koei Tanaka chromatic harmonica, Joe Berger guitar, Takano Naoyuki tenor saxophone, Jon Hammond playing the new XK-5 Hammond Heritage Pro System organ XK5 Heritage Pro System • XK5, XLK5 lower manual, new Pro Bench (BK), new Pro Stand (BK) • XPK250BK Pedalboard “THE NEW ORIGINAL” - Tokyo Big Sight http://www.HammondCast.com/ — at Tokyo Big Sight. Musicians: Koei Tanaka chromatic harmonica, Joe Berger guitar, Takano Naoyuki tenor saxophone, Jon Hammond playing the new XK-5 Hammond Heritage Pro System organ: Producer Jon Hammond Language English H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 18 Files download 5 Original Tokyo Big Sight, Musical Instruments Fair Japan, XK5 Pro System, XK-5 Hammond Organ, B3, XK5, Blues Band, Jazz Music, Tenor Saxophone, Joe Berger, Electric Guitar, Chromatic Harmonica Master, Koei Tanaka, Suzuki Musical Instruments, The New Original Yeah man! Like President Obama says: "Fire it Up!" Tokyo Big Sight, I'm back in town and not messin' around - fired up after falling in line with my dear serious music friends right here, L to R Koei Tanaka​, Joe Berger​, Jon Hammond​, Waichiro Tachikawa​ rallying around the new XK-5 Organ at Musical Instruments Fair Japan - Fire it Up folks! The new standard, moving in to the future...hammer down on the XK5 Hammond organ Heritage Pro System, better than a B3 and it won't break your back - welcome to the future! - Jon Hammond http://jonhammondband.com/blog.html/japan_music_fair_live_get_back_in_the_groove_xk5/ Big Thank You Yu Beniya Suzuki Musical Instruments Team for this beautiful photo: On-Air with Stanley and Chris of Tokyo Guitar Show #TokyoGuitarShow - huge honor to go on-the-air there with Stanley and Chris at the 2016 Japan Musical Instruments Fair in Tokyo Big SIght! - Joe Berger Jon Hammond - http://www.tgs-radio.com , thanks Yu! - Tokyo Big Sight! My new youngest organ student on the new XK-5 Hammond organ, I showed him how to do 'The Claw' - sub-in training! At Japan Music Fair, Tokyo Big Sight Japan - Jon Hammond - Suzuki Musical Instruments Jon Hammond & Manji Suzuki President Founder of Suzuki Musical Instruments Tokyo Japan -- Meeting the Hammond XK-5 Heritage Pro System Organ rig for Japan Musical Instrument Fair in Suzuki Musical Instruments, better than an old B3 folks! Multi-contact keys and all new powerful sound engine, pure classic Hammond organ sound moving in to the future! Jon Hammond & Joe Berger preparing for daily program with the great Chromatic Harmonica master Koei Tanaka! http://jonhammondband.com/blog.html/japan_music_fair_live_get_back_in_the_groove_xk5/ *Full High Definition Movie: #WATCHMOVIE HERE: Japan Music Fair LIVE Get Back In The Groove XK5 Jon's archive https://archive.org/details/JapanMusicFairLIVEGetBackInTheGrooveXK5 Youtube https://youtu.be/1x3Xt4yLF8U 11月4、5、6日と続いた楽器フェア2016、スズキハーモニカのデモ演奏を連日行いましたが、無事に終了しました!演奏を聴いていただいたみなさま、ありがとうございました。ハモンドオルガンの名手 河合 代介さんとのデュオ(最終日最後のセットにはドラムの大槻カルタさんが乱入してくれて大盛り!)、そしてアメリカから急遽かけつけてくれたハモンドオルガンの Jon Hammondとギターの Joe Bergerのトリオ(スズキハーモニカ開発のIさんに飛び入りしてもらいました!)にて行いました。とても良い内容の3日間だったと思います。関係者のみなさまお疲れ様でした。 河合代介さんとは今週金曜日11日に沼袋 オルガンジャズ倶楽部にてふたたびデュオでライブしますので、そちらも是非よろしくお願いします! God bless...my friend Quincey Carr is in the Evening News tonight with Captain Sully Sullenberger and Mayor Libby Schaaf...check it out! - Jon Hammond: Surprise scholarship aids Hayward pilot’s flight instruction dreams Photos by Jon Hammond - Quincey Carr and Steven Turner - Oakland CA http://www.eastbaytimes.com/2016/11/07/surprise-scholarship-aids-hayward-pilots-flight-instruction-dreams/ "Chesley “Sully” Sullenberger shakes hands with Quincey Carr after presenting him with a certificate with which he may complete his training to become a flight instructor in Oakland, Calif., on Monday, Nov. 7, 2016. Carr, who was shot and paralyzed years ago, told his story to Oakland police Sgt. Clay Burch (standing behind Sullenberger) who arranged for the Oakland Firefighters Random Acts charity to fund Carr’s flight education. (Kristopher Skinner/Bay Area News Group) " By George Kelly | gkelly@bayareanewsgroup.com PUBLISHED: November 7, 2016 at 5:13 pm "OAKLAND — “Whoa, whoa, oh my God!” Quincey Carr cried out as he wheeled around full circle in his wheelchair as media and well-wishers quickly surrounded him at the corner of Hegenberger Road and Edgewater Drive near his job. Only minutes before, an Oakland fire engine had pulled up to treat Carr in an attempt to distract him. “They surprised me, they had the fire truck show up here and test my pulse and said ‘Are you OK?'” he said. “Then people just started swarming in, and I was like, ‘What is happening?'” Carr, 32, of Hayward, was immediately surrounded by cameras and city leaders, including Mayor Libby Schaaf, and Capt. Chesley “Sully” Sullenberger, who presented him with a $10,000 scholarship check on behalf of Oakland Firefighters Random Acts to cover the cost of flight instruction classes. “I’m just so happy that I can really devote all of the time in doing what I really want to do,” said Carr, who wields a bullhorn and signs six days a week to promote Ramos Furniture, a family-owned and operated chain of Northern California stores. He came by his love of flight early with visits to his parents’ jobs at the Alameda Naval Air Station leading to model-plane collections, flight lessons and his own private pilot’s license at age 17 in 2002. But tragedy struck on Aug. 11, 2006, when Carr, who learned he had passed his written exam for a commercial license, went out with his girlfriend to begin celebrations with a haircut at his regular barbershop on International Boulevard. When his girlfriend rebuffed a stranger’s flirting, the man left the shop but returned soon after with a gun and shot Carr three times, then fired two more shots into him on the floor. Carr’s dreams were on hold. But he fought back through agonizing rehabilitation to teach ground instruction at a local flight school, take friends on occasional plane rides and play a weekly piano gig at a Union City hotel to make ends meet. Oakland police Sgt. Clay Burch said he met Carr earlier this year while visiting Ramos Furniture during a work break. It was after that chance meeting that Burch started thinking about how he could help Carr. “We’re here to hopefully start him on a path to change his life. His dream has always been to be a flight instructor. Today, we’re here to help him realize his dream,” Burch said. Larry Hendricks, a retired 30-year Oakland firefighter, said the mayor’s office contacted his nonprofit organization, Oakland Firefighters Random Acts, to help with Burch’s plan. “When we heard (Burch) had taken the time to get the backstory of a guy hundreds of people had driven by in his wheelchair, it was a no-brainer for us,” Hendricks said. At fire station No. 27 on Pardee Road, officials started talking about a scholarship that would allow Carr to train at Pacific States Aviation, a flight-based operator in Concord. “I’ve known Quincey for more than 15 years,” Rashid Yahya, Pacific States vice president and chief pilot, said. “He still flies out of our academy using a special apparatus. I’m really glad we can help Quincey with his passion for flying and teaching. Once he gets his certificate, he can teach any student from private to commercial how to fly.” Sullenberger praised Random Acts and all others who helped raise funds for Carr’s equipment and training. “When I became a flight instructor when I was 20 years old, I very quickly realized it’s one thing to be able to accomplish something, to achieve a certain level of performance, but it’s quite another to, in very granular fashion, break that down into component parts and explain it to someone so they can begin to do it,” said Sullenberger, who lavished praise on Carr’s determination and perseverance in pursuing his flight instruction dreams. “I’m going to tell him today that forever after when I see a small plane overhead, I’m going to say ‘I wonder if that’s Quincey?'” Staff writer Angela Hill contributed to this report. Contact George Kelly George Kelly George Kelly is a breaking news reporter for the Bay Area News Group. He has worked as an online coordinator and, before that, a copy editor and page designer for Bay Area-based newspapers and magazines. Off work, he enjoys playing in bands, busking and karaoke. His first newspaper job was as a Washington Post paperboy. Follow George Kelly @allaboutgeorge Jon Hammond Thumbs Up to the amazing Ramos Furniture Store Promo Duo Quincey Carr and Steven Turner on tenor on corner of Edgewater and Hegenberger! - Check 'em out if you are driving by folks - FREE HDTV with a qualifying purchase while supplies last! Up to a 51 inch HDTV FREE! — with Quincey Carr, Steven Turner and Ramos Furniture at Ramos Furniture - Oakland CA Jon's archive https://archive.org/details/JapanMusicFairLIVEGetBackInTheGrooveXK5 Youtube https://youtu.be/1x3Xt4yLF8U Vimeo https://vimeo.com/190419463 Facebook video https://www.facebook.com/jonhammondband/videos/1455167981178661/ Japan Music Fair LIVE Get Back in The Groove XK5 featuring Koei Tanaka and Joe Berger plus special guest Tokuichi Inoue chromatic Harmonica Masters from Suzuki Musical Instruments - Jon Hammond is playing the new XK-5 Hammond organ and high power Leslie Speaker, the new standard in Hammond B3 digital organ, best modern Hammond organ in history, enjoy! Jon Hammond photo Steve aka Shunichi Horiuchi! http://www.HammondCast.com Tokyo Japan -- thanks for photo Steve aka Shunichi Horiuchi! - Tokyo Japan -- I love playing this organ XK-5 aka XK5 Hammond, come join us for Day 2 Japan Musical Instruments Fair in Suzuki Musical Instruments stand folks! - Jon Hammond H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 31 Files Producer Jon Hammond Language English Allowed on Timeline Jon Hammond drawing crowds at Suzuki Musical Instruments! — with Jon Hammond - photo credit: Joe Berger With Takano Naoyuki and Jon Hammond - Photo credit Lars Heuseler Tokyo Japan -- I love playing this organ XK-5 aka XK5 Hammond, come join us for Day 2 Japan Musical Instruments Fair in Suzuki stand folks! - Jon Hammond Jon Hammond with Kaori Tai - one of Koei Tanaka's top harmonica students and excellent photographer! Photo credit Kaori Tai http://musicfair.jp/2016/ あ~~、写真多すぎてUPするので手一杯。 カメラのスペックが低い割りに良い写真が撮れたのでは?とは思うが、やっぱりカメラのスペックは上げたいのが本音。 Tokyo Japan -- Wow it was a great day to see my dear friends again from Suzuki Musical Instruments, reunion at Japan Music Fair 2016! Jon Hammond Photo Credit, Yu Beniya! with Waichiro Tachikawa aka Tachi and Take Photo Credit Yu Beniya Daisuke Kawai XK-5 Organ and Koei Tanaka looking and sounding beautiful beautiful beautiful cats! Music for the people at Japan Music Fair Tokyo Big Sight Suzuki Musical Instruments stage - photo: Jon Hammond Tokyo Japan -- Music Power Shot! L to R Koei Tanaka, Daisuke Kawai, Jon Hammond - playing in Suzuki Musical Instruments stage for the public and trade on the new Hammond XK-5 and the special Suzuki Harmonica chromatic master Koei! Tokyo Japan -- Joe Lamond President CEO of NAMM in the house at Japan Musical Instruments Fair! Just in from Shanghai Music China - Joe Berger was at Music China also - NAMM International Team takin' care o' business folks! - Jon Hammond Japan Music Fair Photos in Suzuki Hammond from Steve aka Shunichi Horiuchi! - Jon Hammond Jon's archive https://archive.org/details/HammondPartyNightPocketFunkShakingOutTheNewXK5OrganInNashville Vimeo https://vimeo.com/hammondcast Jon Hammond Band at the Hammond Party for the new XK-5 Hammond organ, playing Jon's tune Pocket Funk in Full HighDef on the new prototype organ with Kayleigh Moyer on the Sleishman Drum Co Mothertone drums, Chuggy Carter congas GON BOPS, Joe Berger guitar, Jon Hammond at the XK5 (plays just like a B3 with Multi Contact keys!) first night of Summer NAMM Show Nashville, Tennessee at the famous studios of SoundCheck Nashville- Pocket Funk as seen on Jon's TV show Jon Hammond Show 34 years on Manhattan Neighborhood Network channel 1 - special thanks to Hammond Organ USA Gregory Gronowski & Scott May, Ray Gerlich long-time Hammond Technical Supervisor since 1976! also Mark Prentice M.D. for the evening, known as "Sound Soul Summit V" fine players all night long on the new org - Thanks to my friend Chuck Rainey the great studio bassist for coming and hanging with us all night long! And the Suzuki Musical Instruments Team makers of Hammond Organs and Leslie Speakers *from Hamamatsu-shi, Shizuoka, Japan http://www.HammondCast.com ‪#‎XK5‬ ‪#‎NAMMShow‬ ‪#‎Nashville‬ ‪#‎SummerNAMM‬ ‪#‎HammondOrgan‬ Producer Jon Hammond Language English Youtube https://youtu.be/Ng5WijIR7h8 Jon's archive https://archive.org/details/MusicalInstrumentsFairJapanSecondDaySuzukiHammondMercyDedicatedToTachi Youtube https://youtu.be/MnC-at_BHcc Vimeo https://vimeo.com/190865885 Facebook video https://www.facebook.com/hammondcast/videos/10153875987502102/ Tokyo Big Sight Japan -- Very special dedication at Musical Instruments Fair Japan Second Day to my good friend Waichiro Tachikawa aka Tachi - reprising 10 years later Mercy Mercy with the great Suzuki Chromatic harmonica masters Koei Tanaka and Tokuichi Inoue (Stevie Wonder's friends and harmonica makers!), Joe Berger playing custom guitar built by Tor Arne Engdal and Jon Hammond at the exciting new Hammond organ product, the XK-5 aka XK5 presented in the full blown version Heritage Pro System with high power model 3300 Leslie Speaker daily onstage in the Suzuki Musical Instruments stand - enjoy this Full High Definition Film that will bring you right there to the bi-annual fair in the Big Sight convention and exhibition center in Tokyo, Japan - the largest one in the country! See you again in 2018 folks! These instruments are available now from your local Hammond Suzuki representitives - Jon Hammond http://www.HammondCast.com Koei Tanaka and Jon Hammond - Suzuki Musical Instruments Hamamatsu Suzuki Musical Instruments Hamamatsu President Manji Suzuki and Jon Hammond seated at the New B3 B3mk2 organ Suzuki Chromatic harmonica masters Koei Tanaka and Tokuichi Inoue (Stevie Wonder's friends and harmonica makers!), Joe Berger playing custom guitar built by Tor Arne Engdal and Jon Hammond at the exciting new Hammond organ product, the XK-5 *Note: We will also be appearing at Winter NAMM Show, Frankfurt musikmesse Prolight + Sound and Summer NAMM Show 31st year - this is the New B3 of the Future, now! “The New Original” - JH XK5 Heritage Series Model Options: XK5 Heritage Pro System MoK5 Heritage Pro System Special Thanks Shigeyuki Ohtaka, Yu Beniya, Masato Tomie and Suzuki Engineering Team - President Manji Suzuki & Suzuki Team - a pleasure to play the Hybrid Multiple Key Contact System and the All-New Sound Engine totally rocks! Producer Jon Hammond Audio/Visual sound, color Language English Musical Instruments Fair Japan, Tokyo Big Sight, XK5, XK-5 Organ, Suzuki Musical Instruments, Mercy, Jon Hammond, Chromatic Harmonica, Koei Tanaka, Electric guitar, Joe Berger, Blues Band, NAMM, musikmesse, #HammondOrgan H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 24 Files download 5 Original The Hammond XK-5 http://hammondorganco.com/wp-content/uploads/2016/06/XK5-main-product.pdf "XK5 Single Manual XK5 Heritage Pro System • XK5, XLK5 lower manual, new Pro Bench (BK), new Pro Stand (BK) • XPK250BK Pedalboard (option, not shown) Model A3 Heritage System • XK5, A3 lower manual (RW), new A3 Bench (RW), new A3 Stand (RW) • XPK250W Pedalboard (option) 1|Page HAMMOND® XK-5 “THE NEW ORIGINAL” The HAMMOND B-3TM organ and its siblings such as the C-3TM and A-100TM have been the single most influential keyboard instruments in musical history, perhaps apart from the acoustic piano. When paired with the spinning Leslie® speaker, the HAMMOND’s sonic versatility defined the electrified keyboard sound of genres from rock to soul to Gospel to jazz. This sound is as sought after today as ever. With the XK-5 and Heritage Series, HAMMOND is proud to announce that we’ve closed the final millimeters of the realism gap—in terms of both sound and feel—in a form factor that’s far more portable and affordable than a vintage Hammond organ. We are very proud of this instrument for providing an absolutely authentic playing experience that will meet the demands of even the most seasoned B-3 purist. Frankly, we feel it has no peer among today’s keyboard offerings. “It’s very important to feel comfortable sitting at the organ. Sometimes I play an organ and it doesn’t feel like what I’m used to. First of all, [The XK-5] feels like a B-3, just sitting at it.” – Dr. Lonnie Smith, legendary jazz organist “It’s a Hammond B3! That’s what most of us want in essence. But to be able to go beyond that and have all these incredible adjustments ... I’m in love!” – Chuck Leavell (The Rolling Stones) Let’s face it: Moving and maintaining an antique Hammond will only become more difficult as time passes. Of course we have tons of respect for anyone who does, but to get all of the sound with none of the hassle, let’s learn why the XK-5 is destined to become The New OriginalTM . NEW PATENT-PENDING TECHNOLOGIES The engineering team we’ve dedicated to the Hammond sound for over 30 years went back to the drawing board for nearly everything about the new XK-5, analyzing many classic organs and poring over original diagrams and blueprints that only we possess. Here are some of the biggest new ideas in the new Hammond XK-5. 2|Page Hybrid Multiple Key Contact System: On classic Hammonds (and in our current, full-sized New B-3 Mk. II family), pressing a key closes nine mechanical contacts: one for each drawbar. Your ears usually hear the multiple harmonics as one note. Depress a key slowly, however, and you can hear the harmonics come in at slightly different times. Normal playing created a subtle “slop” between otherwise crisp attacks, and the more drawbars you pull out, the more of an almost subliminal but chewy and soulful character it impacts to the sound. One perhaps feels this more than hears it, but seasoned players certainly notice its absence. You can’t accomplish this with a single MIDI note-on, which is what most of today’s organ and synth key actions use. In the XK-5, we use three mechanical contacts at different points in the keys’ travel. Each of these in turn triggers three virtual contacts, giving you separate “note on” connections for every drawbar frequency in the same manner as the original nine-contact electro-mechanical Hammond® organs. The result is a fingers-to-music connection that perfectly duplicates sitting at a vintage B while saving on weight and cost. Plus, the time-spread between these “note ons” is programmable, as is the order in which you hear the harmonics speak. And since the contacts all receive and transmit MIDI note data, you can capture every harmonic nuance of your performance in your DAW program of choice—to which you can directly connect the XK-5 via USB. “The first thing that struck me was the action. I played a big Larry Young chord, and stretching and hitting that top note, it didn’t quite trigger all the way until I really pressed on it. That’s exactly what a B-3 does and what I expect as a B-3 player.” – Jim Alfredson (Organissimo, Janiva Magness) (Jim – jamming on the XK5 – ModelA3) Completely Redesigned Key-bed: The XK-5’s keyboard action is built in-house, not sourced from a third-party manufacturer. We designed it to duplicate the heft, bounce, and key dip of a “new old stock” and well-maintained B-3TM: No springy synth keys allowed! Master Hammond players who tested early prototypes confirmed that nothing comes closer to the feel and response they expect. Of course it has the “waterfall” key fronts critical to Hammond playing techniques such as palm slides. Play the XK-5 alongside any other modern organ and we’re convinced you’ll find the difference stunning. “The feel of the keyboard, it kicks back at you. It’s not dead, and it feels good. See, that’s what we’re looking for!”- Dr. Lonnie Smith “It’s like the feel of what I imagine it must have been like in 1968 when you put your hands on a brand new one. It feels great.”- Chuck Leavell 3|Page All-New Sound Engine: The XK-5 employs new proprietary technology to recreate Hammond’s storied tone wheel generator with unprecedented accuracy and flexibility. Tone wheels were spinning discs on shafts, each with its own pickup pointing at the edge. The pattern of “teeth” cut into the edge of the wheel and its rotational speed determined the pitch. Modeling and sampling are combined in an exclusive process to capture the frequencies of all 91 tone wheels found in the original organs, not to mention other important sonic details such as key click, harmonic percussion, vibrato-chorus, and more. Tone wheel generators have become like rare violins or classic cars: Even though Hammond originally calibrated all instruments that left the factory to sound identical, no two are exactly alike after decades of use. So we’ve extended the programmability of both the overall generator characteristics (such as leakage and cross-talk between pickups) and individual tone wheel behavior (such as the purity of the sine wave) to almost ludicrous depths. In addition to letting you perfectly duplicate different conditions of Hammonds—from showroom-new to road-abused if that’s what you’re going for—there’s the ability to recreate individual organs right down to the model, year, and serial number! Presets will capture the exact tonal qualities of famous artists’ instruments, from jazz great Dr. Lonnie Smith to Chuck Leavell (The Rolling Stones) to Gregg Rolie (Santana, Journey) and more. Virtual Matching Transformer: An often overlooked subtlety of the Hammond sound was that the tone wheels generated tiny voltages that needed to be stepped up, and you could be “drawing on” some of the same wheels at the same time by playing similar notes with similar drawbar settings on both manuals. All signals from the upper, lower, and pedal manuals passed through a matching transformer that was intended to even things out before the signal moved on to the preamp and vibrato-chorus scanner. The transformer—a piece of iron with a coil wrapped around it—could “remember” some of its saturation based on how hard it had been working previously, thus affecting new notes played. Physicists call this hysteresis. Musically speaking, it affects how much “volume robbing” you hear and adds to what Hammond aficionados think of as the “breathing” quality of the organ. (The phenomenon is similar to why some recording engineers like transformer-equipped microphones and/or preamps for certain sounds.) In the XK-5, the matching transformer and its place in the signal chain is modeled precisely, and the saturation and hysteresis amounts are adjustable from barely-there to over-the-top. Like we said, we’re closing the final few millimeters of the realism gap. MORE FEATURES We didn’t stop there. Just a few of the XK-5’s more than 50 innovations and features include: • Four full sets of Harmonic Drawbars plus pedal drawbars, just like on original Hammond console organs including the B-3. • 12 additional virtual tone wheels are devoted to harmonically complex pedal tones (i.e. more than just 16' and 8' sine waves), as found on Hammonds beginning in 1945. • Custom tone wheel profiles available via download. • Our best-ever Digital Leslie effect. Anything else is just a “rotary simulator.” • Continuously variable Digital Leslie speed if desired. 4|Page • Dedicated octave shift / transpose buttons. • Improved DSP-based overdrive complemented by vacuum tube preamp. • Improved vibrato-chorus. • Dedicated on/off buttons and amount knobs for reverb, overdrive, and assignable multi-FX. • Lower B drawbars can alternately control 9 MIDI CC messages for external gear. • Left and right 1⁄4'' outs can be used at the same time as Leslie output, for running the XK-5 through a real Leslie in parallel to stationary speakers, a subwoofer, or house P.A. • More key-triggering modes for pedal-to-lower coupler (Manual Bass function). • Firmware updatable via USB flash drive or directly from computer. • Crisp new OLED display is more readable under different lighting conditions. Of course we’ve retained the things that made working with the XK-3C and our compact SK-series keyboards a joy. Hold any button and the first page of parameters most relevant to it comes up in the display—holding the Leslie speed button for Digital Leslie settings, for example. This saves you a ton of menu-diving when customizing your sounds. New patch-naming and copying features also make your housekeeping even easier. HERITAGE SERIES OVERVIEW The single manual XK-5 forms the basis of our new Heritage Series, letting you configure as large or as small a system as your gig requires. For adding flawless and inspiring Hammond organ sound to your existing multi-keyboard rig, simply purchase the XK-5 single-manual unit. It contains all the tone-generating “brains” in case you want to expand later. From here, two systems offer a choice between contemporary or traditional looks for players who require dual manuals and/or pedals. XK-5 Pro System This system is best for touring musicians who carry their own gear but require a full portable B-3. The new XLK-5 lower manual uses the same key-bed and multi-contact system. It features the same high-quality cabinetry as the main unit, with vertically extended side panels designed to cradle your XK-5. Remove the existing side panels from the main unit (a quick and simple operation), slide it into place, and you have an integrated dual-manual rig with a seamless appearance. Jazz players who kick bass can add the XPK-250 two-octave radiating pedalboard, which includes our new EXP-250 expression pedal. Though the XK-5 is compatible with previous XK-3 and XK-3C Pro System expansion products such as the XLK-3 lower manual (though you’ll only get the multiple key contacts on the XK-5 itself), all the new components interconnect via H-BUS, our new connector that simplifies setup by carrying both data and power. Rounding out the options are the open-footprint aluminum Pro stand, which folds for easy carry, and matching bench. 5|Page Model A-3TM So named because it looks very much like Laurens Hammond’s first organ, the Model ATM he introduced in 1935, the Model A-3 is ideal for installation in a church or nightclub, or for any application where the appearance of a classic B-series Hammond is desired. It begins with the XK5 and adds the A-3 lower manual, which functions exactly like the XLK-5 but has thicker side panels. The wooden “B-3 look” stand and bench match the cabinetry perfectly, as does the XPK-250 pedalboard with expression pedal. HAMMOND will offer different bundles of these components through better retailers everywhere. If you demand no less than perfection from your tone-wheel organ sound, a feel and responsiveness that will make you close your eyes and imagine you’re playing a vintage B-3, and programmability that will let you recreate any specific Hammond that may be in your mind’s ear, don’t settle for a “clone.” Insist on The New Original ... the HAMMOND XK-5. “I’m so glad Hammond is carrying on the tradition, and making it even better than it was in the beginning. Congratulations!” – Chuck Leavell SPECIFICATIONS: Hammond USA 743 Annoreno Drive Addison, IL 60101 www.hammondorganco.com 6|Page Manuals Upper and Lower 73 notes each (61 playing keys plus 12 Preset Keys) Square-front (“waterfall”-style) New mechanical key-bed design Pedal (optional) 13, 20-note spinet-style 25-note radiating Adjustable Pedal Sustain Pedal to Lower coupler Custom Pedal Registrations (3 Factory, 3 User) Split SPLIT panel control Assignable split point Tone Generator MTWTM (Modeled Tone Wheels) 61-note polyphony for Manuals 5-note polyphony for Pedals Virtual Multi-ContactsTM Custom Contacts (3 Factory, 3 User) 3 Physical Contacts, 9 Assignable Virtual Contacts Adjustable Attack, Release, Decay Harmonic Drawbars® 5 sets (4 Manuals, 1 Pedal) Upper 2 X 9 pitches Lower 2 X 9 pitches Pedal 2 pitches Drawbar Voicing 4 choices for Manuals (A-100, B-3, C-3, Mellow) 4 choices for Pedals (Normal, Muted, Synth 1 & 2) Custom Tone Wheel (CTWTM) 3 Factory, 3 User for A-100, B-3, C- 3 & Mellow Drawbar Voicings CTW’s identified by model and serial number Adjustable parameters for each tone wheel 12 complex tone wheels for bottom 12 pedal tones. Touch-Response PercussionTM Percussion On, Normal/Soft Volume, Slow/Fast Decay, 2nd & 3rd Harmonic Adjustable Normal/Soft Volume settings, Slow/Fast Decay rates, Velocity, Key Tracking, 1’ Drawbar Cancel ON/OFF Vibrato & ChorusTM Virtual ScannerTM (3 settings) Adjustable rate, Vibrato/Chorus Mix Vibrato on Pedal ON/OFF Overdrive Tube/Solid State Adjustable drive level Preset Keys 9 Presets plus Cancel each Manual 2 Adjust Presets each Manual 9 programmable Preset Banks Patches 100 User, 100 Factory Patches Assignable to Preset Keys as Favorites Assignable Patch Load: Drawbar registrations, Drawbar parameters, Internal & External Zones, Multi- Effects, Reverb. Tube Preamp 12AU7/12AX7 Tubes Adjustable Routing & Drive Level MTTM Matching Transformer Adjustable drive level, Hysteresis, upper/lower/percussion levels Multi-Effects Tremolo, Auto Pan, Wah-Wah, Ring Modulator, Phaser, Flanger, Chorus, Delay. Adjustable parameters for each effect. Master Equalizer Bass/Mid/Treble panel controls Adjustable gain & center frequency Programmable Equalizer Bass, Mid, Treble Adjustable center frequency Hammond Preamp Tone Control Leslie® STOP, FAST, BYPASS panel controls. Custom Cabinets (8 Preset, 8 User) Adjustable Slow & Fast Speeds, Rise & Fall Times, Horn/Drum/Subwoofer Volume Balance, Microphone Settings. Reverb ON/OFF panel control 11 programs Leslie On Reverb ON/OFF MIDI 5 MIDI Templates 3 Keyboard Channels (Upper, Lower, Pedals) 6 External Zones (3 Upper, 2 Lower, 1 Pedals) Assignable MIDI channels, key range, Program Change, Pan, Velocity Curve, Min/Max Volume IN 1, IN 2, OUT Connections Display OLED, 20 character, 2 line 7 Control Buttons & VALUE Rotary Knob USB “A” port (“To USB Flash Drive”) “B” port (“To Host”) Tune/Transpose Transpose +- 6 semitones Fine Tune +- 10 cents Octave Up/Down +- 2 octaves H-BUS® Connector To Pedals/Expression Pedal Audio Connections LINE OUT L/MONO / R Headphone Jack 11-pin Leslie® Connector Other Connections CONTROL 1, CONTROL 2, 8-pin DIN (EXP-100F Expression Pedal) AC Input Dimensions 46.8” (W) 15.8” (D) 4.7” (H) Weight 34.6 lbs. " Jon's archive https://archive.org/details/MusicalInstrumentsFairJapanNOXCESSBAGGAGEBLUESInSuzukiMusicalInstrumentsStandXK5 Youtube https://youtu.be/F5Fq9rDCruk Vimeo https://vimeo.com/190629641 Sennheiser In The News led by system designer Norbert Hilbich AMBEO 3D audio soundscapes guidePORT system wow! Jon Hammond Courtesy of Installation AV integration in a networked world LINK http://www.installation-international.com/sennheiser-to-provide-3d-music-for-va-revolution-exhibition/ Photo: Dave Robinson --Sennheiser audio solutions - Daniel Sennheiser, CEO of Sennh

Musical Instruments Fair Japan Second Day Suzuki Hammond Mercy Dedicated To Tachi! - November 9, 2016

#WATCHMOVIE HERE: Musical Instruments Fair Japan Second Day Suzuki Hammond Mercy Dedicated To Tachi! Jon's archive https://archive.org/details/MusicalInstrumentsFairJapanSecondDaySuzukiHammondMercyDedicatedToTachi Youtube https://youtu.be/MnC-at_BHcc Vimeo https://vimeo.com/190865885 Facebook video https://www.facebook.com/hammondcast/videos/10153875987502102/ Tokyo Big Sight Japan -- Very special dedication at Musical Instruments Fair Japan Second Day to my good friend Waichiro Tachikawa aka Tachi - reprising 10 years later Mercy Mercy with the great Suzuki Chromatic harmonica masters Koei Tanaka and Tokuichi Inoue (Stevie Wonder's friends and harmonica makers!), Joe Berger playing custom guitar built by Tor Arne Engdal and Jon Hammond at the exciting new Hammond organ product, the XK-5 aka XK5 presented in the full blown version Heritage Pro System with high power model 3300 Leslie Speaker daily onstage in the Suzuki Musical Instruments stand - enjoy this Full High Definition Film that will bring you right there to the bi-annual fair in the Big Sight convention and exhibition center in Tokyo, Japan - the largest one in the country! See you again in 2018 folks! These instruments are available now from your local Hammond Suzuki representitives - Jon Hammond http://www.HammondCast.com Koei Tanaka and Jon Hammond - Suzuki Musical Instruments Hamamatsu Suzuki Musical Instruments Hamamatsu President Manji Suzuki and Jon Hammond seated at the New B3 B3mk2 organ Suzuki Chromatic harmonica masters Koei Tanaka and Tokuichi Inoue (Stevie Wonder's friends and harmonica makers!), Joe Berger playing custom guitar built by Tor Arne Engdal and Jon Hammond at the exciting new Hammond organ product, the XK-5 *Note: We will also be appearing at Winter NAMM Show, Frankfurt musikmesse Prolight + Sound and Summer NAMM Show 31st year - this is the New B3 of the Future, now! “The New Original” - JH XK5 Heritage Series Model Options: XK5 Heritage Pro System MoK5 Heritage Pro System Special Thanks Shigeyuki Ohtaka, Yu Beniya, Masato Tomie and Suzuki Engineering Team - President Manji Suzuki & Suzuki Team - a pleasure to play the Hybrid Multiple Key Contact System and the All-New Sound Engine totally rocks! Producer Jon Hammond Audio/Visual sound, color Language English Musical Instruments Fair Japan, Tokyo Big Sight, XK5, XK-5 Organ, Suzuki Musical Instruments, Mercy, Jon Hammond, Chromatic Harmonica, Koei Tanaka, Electric guitar, Joe Berger, Blues Band, NAMM, musikmesse, #HammondOrgan H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 24 Files download 5 Original The Hammond XK-5 http://hammondorganco.com/wp-content/uploads/2016/06/XK5-main-product.pdf "XK5 Single Manual XK5 Heritage Pro System • XK5, XLK5 lower manual, new Pro Bench (BK), new Pro Stand (BK) • XPK250BK Pedalboard (option, not shown) Model A3 Heritage System • XK5, A3 lower manual (RW), new A3 Bench (RW), new A3 Stand (RW) • XPK250W Pedalboard (option) 1|Page HAMMOND® XK-5 “THE NEW ORIGINAL” The HAMMOND B-3TM organ and its siblings such as the C-3TM and A-100TM have been the single most influential keyboard instruments in musical history, perhaps apart from the acoustic piano. When paired with the spinning Leslie® speaker, the HAMMOND’s sonic versatility defined the electrified keyboard sound of genres from rock to soul to Gospel to jazz. This sound is as sought after today as ever. With the XK-5 and Heritage Series, HAMMOND is proud to announce that we’ve closed the final millimeters of the realism gap—in terms of both sound and feel—in a form factor that’s far more portable and affordable than a vintage Hammond organ. We are very proud of this instrument for providing an absolutely authentic playing experience that will meet the demands of even the most seasoned B-3 purist. Frankly, we feel it has no peer among today’s keyboard offerings. “It’s very important to feel comfortable sitting at the organ. Sometimes I play an organ and it doesn’t feel like what I’m used to. First of all, [The XK-5] feels like a B-3, just sitting at it.” – Dr. Lonnie Smith, legendary jazz organist “It’s a Hammond B3! That’s what most of us want in essence. But to be able to go beyond that and have all these incredible adjustments ... I’m in love!” – Chuck Leavell (The Rolling Stones) Let’s face it: Moving and maintaining an antique Hammond will only become more difficult as time passes. Of course we have tons of respect for anyone who does, but to get all of the sound with none of the hassle, let’s learn why the XK-5 is destined to become The New OriginalTM . NEW PATENT-PENDING TECHNOLOGIES The engineering team we’ve dedicated to the Hammond sound for over 30 years went back to the drawing board for nearly everything about the new XK-5, analyzing many classic organs and poring over original diagrams and blueprints that only we possess. Here are some of the biggest new ideas in the new Hammond XK-5. 2|Page Hybrid Multiple Key Contact System: On classic Hammonds (and in our current, full-sized New B-3 Mk. II family), pressing a key closes nine mechanical contacts: one for each drawbar. Your ears usually hear the multiple harmonics as one note. Depress a key slowly, however, and you can hear the harmonics come in at slightly different times. Normal playing created a subtle “slop” between otherwise crisp attacks, and the more drawbars you pull out, the more of an almost subliminal but chewy and soulful character it impacts to the sound. One perhaps feels this more than hears it, but seasoned players certainly notice its absence. You can’t accomplish this with a single MIDI note-on, which is what most of today’s organ and synth key actions use. In the XK-5, we use three mechanical contacts at different points in the keys’ travel. Each of these in turn triggers three virtual contacts, giving you separate “note on” connections for every drawbar frequency in the same manner as the original nine-contact electro-mechanical Hammond® organs. The result is a fingers-to-music connection that perfectly duplicates sitting at a vintage B while saving on weight and cost. Plus, the time-spread between these “note ons” is programmable, as is the order in which you hear the harmonics speak. And since the contacts all receive and transmit MIDI note data, you can capture every harmonic nuance of your performance in your DAW program of choice—to which you can directly connect the XK-5 via USB. “The first thing that struck me was the action. I played a big Larry Young chord, and stretching and hitting that top note, it didn’t quite trigger all the way until I really pressed on it. That’s exactly what a B-3 does and what I expect as a B-3 player.” – Jim Alfredson (Organissimo, Janiva Magness) (Jim – jamming on the XK5 – ModelA3) Completely Redesigned Key-bed: The XK-5’s keyboard action is built in-house, not sourced from a third-party manufacturer. We designed it to duplicate the heft, bounce, and key dip of a “new old stock” and well-maintained B-3TM: No springy synth keys allowed! Master Hammond players who tested early prototypes confirmed that nothing comes closer to the feel and response they expect. Of course it has the “waterfall” key fronts critical to Hammond playing techniques such as palm slides. Play the XK-5 alongside any other modern organ and we’re convinced you’ll find the difference stunning. “The feel of the keyboard, it kicks back at you. It’s not dead, and it feels good. See, that’s what we’re looking for!”- Dr. Lonnie Smith “It’s like the feel of what I imagine it must have been like in 1968 when you put your hands on a brand new one. It feels great.”- Chuck Leavell 3|Page All-New Sound Engine: The XK-5 employs new proprietary technology to recreate Hammond’s storied tone wheel generator with unprecedented accuracy and flexibility. Tone wheels were spinning discs on shafts, each with its own pickup pointing at the edge. The pattern of “teeth” cut into the edge of the wheel and its rotational speed determined the pitch. Modeling and sampling are combined in an exclusive process to capture the frequencies of all 91 tone wheels found in the original organs, not to mention other important sonic details such as key click, harmonic percussion, vibrato-chorus, and more. Tone wheel generators have become like rare violins or classic cars: Even though Hammond originally calibrated all instruments that left the factory to sound identical, no two are exactly alike after decades of use. So we’ve extended the programmability of both the overall generator characteristics (such as leakage and cross-talk between pickups) and individual tone wheel behavior (such as the purity of the sine wave) to almost ludicrous depths. In addition to letting you perfectly duplicate different conditions of Hammonds—from showroom-new to road-abused if that’s what you’re going for—there’s the ability to recreate individual organs right down to the model, year, and serial number! Presets will capture the exact tonal qualities of famous artists’ instruments, from jazz great Dr. Lonnie Smith to Chuck Leavell (The Rolling Stones) to Gregg Rolie (Santana, Journey) and more. Virtual Matching Transformer: An often overlooked subtlety of the Hammond sound was that the tone wheels generated tiny voltages that needed to be stepped up, and you could be “drawing on” some of the same wheels at the same time by playing similar notes with similar drawbar settings on both manuals. All signals from the upper, lower, and pedal manuals passed through a matching transformer that was intended to even things out before the signal moved on to the preamp and vibrato-chorus scanner. The transformer—a piece of iron with a coil wrapped around it—could “remember” some of its saturation based on how hard it had been working previously, thus affecting new notes played. Physicists call this hysteresis. Musically speaking, it affects how much “volume robbing” you hear and adds to what Hammond aficionados think of as the “breathing” quality of the organ. (The phenomenon is similar to why some recording engineers like transformer-equipped microphones and/or preamps for certain sounds.) In the XK-5, the matching transformer and its place in the signal chain is modeled precisely, and the saturation and hysteresis amounts are adjustable from barely-there to over-the-top. Like we said, we’re closing the final few millimeters of the realism gap. MORE FEATURES We didn’t stop there. Just a few of the XK-5’s more than 50 innovations and features include: • Four full sets of Harmonic Drawbars plus pedal drawbars, just like on original Hammond console organs including the B-3. • 12 additional virtual tone wheels are devoted to harmonically complex pedal tones (i.e. more than just 16' and 8' sine waves), as found on Hammonds beginning in 1945. • Custom tone wheel profiles available via download. • Our best-ever Digital Leslie effect. Anything else is just a “rotary simulator.” • Continuously variable Digital Leslie speed if desired. 4|Page • Dedicated octave shift / transpose buttons. • Improved DSP-based overdrive complemented by vacuum tube preamp. • Improved vibrato-chorus. • Dedicated on/off buttons and amount knobs for reverb, overdrive, and assignable multi-FX. • Lower B drawbars can alternately control 9 MIDI CC messages for external gear. • Left and right 1⁄4'' outs can be used at the same time as Leslie output, for running the XK-5 through a real Leslie in parallel to stationary speakers, a subwoofer, or house P.A. • More key-triggering modes for pedal-to-lower coupler (Manual Bass function). • Firmware updatable via USB flash drive or directly from computer. • Crisp new OLED display is more readable under different lighting conditions. Of course we’ve retained the things that made working with the XK-3C and our compact SK-series keyboards a joy. Hold any button and the first page of parameters most relevant to it comes up in the display—holding the Leslie speed button for Digital Leslie settings, for example. This saves you a ton of menu-diving when customizing your sounds. New patch-naming and copying features also make your housekeeping even easier. HERITAGE SERIES OVERVIEW The single manual XK-5 forms the basis of our new Heritage Series, letting you configure as large or as small a system as your gig requires. For adding flawless and inspiring Hammond organ sound to your existing multi-keyboard rig, simply purchase the XK-5 single-manual unit. It contains all the tone-generating “brains” in case you want to expand later. From here, two systems offer a choice between contemporary or traditional looks for players who require dual manuals and/or pedals. XK-5 Pro System This system is best for touring musicians who carry their own gear but require a full portable B-3. The new XLK-5 lower manual uses the same key-bed and multi-contact system. It features the same high-quality cabinetry as the main unit, with vertically extended side panels designed to cradle your XK-5. Remove the existing side panels from the main unit (a quick and simple operation), slide it into place, and you have an integrated dual-manual rig with a seamless appearance. Jazz players who kick bass can add the XPK-250 two-octave radiating pedalboard, which includes our new EXP-250 expression pedal. Though the XK-5 is compatible with previous XK-3 and XK-3C Pro System expansion products such as the XLK-3 lower manual (though you’ll only get the multiple key contacts on the XK-5 itself), all the new components interconnect via H-BUS, our new connector that simplifies setup by carrying both data and power. Rounding out the options are the open-footprint aluminum Pro stand, which folds for easy carry, and matching bench. 5|Page Model A-3TM So named because it looks very much like Laurens Hammond’s first organ, the Model ATM he introduced in 1935, the Model A-3 is ideal for installation in a church or nightclub, or for any application where the appearance of a classic B-series Hammond is desired. It begins with the XK5 and adds the A-3 lower manual, which functions exactly like the XLK-5 but has thicker side panels. The wooden “B-3 look” stand and bench match the cabinetry perfectly, as does the XPK-250 pedalboard with expression pedal. HAMMOND will offer different bundles of these components through better retailers everywhere. If you demand no less than perfection from your tone-wheel organ sound, a feel and responsiveness that will make you close your eyes and imagine you’re playing a vintage B-3, and programmability that will let you recreate any specific Hammond that may be in your mind’s ear, don’t settle for a “clone.” Insist on The New Original ... the HAMMOND XK-5. “I’m so glad Hammond is carrying on the tradition, and making it even better than it was in the beginning. Congratulations!” – Chuck Leavell SPECIFICATIONS: Hammond USA 743 Annoreno Drive Addison, IL 60101 www.hammondorganco.com 6|Page Manuals Upper and Lower 73 notes each (61 playing keys plus 12 Preset Keys) Square-front (“waterfall”-style) New mechanical key-bed design Pedal (optional) 13, 20-note spinet-style 25-note radiating Adjustable Pedal Sustain Pedal to Lower coupler Custom Pedal Registrations (3 Factory, 3 User) Split SPLIT panel control Assignable split point Tone Generator MTWTM (Modeled Tone Wheels) 61-note polyphony for Manuals 5-note polyphony for Pedals Virtual Multi-ContactsTM Custom Contacts (3 Factory, 3 User) 3 Physical Contacts, 9 Assignable Virtual Contacts Adjustable Attack, Release, Decay Harmonic Drawbars® 5 sets (4 Manuals, 1 Pedal) Upper 2 X 9 pitches Lower 2 X 9 pitches Pedal 2 pitches Drawbar Voicing 4 choices for Manuals (A-100, B-3, C-3, Mellow) 4 choices for Pedals (Normal, Muted, Synth 1 & 2) Custom Tone Wheel (CTWTM) 3 Factory, 3 User for A-100, B-3, C- 3 & Mellow Drawbar Voicings CTW’s identified by model and serial number Adjustable parameters for each tone wheel 12 complex tone wheels for bottom 12 pedal tones. Touch-Response PercussionTM Percussion On, Normal/Soft Volume, Slow/Fast Decay, 2nd & 3rd Harmonic Adjustable Normal/Soft Volume settings, Slow/Fast Decay rates, Velocity, Key Tracking, 1’ Drawbar Cancel ON/OFF Vibrato & ChorusTM Virtual ScannerTM (3 settings) Adjustable rate, Vibrato/Chorus Mix Vibrato on Pedal ON/OFF Overdrive Tube/Solid State Adjustable drive level Preset Keys 9 Presets plus Cancel each Manual 2 Adjust Presets each Manual 9 programmable Preset Banks Patches 100 User, 100 Factory Patches Assignable to Preset Keys as Favorites Assignable Patch Load: Drawbar registrations, Drawbar parameters, Internal & External Zones, Multi- Effects, Reverb. Tube Preamp 12AU7/12AX7 Tubes Adjustable Routing & Drive Level MTTM Matching Transformer Adjustable drive level, Hysteresis, upper/lower/percussion levels Multi-Effects Tremolo, Auto Pan, Wah-Wah, Ring Modulator, Phaser, Flanger, Chorus, Delay. Adjustable parameters for each effect. Master Equalizer Bass/Mid/Treble panel controls Adjustable gain & center frequency Programmable Equalizer Bass, Mid, Treble Adjustable center frequency Hammond Preamp Tone Control Leslie® STOP, FAST, BYPASS panel controls. Custom Cabinets (8 Preset, 8 User) Adjustable Slow & Fast Speeds, Rise & Fall Times, Horn/Drum/Subwoofer Volume Balance, Microphone Settings. Reverb ON/OFF panel control 11 programs Leslie On Reverb ON/OFF MIDI 5 MIDI Templates 3 Keyboard Channels (Upper, Lower, Pedals) 6 External Zones (3 Upper, 2 Lower, 1 Pedals) Assignable MIDI channels, key range, Program Change, Pan, Velocity Curve, Min/Max Volume IN 1, IN 2, OUT Connections Display OLED, 20 character, 2 line 7 Control Buttons & VALUE Rotary Knob USB “A” port (“To USB Flash Drive”) “B” port (“To Host”) Tune/Transpose Transpose +- 6 semitones Fine Tune +- 10 cents Octave Up/Down +- 2 octaves H-BUS® Connector To Pedals/Expression Pedal Audio Connections LINE OUT L/MONO / R Headphone Jack 11-pin Leslie® Connector Other Connections CONTROL 1, CONTROL 2, 8-pin DIN (EXP-100F Expression Pedal) AC Input Dimensions 46.8” (W) 15.8” (D) 4.7” (H) Weight 34.6 lbs. " Jon's archive https://archive.org/details/MusicalInstrumentsFairJapanNOXCESSBAGGAGEBLUESInSuzukiMusicalInstrumentsStandXK5 Youtube https://youtu.be/F5Fq9rDCruk Vimeo https://vimeo.com/190629641 Facebook video https://www.facebook.com/hammondcast/videos/10153872242402102/ Musical Instruments Fair Japan NO X-CESS BAGGAGE BLUES in Suzuki Musical Instruments Stand XK-5 - Musicians: Koei Tanaka chromatic harmonica, Joe Berger guitar, Takano Naoyuki tenor saxophone, Jon Hammond playing the new XK-5 Hammond Heritage Pro System organ XK5 Heritage Pro System • XK5, XLK5 lower manual, new Pro Bench (BK), new Pro Stand (BK) • XPK250BK Pedalboard “THE NEW ORIGINAL” - Tokyo Big Sight http://www.HammondCast.com/ — at Tokyo Big Sight. Musicians: Koei Tanaka chromatic harmonica, Joe Berger guitar, Takano Naoyuki tenor saxophone, Jon Hammond playing the new XK-5 Hammond Heritage Pro System organ: Producer Jon Hammond Language English H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 18 Files download 5 Original Tokyo Big Sight, Musical Instruments Fair Japan, XK5 Pro System, XK-5 Hammond Organ, B3, XK5, Blues Band, Jazz Music, Tenor Saxophone, Joe Berger, Electric Guitar, Chromatic Harmonica Master, Koei Tanaka, Suzuki Musical Instruments, The New Original Yeah man! Like President Obama says: "Fire it Up!" Tokyo Big Sight, I'm back in town and not messin' around - fired up after falling in line with my dear serious music friends right here, L to R Koei Tanaka​, Joe Berger​, Jon Hammond​, Waichiro Tachikawa​ rallying around the new XK-5 Organ at Musical Instruments Fair Japan - Fire it Up folks! The new standard, moving in to the future...hammer down on the XK5 Hammond organ Heritage Pro System, better than a B3 and it won't break your back - welcome to the future! - Jon Hammond http://jonhammondband.com/blog.html/japan_music_fair_live_get_back_in_the_groove_xk5/ Big Thank You Yu Beniya Suzuki Musical Instruments Team for this beautiful photo: On-Air with Stanley and Chris of Tokyo Guitar Show #TokyoGuitarShow - huge honor to go on-the-air there with Stanley and Chris at the 2016 Japan Musical Instruments Fair in Tokyo Big SIght! - Joe Berger Jon Hammond - http://www.tgs-radio.com , thanks Yu! - Tokyo Big Sight! My new youngest organ student on the new XK-5 Hammond organ, I showed him how to do 'The Claw' - sub-in training! At Japan Music Fair, Tokyo Big Sight Japan - Jon Hammond - Suzuki Musical Instruments Jon Hammond & Manji Suzuki President Founder of Suzuki Musical Instruments Tokyo Japan -- Meeting the Hammond XK-5 Heritage Pro System Organ rig for Japan Musical Instrument Fair in Suzuki Musical Instruments, better than an old B3 folks! Multi-contact keys and all new powerful sound engine, pure classic Hammond organ sound moving in to the future! Jon Hammond & Joe Berger preparing for daily program with the great Chromatic Harmonica master Koei Tanaka! http://jonhammondband.com/blog.html/japan_music_fair_live_get_back_in_the_groove_xk5/ *Full High Definition Movie: #WATCHMOVIE HERE: Japan Music Fair LIVE Get Back In The Groove XK5 Jon's archive https://archive.org/details/JapanMusicFairLIVEGetBackInTheGrooveXK5 Youtube https://youtu.be/1x3Xt4yLF8U 11月4、5、6日と続いた楽器フェア2016、スズキハーモニカのデモ演奏を連日行いましたが、無事に終了しました!演奏を聴いていただいたみなさま、ありがとうございました。ハモンドオルガンの名手 河合 代介さんとのデュオ(最終日最後のセットにはドラムの大槻カルタさんが乱入してくれて大盛り!)、そしてアメリカから急遽かけつけてくれたハモンドオルガンの Jon Hammondとギターの Joe Bergerのトリオ(スズキハーモニカ開発のIさんに飛び入りしてもらいました!)にて行いました。とても良い内容の3日間だったと思います。関係者のみなさまお疲れ様でした。 河合代介さんとは今週金曜日11日に沼袋 オルガンジャズ倶楽部にてふたたびデュオでライブしますので、そちらも是非よろしくお願いします! God bless...my friend Quincey Carr is in the Evening News tonight with Captain Sully Sullenberger and Mayor Libby Schaaf...check it out! - Jon Hammond: Surprise scholarship aids Hayward pilot’s flight instruction dreams Photos by Jon Hammond - Quincey Carr and Steven Turner - Oakland CA http://www.eastbaytimes.com/2016/11/07/surprise-scholarship-aids-hayward-pilots-flight-instruction-dreams/ "Chesley “Sully” Sullenberger shakes hands with Quincey Carr after presenting him with a certificate with which he may complete his training to become a flight instructor in Oakland, Calif., on Monday, Nov. 7, 2016. Carr, who was shot and paralyzed years ago, told his story to Oakland police Sgt. Clay Burch (standing behind Sullenberger) who arranged for the Oakland Firefighters Random Acts charity to fund Carr’s flight education. (Kristopher Skinner/Bay Area News Group) " By George Kelly | gkelly@bayareanewsgroup.com PUBLISHED: November 7, 2016 at 5:13 pm "OAKLAND — “Whoa, whoa, oh my God!” Quincey Carr cried out as he wheeled around full circle in his wheelchair as media and well-wishers quickly surrounded him at the corner of Hegenberger Road and Edgewater Drive near his job. Only minutes before, an Oakland fire engine had pulled up to treat Carr in an attempt to distract him. “They surprised me, they had the fire truck show up here and test my pulse and said ‘Are you OK?'” he said. “Then people just started swarming in, and I was like, ‘What is happening?'” Carr, 32, of Hayward, was immediately surrounded by cameras and city leaders, including Mayor Libby Schaaf, and Capt. Chesley “Sully” Sullenberger, who presented him with a $10,000 scholarship check on behalf of Oakland Firefighters Random Acts to cover the cost of flight instruction classes. “I’m just so happy that I can really devote all of the time in doing what I really want to do,” said Carr, who wields a bullhorn and signs six days a week to promote Ramos Furniture, a family-owned and operated chain of Northern California stores. He came by his love of flight early with visits to his parents’ jobs at the Alameda Naval Air Station leading to model-plane collections, flight lessons and his own private pilot’s license at age 17 in 2002. But tragedy struck on Aug. 11, 2006, when Carr, who learned he had passed his written exam for a commercial license, went out with his girlfriend to begin celebrations with a haircut at his regular barbershop on International Boulevard. When his girlfriend rebuffed a stranger’s flirting, the man left the shop but returned soon after with a gun and shot Carr three times, then fired two more shots into him on the floor. Carr’s dreams were on hold. But he fought back through agonizing rehabilitation to teach ground instruction at a local flight school, take friends on occasional plane rides and play a weekly piano gig at a Union City hotel to make ends meet. Oakland police Sgt. Clay Burch said he met Carr earlier this year while visiting Ramos Furniture during a work break. It was after that chance meeting that Burch started thinking about how he could help Carr. “We’re here to hopefully start him on a path to change his life. His dream has always been to be a flight instructor. Today, we’re here to help him realize his dream,” Burch said. Larry Hendricks, a retired 30-year Oakland firefighter, said the mayor’s office contacted his nonprofit organization, Oakland Firefighters Random Acts, to help with Burch’s plan. “When we heard (Burch) had taken the time to get the backstory of a guy hundreds of people had driven by in his wheelchair, it was a no-brainer for us,” Hendricks said. At fire station No. 27 on Pardee Road, officials started talking about a scholarship that would allow Carr to train at Pacific States Aviation, a flight-based operator in Concord. “I’ve known Quincey for more than 15 years,” Rashid Yahya, Pacific States vice president and chief pilot, said. “He still flies out of our academy using a special apparatus. I’m really glad we can help Quincey with his passion for flying and teaching. Once he gets his certificate, he can teach any student from private to commercial how to fly.” Sullenberger praised Random Acts and all others who helped raise funds for Carr’s equipment and training. “When I became a flight instructor when I was 20 years old, I very quickly realized it’s one thing to be able to accomplish something, to achieve a certain level of performance, but it’s quite another to, in very granular fashion, break that down into component parts and explain it to someone so they can begin to do it,” said Sullenberger, who lavished praise on Carr’s determination and perseverance in pursuing his flight instruction dreams. “I’m going to tell him today that forever after when I see a small plane overhead, I’m going to say ‘I wonder if that’s Quincey?'” Staff writer Angela Hill contributed to this report. Contact George Kelly George Kelly George Kelly is a breaking news reporter for the Bay Area News Group. He has worked as an online coordinator and, before that, a copy editor and page designer for Bay Area-based newspapers and magazines. Off work, he enjoys playing in bands, busking and karaoke. His first newspaper job was as a Washington Post paperboy. Follow George Kelly @allaboutgeorge Jon Hammond Thumbs Up to the amazing Ramos Furniture Store Promo Duo Quincey Carr and Steven Turner on tenor on corner of Edgewater and Hegenberger! - Check 'em out if you are driving by folks - FREE HDTV with a qualifying purchase while supplies last! Up to a 51 inch HDTV FREE! — with Quincey Carr, Steven Turner and Ramos Furniture at Ramos Furniture - Oakland CA Jon's archive https://archive.org/details/JapanMusicFairLIVEGetBackInTheGrooveXK5 Youtube https://youtu.be/1x3Xt4yLF8U Vimeo https://vimeo.com/190419463 Facebook video https://www.facebook.com/jonhammondband/videos/1455167981178661/ Japan Music Fair LIVE Get Back in The Groove XK5 featuring Koei Tanaka and Joe Berger plus special guest Tokuichi Inoue chromatic Harmonica Masters from Suzuki Musical Instruments - Jon Hammond is playing the new XK-5 Hammond organ and high power Leslie Speaker, the new standard in Hammond B3 digital organ, best modern Hammond organ in history, enjoy! Jon Hammond photo Steve aka Shunichi Horiuchi! http://www.HammondCast.com Tokyo Japan -- thanks for photo Steve aka Shunichi Horiuchi! - Tokyo Japan -- I love playing this organ XK-5 aka XK5 Hammond, come join us for Day 2 Japan Musical Instruments Fair in Suzuki Musical Instruments stand folks! - Jon Hammond H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 31 Files Producer Jon Hammond Language English Allowed on Timeline Jon Hammond drawing crowds at Suzuki Musical Instruments! — with Jon Hammond - photo credit: Joe Berger With Takano Naoyuki and Jon Hammond - Photo credit Lars Heuseler Tokyo Japan -- I love playing this organ XK-5 aka XK5 Hammond, come join us for Day 2 Japan Musical Instruments Fair in Suzuki stand folks! - Jon Hammond Jon Hammond with Kaori Tai - one of Koei Tanaka's top harmonica students and excellent photographer! Photo credit Kaori Tai http://musicfair.jp/2016/ あ~~、写真多すぎてUPするので手一杯。 カメラのスペックが低い割りに良い写真が撮れたのでは?とは思うが、やっぱりカメラのスペックは上げたいのが本音。 Tokyo Japan -- Wow it was a great day to see my dear friends again from Suzuki Musical Instruments, reunion at Japan Music Fair 2016! Jon Hammond Photo Credit, Yu Beniya! with Waichiro Tachikawa aka Tachi and Take Photo Credit Yu Beniya Daisuke Kawai XK-5 Organ and Koei Tanaka looking and sounding beautiful beautiful beautiful cats! Music for the people at Japan Music Fair Tokyo Big Sight Suzuki Musical Instruments stage - photo: Jon Hammond Musical Instruments Fair Japan, Tokyo Big Sight, XK5, XK-5 Organ, Suzuki Musical Instruments, Mercy, Jon Hammond, Chromatic Harmonica, Koei Tanaka, Electric guitar, Joe Berger, Blues Band, NAMM, musikmesse, #HammondOrgan #XK5 #Suzuki #SuzukiMusicalInstruments #Harmonica #HammondOrgan

Musical Instruments Fair Japan NO X CESS BAGGAGE BLUES In Suzuki Musical Instruments Stand XK5 - November 7, 2016

#WATCHMOVIE HERE: Musical Instruments Fair Japan NO X CESS BAGGAGE BLUES In Suzuki Musical Instruments Stand XK5 Jon's archive https://archive.org/details/MusicalInstrumentsFairJapanNOXCESSBAGGAGEBLUESInSuzukiMusicalInstrumentsStandXK5 Youtube https://youtu.be/F5Fq9rDCruk Vimeo https://vimeo.com/190629641 Facebook video https://www.facebook.com/hammondcast/videos/10153872242402102/ Musical Instruments Fair Japan NO X-CESS BAGGAGE BLUES in Suzuki Musical Instruments Stand XK-5 - Musicians: Koei Tanaka chromatic harmonica, Joe Berger guitar, Takano Naoyuki tenor saxophone, Jon Hammond playing the new XK-5 Hammond Heritage Pro System organ XK5 Heritage Pro System • XK5, XLK5 lower manual, new Pro Bench (BK), new Pro Stand (BK) • XPK250BK Pedalboard “THE NEW ORIGINAL” - Tokyo Big Sight http://www.HammondCast.com/ — at Tokyo Big Sight. Musicians: Koei Tanaka chromatic harmonica, Joe Berger guitar, Takano Naoyuki tenor saxophone, Jon Hammond playing the new XK-5 Hammond Heritage Pro System organ: Producer Jon Hammond Language English H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 18 Files download 5 Original Tokyo Big Sight, Musical Instruments Fair Japan, XK5 Pro System, XK-5 Hammond Organ, B3, XK5, Blues Band, Jazz Music, Tenor Saxophone, Joe Berger, Electric Guitar, Chromatic Harmonica Master, Koei Tanaka, Suzuki Musical Instruments, The New Original Yeah man! Like President Obama says: "Fire it Up!" Tokyo Big Sight, I'm back in town and not messin' around - fired up after falling in line with my dear serious music friends right here, L to R Koei Tanaka​, Joe Berger​, Jon Hammond​, Waichiro Tachikawa​ rallying around the new XK-5 Organ at Musical Instruments Fair Japan - Fire it Up folks! The new standard, moving in to the future...hammer down on the XK5 Hammond organ Heritage Pro System, better than a B3 and it won't break your back - welcome to the future! - Jon Hammond http://jonhammondband.com/blog.html/japan_music_fair_live_get_back_in_the_groove_xk5/ Big Thank You Yu Beniya Suzuki Musical Instruments Team for this beautiful photo: On-Air with Stanley and Chris of Tokyo Guitar Show #TokyoGuitarShow - huge honor to go on-the-air there with Stanley and Chris at the 2016 Japan Musical Instruments Fair in Tokyo Big SIght! - Joe Berger Jon Hammond - http://www.tgs-radio.com , thanks Yu! - Tokyo Big Sight! My new youngest organ student on the new XK-5 Hammond organ, I showed him how to do 'The Claw' - sub-in training! At Japan Music Fair, Tokyo Big Sight Japan - Jon Hammond - Suzuki Musical Instruments Jon Hammond & Manji Suzuki President Founder of Suzuki Musical Instruments Tokyo Japan -- Meeting the Hammond XK-5 Heritage Pro System Organ rig for Japan Musical Instrument Fair in Suzuki Musical Instruments, better than an old B3 folks! Multi-contact keys and all new powerful sound engine, pure classic Hammond organ sound moving in to the future! Jon Hammond & Joe Berger preparing for daily program with the great Chromatic Harmonica master Koei Tanaka! http://jonhammondband.com/blog.html/japan_music_fair_live_get_back_in_the_groove_xk5/ *Full High Definition Movie: #WATCHMOVIE HERE: Japan Music Fair LIVE Get Back In The Groove XK5 Jon's archive https://archive.org/details/JapanMusicFairLIVEGetBackInTheGrooveXK5 Youtube https://youtu.be/1x3Xt4yLF8U 11月4、5、6日と続いた楽器フェア2016、スズキハーモニカのデモ演奏を連日行いましたが、無事に終了しました!演奏を聴いていただいたみなさま、ありがとうございました。ハモンドオルガンの名手 河合 代介さんとのデュオ(最終日最後のセットにはドラムの大槻カルタさんが乱入してくれて大盛り!)、そしてアメリカから急遽かけつけてくれたハモンドオルガンの Jon Hammondとギターの Joe Bergerのトリオ(スズキハーモニカ開発のIさんに飛び入りしてもらいました!)にて行いました。とても良い内容の3日間だったと思います。関係者のみなさまお疲れ様でした。 河合代介さんとは今週金曜日11日に沼袋 オルガンジャズ倶楽部にてふたたびデュオでライブしますので、そちらも是非よろしくお願いします! God bless...my friend Quincey Carr is in the Evening News tonight with Captain Sully Sullenberger and Mayor Libby Schaaf...check it out! - Jon Hammond: Surprise scholarship aids Hayward pilot’s flight instruction dreams Photos by Jon Hammond - Quincey Carr and Steven Turner - Oakland CA http://www.eastbaytimes.com/2016/11/07/surprise-scholarship-aids-hayward-pilots-flight-instruction-dreams/ "Chesley “Sully” Sullenberger shakes hands with Quincey Carr after presenting him with a certificate with which he may complete his training to become a flight instructor in Oakland, Calif., on Monday, Nov. 7, 2016. Carr, who was shot and paralyzed years ago, told his story to Oakland police Sgt. Clay Burch (standing behind Sullenberger) who arranged for the Oakland Firefighters Random Acts charity to fund Carr’s flight education. (Kristopher Skinner/Bay Area News Group) " By George Kelly | gkelly@bayareanewsgroup.com PUBLISHED: November 7, 2016 at 5:13 pm "OAKLAND — “Whoa, whoa, oh my God!” Quincey Carr cried out as he wheeled around full circle in his wheelchair as media and well-wishers quickly surrounded him at the corner of Hegenberger Road and Edgewater Drive near his job. Only minutes before, an Oakland fire engine had pulled up to treat Carr in an attempt to distract him. “They surprised me, they had the fire truck show up here and test my pulse and said ‘Are you OK?'” he said. “Then people just started swarming in, and I was like, ‘What is happening?'” Carr, 32, of Hayward, was immediately surrounded by cameras and city leaders, including Mayor Libby Schaaf, and Capt. Chesley “Sully” Sullenberger, who presented him with a $10,000 scholarship check on behalf of Oakland Firefighters Random Acts to cover the cost of flight instruction classes. “I’m just so happy that I can really devote all of the time in doing what I really want to do,” said Carr, who wields a bullhorn and signs six days a week to promote Ramos Furniture, a family-owned and operated chain of Northern California stores. He came by his love of flight early with visits to his parents’ jobs at the Alameda Naval Air Station leading to model-plane collections, flight lessons and his own private pilot’s license at age 17 in 2002. But tragedy struck on Aug. 11, 2006, when Carr, who learned he had passed his written exam for a commercial license, went out with his girlfriend to begin celebrations with a haircut at his regular barbershop on International Boulevard. When his girlfriend rebuffed a stranger’s flirting, the man left the shop but returned soon after with a gun and shot Carr three times, then fired two more shots into him on the floor. Carr’s dreams were on hold. But he fought back through agonizing rehabilitation to teach ground instruction at a local flight school, take friends on occasional plane rides and play a weekly piano gig at a Union City hotel to make ends meet. Oakland police Sgt. Clay Burch said he met Carr earlier this year while visiting Ramos Furniture during a work break. It was after that chance meeting that Burch started thinking about how he could help Carr. “We’re here to hopefully start him on a path to change his life. His dream has always been to be a flight instructor. Today, we’re here to help him realize his dream,” Burch said. Larry Hendricks, a retired 30-year Oakland firefighter, said the mayor’s office contacted his nonprofit organization, Oakland Firefighters Random Acts, to help with Burch’s plan. “When we heard (Burch) had taken the time to get the backstory of a guy hundreds of people had driven by in his wheelchair, it was a no-brainer for us,” Hendricks said. At fire station No. 27 on Pardee Road, officials started talking about a scholarship that would allow Carr to train at Pacific States Aviation, a flight-based operator in Concord. “I’ve known Quincey for more than 15 years,” Rashid Yahya, Pacific States vice president and chief pilot, said. “He still flies out of our academy using a special apparatus. I’m really glad we can help Quincey with his passion for flying and teaching. Once he gets his certificate, he can teach any student from private to commercial how to fly.” Sullenberger praised Random Acts and all others who helped raise funds for Carr’s equipment and training. “When I became a flight instructor when I was 20 years old, I very quickly realized it’s one thing to be able to accomplish something, to achieve a certain level of performance, but it’s quite another to, in very granular fashion, break that down into component parts and explain it to someone so they can begin to do it,” said Sullenberger, who lavished praise on Carr’s determination and perseverance in pursuing his flight instruction dreams. “I’m going to tell him today that forever after when I see a small plane overhead, I’m going to say ‘I wonder if that’s Quincey?'” Staff writer Angela Hill contributed to this report. Contact George Kelly George Kelly George Kelly is a breaking news reporter for the Bay Area News Group. He has worked as an online coordinator and, before that, a copy editor and page designer for Bay Area-based newspapers and magazines. Off work, he enjoys playing in bands, busking and karaoke. His first newspaper job was as a Washington Post paperboy. Follow George Kelly @allaboutgeorge Jon Hammond Thumbs Up to the amazing Ramos Furniture Store Promo Duo Quincey Carr and Steven Turner on tenor on corner of Edgewater and Hegenberger! - Check 'em out if you are driving by folks - FREE HDTV with a qualifying purchase while supplies last! Up to a 51 inch HDTV FREE! — with Quincey Carr, Steven Turner and Ramos Furniture at Ramos Furniture - Oakland CA Jon's archive https://archive.org/details/JapanMusicFairLIVEGetBackInTheGrooveXK5 Youtube https://youtu.be/1x3Xt4yLF8U Vimeo https://vimeo.com/190419463 Facebook video https://www.facebook.com/jonhammondband/videos/1455167981178661/ Japan Music Fair LIVE Get Back in The Groove XK5 featuring Koei Tanaka and Joe Berger plus special guest Tokuichi Inoue chromatic Harmonica Masters from Suzuki Musical Instruments - Jon Hammond is playing the new XK-5 Hammond organ and high power Leslie Speaker, the new standard in Hammond B3 digital organ, best modern Hammond organ in history, enjoy! Jon Hammond photo Steve aka Shunichi Horiuchi! http://www.HammondCast.com Tokyo Japan -- thanks for photo Steve aka Shunichi Horiuchi! - Tokyo Japan -- I love playing this organ XK-5 aka XK5 Hammond, come join us for Day 2 Japan Musical Instruments Fair in Suzuki Musical Instruments stand folks! - Jon Hammond H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 31 Files Producer Jon Hammond Language English Allowed on Timeline Jon Hammond drawing crowds at Suzuki Musical Instruments! — with Jon Hammond - photo credit: Joe Berger With Takano Naoyuki and Jon Hammond - Photo credit Lars Heuseler Tokyo Japan -- I love playing this organ XK-5 aka XK5 Hammond, come join us for Day 2 Japan Musical Instruments Fair in Suzuki stand folks! - Jon Hammond Jon Hammond with Kaori Tai - one of Koei Tanaka's top harmonica students and excellent photographer! Photo credit Kaori Tai http://musicfair.jp/2016/ あ~~、写真多すぎてUPするので手一杯。 カメラのスペックが低い割りに良い写真が撮れたのでは?とは思うが、やっぱりカメラのスペックは上げたいのが本音。 Tokyo Japan -- Wow it was a great day to see my dear friends again from Suzuki Musical Instruments, reunion at Japan Music Fair 2016! Jon Hammond Photo Credit, Yu Beniya! with Waichiro Tachikawa aka Tachi and Take Photo Credit Yu Beniya Daisuke Kawai XK-5 Organ and Koei Tanaka looking and sounding beautiful beautiful beautiful cats! Music for the people at Japan Music Fair Tokyo Big Sight Suzuki Musical Instruments stage - photo: Jon Hammond Tokyo Japan -- Music Power Shot! L to R Koei Tanaka, Daisuke Kawai, Jon Hammond - playing in Suzuki Musical Instruments stage for the public and trade on the new Hammond XK-5 and the special Suzuki Harmonica chromatic master Koei! Tokyo Japan -- Joe Lamond President CEO of NAMM in the house at Japan Musical Instruments Fair! Just in from Shanghai Music China - Joe Berger was at Music China also - NAMM International Team takin' care o' business folks! - Jon Hammond Japan Music Fair Photos in Suzuki Hammond from Steve aka Shunichi Horiuchi! - Jon Hammond Jon's archive https://archive.org/details/HammondPartyNightPocketFunkShakingOutTheNewXK5OrganInNashville Vimeo https://vimeo.com/hammondcast Jon Hammond Band at the Hammond Party for the new XK-5 Hammond organ, playing Jon's tune Pocket Funk in Full HighDef on the new prototype organ with Kayleigh Moyer on the Sleishman Drum Co Mothertone drums, Chuggy Carter congas GON BOPS, Joe Berger guitar, Jon Hammond at the XK5 (plays just like a B3 with Multi Contact keys!) first night of Summer NAMM Show Nashville, Tennessee at the famous studios of SoundCheck Nashville- Pocket Funk as seen on Jon's TV show Jon Hammond Show 34 years on Manhattan Neighborhood Network channel 1 - special thanks to Hammond Organ USA Gregory Gronowski & Scott May, Ray Gerlich long-time Hammond Technical Supervisor since 1976! also Mark Prentice M.D. for the evening, known as "Sound Soul Summit V" fine players all night long on the new org - Thanks to my friend Chuck Rainey the great studio bassist for coming and hanging with us all night long! And the Suzuki Musical Instruments Team makers of Hammond Organs and Leslie Speakers *from Hamamatsu-shi, Shizuoka, Japan http://www.HammondCast.com ‪#‎XK5‬ ‪#‎NAMMShow‬ ‪#‎Nashville‬ ‪#‎SummerNAMM‬ ‪#‎HammondOrgan‬ Producer Jon Hammond Language English Youtube https://youtu.be/Ng5WijIR7h8 Facebook video https://www.facebook.com/hammondcast/videos/10153597145217102/ Jon's archive https://archive.org/details/JonHammondShowPreview0709 FaceBook Video https://www.facebook.com/hammondcast/videos/10153555094272102/ ‪NAMM Show, Summer NAMM, Hammond Organ, XK-5 Hammond, Funk Band, Kayleigh Moyer, drums, SoundCheck Nashville, Hammond Organ USA #‎SummerNAMM‬ ‪#‎NAMMShow‬ ‪#‎HammondOrgan‬ #XK5 L to R Jon Hammond, Kayleigh Moyer, Frank Alkyer, Joe Berger - Summer NAMM Show Nashville Band Shot! - L to R Koei Tanaka, Jon Hammond, Tokuichi Inoue, Joe Berger - Japan Music Instruments Fair 2016 Musical Instruments Fair, Big Sight Tokyo, Blues Band, Chromatic Harmonica, Tenor Saxophone, #KoeiTanaka #Suzuki #Japan #HammondOrgan #Harmonicas

Japan Music Fair LIVE Get Back In The Groove XK5 - November 6, 2016

#WATCHMOVIE HERE: Japan Music Fair LIVE Get Back In The Groove XK5 Jon's archive https://archive.org/details/JapanMusicFairLIVEGetBackInTheGrooveXK5 Youtube https://youtu.be/1x3Xt4yLF8U Vimeo https://vimeo.com/190419463 Facebook video https://www.facebook.com/jonhammondband/videos/1455167981178661/ Japan Music Fair LIVE Get Back in The Groove XK5 featuring Koei Tanaka and Joe Berger plus special guest Tokuichi Inoue chromatic Harmonica Masters from Suzuki Musical Instruments - Jon Hammond is playing the new XK-5 Hammond organ and high power Leslie Speaker, the new standard in Hammond B3 digital organ, best modern Hammond organ in history, enjoy! Jon Hammond photo Steve aka Shunichi Horiuchi! http://www.HammondCast.com Tokyo Japan -- thanks for photo Steve aka Shunichi Horiuchi! - Tokyo Japan -- I love playing this organ XK-5 aka XK5 Hammond, come join us for Day 2 Japan Musical Instruments Fair in Suzuki Musical Instruments stand folks! - Jon Hammond H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 31 Files Producer Jon Hammond Language English Allowed on Timeline Jon Hammond drawing crowds at Suzuki Musical Instruments! — with Jon Hammond - photo credit: Joe Berger With Takano Naoyuki and Jon Hammond - Photo credit Lars Heuseler Tokyo Japan -- I love playing this organ XK-5 aka XK5 Hammond, come join us for Day 2 Japan Musical Instruments Fair in Suzuki stand folks! - Jon Hammond Jon Hammond with Kaori Tai - one of Koei Tanaka's top harmonica students and excellent photographer! Photo credit Kaori Tai http://musicfair.jp/2016/ あ~~、写真多すぎてUPするので手一杯。 カメラのスペックが低い割りに良い写真が撮れたのでは?とは思うが、やっぱりカメラのスペックは上げたいのが本音。 Tokyo Japan -- Wow it was a great day to see my dear friends again from Suzuki Musical Instruments, reunion at Japan Music Fair 2016! Jon Hammond Photo Credit, Yu Beniya! with Waichiro Tachikawa aka Tachi and Take Photo Credit Yu Beniya Daisuke Kawai XK-5 Organ and Koei Tanaka looking and sounding beautiful beautiful beautiful cats! Music for the people at Japan Music Fair Tokyo Big Sight Suzuki Musical Instruments stage - photo: Jon Hammond Tokyo Japan -- Music Power Shot! L to R Koei Tanaka, Daisuke Kawai, Jon Hammond - playing in Suzuki Musical Instruments stage for the public and trade on the new Hammond XK-5 and the special Suzuki Harmonica chromatic master Koei! Tokyo Japan -- Joe Lamond President CEO of NAMM in the house at Japan Musical Instruments Fair! Just in from Shanghai Music China - Joe Berger was at Music China also - NAMM International Team takin' care o' business folks! - Jon Hammond Japan Music Fair Photos in Suzuki Hammond from Steve aka Shunichi Horiuchi! - Jon Hammond Jon's archive https://archive.org/details/HammondPartyNightPocketFunkShakingOutTheNewXK5OrganInNashville Vimeo https://vimeo.com/hammondcast Jon Hammond Band at the Hammond Party for the new XK-5 Hammond organ, playing Jon's tune Pocket Funk in Full HighDef on the new prototype organ with Kayleigh Moyer on the Sleishman Drum Co Mothertone drums, Chuggy Carter congas GON BOPS, Joe Berger guitar, Jon Hammond at the XK5 (plays just like a B3 with Multi Contact keys!) first night of Summer NAMM Show Nashville, Tennessee at the famous studios of SoundCheck Nashville- Pocket Funk as seen on Jon's TV show Jon Hammond Show 34 years on Manhattan Neighborhood Network channel 1 - special thanks to Hammond Organ USA Gregory Gronowski & Scott May, Ray Gerlich long-time Hammond Technical Supervisor since 1976! also Mark Prentice M.D. for the evening, known as "Sound Soul Summit V" fine players all night long on the new org - Thanks to my friend Chuck Rainey the great studio bassist for coming and hanging with us all night long! And the Suzuki Musical Instruments Team makers of Hammond Organs and Leslie Speakers *from Hamamatsu-shi, Shizuoka, Japan http://www.HammondCast.com ‪#‎XK5‬ ‪#‎NAMMShow‬ ‪#‎Nashville‬ ‪#‎SummerNAMM‬ ‪#‎HammondOrgan‬ Producer Jon Hammond Language English Youtube https://youtu.be/Ng5WijIR7h8 Facebook video https://www.facebook.com/hammondcast/videos/10153597145217102/ Jon's archive https://archive.org/details/JonHammondShowPreview0709 FaceBook Video https://www.facebook.com/hammondcast/videos/10153555094272102/ ‪NAMM Show, Summer NAMM, Hammond Organ, XK-5 Hammond, Funk Band, Kayleigh Moyer, drums, SoundCheck Nashville, Hammond Organ USA #‎SummerNAMM‬ ‪#‎NAMMShow‬ ‪#‎HammondOrgan‬ #XK5 L to R Jon Hammond, Kayleigh Moyer, Frank Alkyer, Joe Berger - Summer NAMM Show Nashville Band Shot! - L to R Koei Tanaka, Jon Hammond, Tokuichi Inoue, Joe Berger - Japan Music Instruments Fair 2016 XK-5 organ, XK5, Koei Tanaka, Jon Hammond, Joe Berger, Tokuichi Inoue, Suzuki Musical Instruments, B3, #HammondOrgan #Harmonica #Suzuki

Clip: Suzuki Headquarters and factory concert Jon Hammond at the new B3mk2 organ with Koei Tanaka chromatic harmonica - November 2, 2016

#WATCHMOVIE HERE: Clip: Suzuki Headquarters and factory concert Jon Hammond at the new B3mk2 organ with Koei Tanaka chromatic harmonica Jon's archive https://archive.org/details/JonHammondSuzukiWorldHeadquartersInHouseConcertJonHammondPt3of3 Looking forward to playing with my good friend again, Koei Tanaka | Chromatic Harmonica & Blues Harp master! *Clip: Suzuki Headquarters and factory concert special for President Founder Manji Suzuki with introduction by Waichiro 'Tachi' Tachikawa, Jon Hammond at the new B3mk2 organ with Koei Tanaka chromatic harmonica http://www.tanakakoei.com/?p=2502 11月のスケジュール Filed under: ライブ情報 — koei @ 23:28:47 詳細は「ライブ・セミナー情報」まで。 みなさまのご来場お待ちしております! 11月 3日 (木・祝) 新宿「Hammond orgasm」Jon Hammondセッション アメリカからJon Hammondが楽器フェアで来日するので、 前日にセッションします♫ 11月 4日 (金)〜6日(日) 東京ビッグサイト「楽器フェア」スズキブースにてデモ演奏 各日、ハモンドオルガンの河合代介さんとJon Hammondとそれぞれデュオで演奏します♫ 11月 11日 (金) 沼袋「Organ Jazz 倶楽部」河合代介(ハモンドオルガン)Duo 楽器フェアでも一緒だった河合さんとデュオでライブします♫ コメントはまだありません。 この投稿へのコメントの RSS フィード。 TrackBack URL Facebook video https://www.facebook.com/hammondcast/videos/10153860489207102/ Suzuki Headquarters and factory concert special for President Founder Manji Suzuki with introduction by Waichiro 'Tachi' Tachikawa, Jon Hammond at the new B3mk2 organ with Koei Tanaka chromatic harmonica Part 3 of 3 "Mercy Mercy" in Hamamatsu Japan. Special Thanks Mr. H. Ono, Mr. M. Terada, Mr. S. Ohtaka, Mr. Y. Beniya, Tachi Tachikawa, President M. Suzuki and entire Suzuki Musical Instruments Team ©JHINTL Suzuki Musical Instruments Hamamatsu partial group shot after Koei and Jon played Suzuki Musical Instruments, B3mk2 Organ, Tachi Tachikawa, Hamamatsu, Headquarters, Jon Hammond, Local 802 Musicians Union **Folks, RIP Bob Cranshaw - very sad news! I thought Bob would live to 100 at least, he looked so young for his age in his 80's - dig my interview with Bob Cranshaw a few years ago: https://vimeo.com/56844662 - we lost one of the greats, RIP Bob! Jon Hammond Jon's archive https://archive.org/details/CookingAtTheAusterBarJonHammondBandWithNDRHorns Views 242 #242 Youtube https://youtu.be/BqtFWKBeC0c 202 views #202 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Cooling in Hamburg, NDR Horn Section, Blues, Jazz, Uptempo, Saxophones, Trumpet, Hammond Organ, NDR Radio, MNN TV, Musicians Union, Local 802 Absolutely cooking session in Hamburg Germany - Jon Hammond Band with The NDR Horns until the last minute when music must stop 10PM / 22:00 Auster Bar is in residential quarter of Eimsbüttel HH, The Musicians: Heinz Lichius drums, Joe Berger guitar, Lutz Büchner tenor saxophone, Fiete Felsch alto saxophone, Michael Leuschner musical director / trumpet, Jon Hammond organ + bass - special thanks Nicolai Ditsch for operating the camera - Auster Bar Team Frank Blume, Torsten Wendt, Musik Rotthoff support, Knut Benzner NDR Redaktion - as seen on MNN TV The Jon Hammond Show http://www.HammondCast.com H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 27 Files download 5 Original Producer Jon Hammond Language English Frankfurt Germany -- Jon Hammond flanked by Ivana Petrof / Ivana Petrofová and Zuzana Petrof / Zuzana Ceralová Petrofová Celebrating 150 years Petrof Pianos Excellence! - Musikmesse Frankfurt Mill Valley CA -- Marla Hunt Hanson and Julius Karpen at special gathering celebrating life of Ron Polte who was the manager of Ace of Cups and Quicksilver Messenger Service. Marla Hunt original organist of Ace of Cups and Julius Karpen manager of Big Brother and The Holding Company band with Janis Joplin - long-time associate friend of Chet Helms - photo by Jon Hammond Port of Richmond at Dusk - Jon Hammond My Mom's Rose plant - Jon Hammond -- RIP my friend Ron Polte - manager of Quicksilver, Ace of Cups, Wild West Fest - Jon Hammond (my band opened for Copperhead on one of the very few live gigs they played in 1972 at The Longbranch Saloon) Tam Junction and Piatti Mill Valley Restaurant - Breakfast with Ron, rest in peace Ron Polte - Jon Hammond : *Note: We had a lot of fun in the old days at 759 Harrison Street San Francisco when we shared rehearsal space with The Quicksilver Messenger Service at Bruce Hatch's San Francisco Radical Laboratories aka SF Rad Lab in years 1968 / 1969 (not to be confused with radiation lab folks! I am still in touch with QSM guitarist Gary Duncan, sending my condolences Gary! - JH *Note: This was Ron's big project some years ago folks: http://jonhammondband.com/blog.html/jon_hammond_reflections_on_wild_west_festival/ JON HAMMOND REFLECTIONS ON WILD WEST FESTIVAL - LINK: http://kernelpanichammondcast.blogspot.com/2016/09/wow-folks-i-was-there-jon-hammond.html Wow folks, I was there! This was very nearly the biggest Rock Music Festival that almost happened - it was very close. I went to many meetings with Ron Polte and a lot of very heavy San Francisco Rock bands were down to play the "Wild West Festival" (1969) Posters were already made up, we had meetings in the Zoetrope building now owned by Francis Ford Coppola and The Straight Theatre on Haight Street - Ron Polte was part owner of Straight Theatre in addition to being the manager of Quicksilver Messenger Service, Ace of Cups and for a time Sons of Champlin as well. I highly recommend watching and listening to this very rare footage of the press conference with Big Daddy Tom Donahue speaking about the project - Jon Hammond Band​ photo by Jon Hammond​ - breakfast with Ron I just saw Ron's obit by Paul Liberatore​ in the Marin IJ: http://www.marinij.com/article/NO/20160916/NEWS/160919827 "Quicksilver Quicksilver Messenger Service - Band​ manager Ron Polte dies in Mill Valley at 84" " By Paul Liberatore, Marin Independent Journal Posted: 09/16/16, 5:53 PM PDT | Updated: 6 hrs ago Ron Polte, who managed the psychedelic rock band Quicksilver Messenger Service and the all-female quintet the Ace of Cups during the glory days of the San Francisco Sound, died Wednesday at his longtime home in Mill Valley. He was 84. Mr. Polte had been suffering from multiple health problems and had been under Hospice care since May, said his wife of 20 years, Sally Robert. “He was a good man,” said Quicksilver band member David Freiberg, speaking by phone from Florida while on tour with the Jefferson Starship. “I could always trust him to do what he thought was right.” Born on the south side of Chicago into a family of nine children, Mr. Polte had a tough childhood, but managed to turn his life around after being in and out of trouble with the law as a teenager, his wife said. In Chicago, he became friends with blues singer-songwriter Nick Gravenites (“Born in Chicago,” “Buried Alive in the Blues”) when they were teenagers and followed him out to San Francisco in the early 1960s. They were the first of the Chicago blues crowd, including Mike Bloomfield, Elvin Bishop and Mark Naftalin of the Paul Butterfield Blues Band, to relocate in the Bay Area, most of them settling in Marin and Sonoma counties. In 1967, Mr. Polte took over management of Quicksilver and the Ace of Cups after their original manager, Ambrose Hollingworth, was seriously injured in a car crash near Muir Beach. “When we needed somebody, there he was,” Freiberg said. Quicksilver was the last of the San Francisco hippie bands to ink a major label deal when they signed with Capitol Records in late 1967. “He took it slow and steady and wouldn’t take a deal if he didn’t think it was right,” Freiberg recalled. “It took a while, but we got a really good deal with Capitol.” Mr. Polte was known as a dutiful and resourceful manager who did what he could to meet the needs of the young musicians in his bands. Freiberg remembered that when he and his Quicksilver bandmates were living together in a house in Mill Valley, they informed him of their desire to move onto a farm in the country with a barn where they could rehearse. Mr. Polte wasted no time making that wish come true. “Within a week and a half, we were living on an old dairy farm in Olema,” Freiberg recalled, chuckling. “He really cared about making sure everybody was taken care of.” Diane Vitalich of Novato, drummer for the Ace of Cups, recalled that when she and her bandmates needed transportation, Mr. Polte went to an auction of state vehicles at San Quentin and bought cars for all of them. “He bought us five 1963 Dodge Darts,” she said. “They were all blue and all looked the same.” During this time, Mr. Polte started Westpole, a booking agency that handled Big Brother and the Holding Company with Janis Joplin, the Sons of Champlin and other seminal Bay Area rock groups. He’s also credited with inspiring the name of the band Electric Flag, a short-lived supergroup formed by Bloomfield, Gravenites, keyboardist Barry Goldberg, bassist Harvey Brooks and drummer Buddy Miles. According to Gravenites, Quicksilver had somehow come into possession of a light-up electric flag after a gig at a veterans hall. “He brought it over to where we were all living and rehearsing in Tam Valley,” he recalled. “We plugged it in and it lit up and started waving. We said, ‘Hey, look at that. Let’s call ourselves the Electric Flag.’” Eventually, Mr. Polte escaped from the hard living and tumult of the music business, spending time on a remote lodge in the New Mexico wilderness owned by Frank Werber, the charismatic manager of the Kingston Trio and owner of the Trident, a legendary Sausalito restaurant. Through it all, he never lost the values that defined the ‘60s generation in San Francisco. “All the altruistic thinking that came out of that era he agreed with a thousand percent,” Gravenites said. “He remained a firm defender of all the idealism from those years.” In addition to his wife, Mr. Polte is survived by two daughters, Pamela Polte of Sutter Creek, Amador County, and Patti Ann Lindecker of Chicago; two sons, Thomas Polte of Chicago and Jeremy Polte of Dunsmuir, Siskiyou County, and two sisters, Marilyn McMinn and Nancy Brunanchon of Pine Grove, Amador County." JON HAMMOND REFLECTIONS ON WILD WEST FESTIVAL - LINK: http://kernelpanichammondcast.blogspot.com/2016/09/wow-folks-i-was-there-jon-hammond.html Wow folks, I was there! This was very nearly the biggest Rock Music Festival that almost happened - it was very close. I went to many meetings with Ron Polte and a lot of very heavy San Francisco Rock bands were down to play the "Wild West Festival" (1969) Posters were already made up, we had meetings in the Zoetrope building now owned by Francis Ford Coppola and The Straight Theatre on Haight Street - Ron Polte was part owner of Straight Theatre in addition to being the manager of Quicksilver Messenger Service, Ace of Cups and for a time Sons of Champlin as well. I highly recommend watching and listening to this very rare footage of the press conference with Big Daddy Tom Donahue speaking about the project - Jon Hammond *long-time member Local 6 Musicians Union (but not then!) Jon Hammond meeting Mr. Manji Suzuki President Founder of Suzuki Musical Instruments Company Playing again, Koei Tanaka, Jon Hammond, Suzuki Chromatic Harmonica master, #Harmonica #Japan #Suzuki #HammondOrgan

Jon Hammond Show For 11 5 From NAMM And Frankfurt Musikmesse - October 30, 2016

#WATCHMOVIE HERE: Jon Hammond Show For 11 5 From NAMM And Frankfurt Musikmesse Jon's archive https://archive.org/details/JonHammondShowFor115FromNAMMAndFrankfurtMusikmesse Youtube https://youtu.be/BP0JcvVhiDs Vimeo https://vimeo.com/189545672 Jon Hammond Show for 11 05 from NAMM and Frankfurt musikmesse Segment number one: Jon Hammond Funk Unit https://www.namm.org/thenammshow/2017/events/jon-hammond-funk-unit NAMM CenterStage presented by Pioneer DJ "Lydia's Tune" ©JON HAMMOND International ASCAP Joe Berger: Guitar/Guitarist Chuggy Leslie J. Carter: Percussion Dom Famularo: Drums/Drummer Alex Budman: Tenor Saxophone/Saxophonist Koei Tanaka: Harmonica Jon Hammond: Organ / Leader Note, next NAMM Showcase coming January 20, 2017 at 4PM Jon Hammond Funk Unit Segment number 2: Shooting the Bridges in Full High Definition with Jon Hammond https://www.facebook.com/hammondcast/videos/10153816720072102/ - San Francisco CA - from HammondCast radio program, Jon's camera voice and music Segment number 3: Late Rent the Jon Hammond Show Theme Song live in jazzkeller Frankfurt, Jon's annual 30th year musikmesse Warm Up Party - Jon Hammond Band: "Helloooo New York!" from audience! Jon Hammond's annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt - LATE RENT Jon Hammond Theme Song - Jon Hammond Band: Peter Klohmann tenor, Giovanni Totò Gulino drums, Joe Berger guitar, Jon Hammond organ - Video: Tino Pavlis http://www.HammondCast.com Jon Hammond Funk Unit CenterStage Presented by Pioneer DJ @NAMM Friday, January 20, 2017 at 4 PM - 4:40 PM https://www.facebook.com/events/970048696439945/ The NAMM Show Anaheim, California NAMM LINK https://www.namm.org/thenammshow/2017/events/jon-hammond-funk-unit Artist Info Jon Hammond Organ+bass / Organist Leader Koei Tanaka Harmonica / Master Chromatic Harmonica Player Joe Berger Guitar / more band members tba - Photos by Lawrence Gay co-producer West Coast Live Radio Program ©JHINTL Genre: Funky Jazz and Blues Hometown: New York City FB https://www.facebook.com/jonhammondband/posts/ Jon's archive https://archive.org/details/BehindTheBeatBTBASCAPAudioPortraitLateRentJonHammondShow Views 57 #57 Youtube https://youtu.be/63ErHjQcRGU 32 views #32 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics MNN TV, #ASCAPEXPO, Jon Hammond, Public Access, Melody, Hammond Organ, Sk1, B3, Accordion, Musicians Union, Local 6, Local 802 Jon Hammond with ASCAP's Seth Saltzman - Protect Your Music! - ASCAP I Create Music Expo Hollywood CA Jon Hammond Show, Music, Travel, Soft News, HammondCast, chromatic harmonica, saxophone, drums, #Harmonica #NAMMShow #Musikmesse #PioneerDJ #HammondOrgan

NAMM Showcase Lunch Set CenterStage Jon Hammond Funk Unit - October 29, 2016

#WATCHMOVIE HERE: NAMM Showcase Lunch Set CenterStage Jon Hammond Funk Unit Jon's archive https://archive.org/details/LydiasTuneNAMMLunchSetJonHammondFunkUnit Lydia's Tune NAMM Lunch Set Jon Hammond Funk Unit Jon Hammond Funk Unit https://www.namm.org/thenammshow/2015/events/jon-hammond-funk-unit Performance Info Set Time: 12:00pm Friday, January 23, 2015 "Lydia's Tune" ©JON HAMMOND International ASCAP Joe Berger: Guitar/Guitarist Chuggy Leslie J. Carter: Percussion Dom Famularo: Drums/Drummer Alex Budman: Tenor Saxophone/Saxophonist Koei Tanaka: Harmonica Jon Hammond: Organ / Leader — with Jon Hammond Organ Group and 3 others at The NAMM Show. #TheNAMMShow Producer Jon Hammond Language English H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 25 Files download 4 Original Jon Hammond Funk Unit CenterStage Presented by Pioneer DJ @NAMM  Friday, January 20, 2017 at 4 PM - 4:40 PM https://www.facebook.com/events/970048696439945/ The NAMM Show Anaheim, California NAMM LINK https://www.namm.org/thenammshow/2017/events/jon-hammond-funk-unit Artist Info Jon Hammond Organ+bass / Organist Leader Koei Tanaka Harmonica / Master Chromatic Harmonica Player Joe Berger Guitar / more band members tba - Photos by Lawrence Gay co-producer West Coast Live Radio Program ©JHINTL Genre: Funky Jazz and Blues Hometown: New York City FB https://www.facebook.com/jonhammondband/posts/ Jon's archive https://archive.org/details/BehindTheBeatBTBASCAPAudioPortraitLateRentJonHammondShow Views 57 #57 Youtube https://youtu.be/63ErHjQcRGU 32 views #32 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics MNN TV, #ASCAPEXPO, Jon Hammond, Public Access, Melody, Hammond Organ, Sk1, B3, Accordion, Musicians Union, Local 6, Local 802 Jon Hammond with ASCAP's Seth Saltzman - Protect Your Music! - ASCAP I Create Music Expo Hollywood CA Jon Hammond Funk Unit CenterStage Presented by Pioneer DJ @NAMM Jon Hammond Funk Unit WINTER NAMM EVENT DATE Friday, January 20, 2017 - 4:00pm WINTER NAMM LINK: https://www.namm.org/thenammshow/2017/events/jon-hammond-funk-unit Facebook Event https://www.facebook.com/events/970048696439945/ Jon Hammond Funk Unit San Francisco CA Band bio: https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Artist Info Jon Hammond Organ+bass / Organist Leader Koei Tanaka Harmonica / Master Chromatic Harmonica Player Joe Berger Guitar / more band members tba


Jon Hammond Funk Unit
San Francisco CA
Band bio: https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Artist Info Jon Hammond Organ+bass / Organist Leader Koei Tanaka Harmonica / Master Chromatic Harmonica Player Joe Berger Guitar / more band members tba - Photos by Lawrence Gay co-producer West Coast Live Radio Program


Performance Info 

 

Event Date:
Friday, January 20, 2017 - 
4:00pm to 4:40pm
Location:
CenterStage 

Jon Hammond Funk Unit

San Francisco  
 
CA 
Band bio: https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Artist Info Jon Hammond Organ+bass / Organist Leader Koei Tanaka Harmonica / Master Chromatic Harmonica Player Joe Berger Guitar 
Genre: Rock Endorsed By: Hammond Suzuki http://www.jonhammondband.com/bio.html Description: "The Jon Hammond Show" is a funky, swinging Jazz instrumental revue, featuring notable international soloists and reflecting the influences of Miles Davis, The Crusaders and Jimmy Smith. The show has universal appeal Music Samples: https://itunes.apple.com/us/album/late-rent/id30945539https://itunes.apple.com/us/album/hammonds-bolero/id4308341iTunes FEED (free): https://itunes.apple.com/us/podcast/jon-hammond-band-official/id352184978 Links to Social Media Posts: https://www.facebook.com/jonhammondband/videos/1339829652712495/https://www.facebook.com/jonhammondband/videos/1331953710166756/Video: https://youtu.be/wENSMW6-jps Times You/We Are Available: Every Day and Night of Winter NAMM 2017
Jon's archive https://archive.org/details/JonHammondBand2ndSetAfterBirthdayCakeBreak Views 45 #45 Youtube https://youtu.be/o2--TIC-frk 24 views #24 Usage Attribution-Noncommercial-No Derivative Works 3.0 Jazzkeller, Frankfurt, Musikmesse, Warm Up Party, Hammond Organ, Jon Hammond Band, Jazz, Blues Note from Jon Hammond Video: Tino Pavlis​ https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736 Best Party of The Year! Jon Hammond’s annual musikmesse​ Warm Up Party in Jazzkeller​ Tuesday April 5th 2016 celebrating 30 years Jon Hammond​ – organ Joe Berger​ – guitar Peter Klohmann​ – saxophone Giovanni Totò Gulino​ – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic - Jon's birthday cake by Saray Pastanesi​ Jon Hammond Band​ H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 23 Files download 5 Original Producer Jon Hammond Language English Bringing Back Sony Tape Recorder Audio Transfer Project Jon Hammond rock band Hades 1971 recordings Archive at CHRS Radio Clinic at California Historical Radio Society, Elmo disassembles Jon Hammond's TC-366 tape deck on the bench from Kozo Ohsone Sony Tape Recorder Division to play back 40 year old archive recording Berkeley El Cerrito based band HADES recorded live at Provo Park in Berkeley and at rehearsal garage on Carlson Blvd. Richmond recorded on a TC-366 sound on sound reel to reel tape deck, here is the machine on the bench with Elmo:
Elmo discussing remedy for glazed pinch roller with radio engineer Art Lieberman:
AMPEX 354 Tape Deck in KRE dubbing studio:
CHRS President Steve Kushman at the GATES Audio Board transferring from Analog to Digital:
Sony TC-366 project machine:
http://www.archive.org/details/HammondCast_19_1 HammondCast 19 starts out in Frankfurt Germany recording in AFN Europe Headquarters on one big tube microphone featuring Hungarian tenor saxophone star TONY LAKATOS, now a member of the HR Radio Big Band. And a slow rainy day Blues featuring guitarist JOE BERGER and RAY GRAPPONE drums, Jon on the XB-2 organ/bass. Also a 35 year-old recording of my old rock band HADES and a shout out to the bass player STEVE WRIGHT who is recuperating from a stroke and heart attack but is now starting to speak again, get better Steve! From there to 1995 recording in LE BAR BAT NYC playing Jon's tune "Pocket Funk". A song I recorded with Eddie Money that is close to Eddie's heart: "I've Been Lovin' You Too Long" for all the Eddie Money freaks out there. I just saw Eddie in NY and he's doin' fine, still touring in a city near you! And finally ending up back in AFN Europe Headquarters playing Jon Hammond's theme song: "LATE RENT", dedicated to YOU of KYOU the your Rent will never be Late! http://www.HammondCast.com HADES R to L: Steve Wright bass vocals, Jimmy Thorsen guitar vocals, Dave Danza drums, Jon Hammond organ electric piano
Earlier version of Hades Blues Works L to R: Jim Thorsen, Jon Hammond Greg Boykin drums R.I.P. Eddie Sanchez, Steve Wright picture outside Carlson Blvd. Richmond rehearsal space, Jerry Figone was manager at that time, road crew - Kent & Gary Leone:
Sk1 James and Wes Blues Jon Hammond Band Jon Hammond on Hammond Sk1 World's First Road Test of ultra-portable Hammond Sk1 with Jon Hammond Band in Germany at Jon's annual Musikmesse-Session in Jazzkeller Hofheim April 8, 2011 Special Thanks Suzuki Musical Instruments, Ken Atsumi, Waichiro 'Tachi' Tachikawa, Hiromitsu Ono, Yu Beniya, Shigeyuki Ohtaka, Shuji Suzuki, Bernie Capicchiano, Malc Deakin Hammond Suzuki UK Europe, Michael Falkenstein Hammond Suzuki Germany, camera: Jennifer Joe Berger guitar, Giovanni Gulino drums, Peter Klohmann tenor sax, Jon Hammond Sk1 Hammond Stage Keyboard http://www.jonhammondband.com Sk1 Sk2 Hammond Suzuki Musikmesse Blues Organ Hofheim Hamamatsu Japan Category: Music Tags: Sk1 Sk2 Hammond Suzuki Musikmesse Blues Organ Hofheim Hamamatsu Japan

*WATCH THE VIDEO: Sk1 James and Wes Blues Jon Hammond Band

http://www.archive.org/details/JonHammondSk1JamesandWesBluesJonHammondBand/

http://www.youtube.com/watch?v=o8tItPfKVOQ

Pioneer DJ, CenterStage, NAMM Show, #Showcase #PioneerDJ #Funk #HammondOrgan #NAMMShow

NDR Horns play funky HEAD PHONE - October 29, 2016

#WATCHMOVIE HERE: NDR Horns play funky HEAD PHONE Jon's archive https://archive.org/details/AusterJazzHeadPhoneNDRHornsFunkyHeinz Views 135 #135 Auster Jazz Head Phone NDR Horns Funky Heinz - 3 + 3 Jon Hammond Band Live in Auster Bar Hamburg with funky Heinz Lichius drums, NDR Horns: Michael Leuschner trumpet, Lutz Büchner tenor sax, Fiete Felsch alto sax, Joe Berger guitar, Jon Hammond organ + bass - http://www.HammondCast.com/ Note: Joe Berger is playing Futhark Guitars -Jon Hammond - Hammond organ made by Suzuki Musical Instruments - special thanks to our friend and excellent drummer Nicolai Ditsch for operating the camera! & Auster Bar Team Frank Blume & Torsten Wendt Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Funky Jazz, Hamburg, Auster Bar, NDR Horns, Jon Hammond, Sk1, Organ, Trumpet, Saxophones, Guitar, drums, Head Phone, ASCAP Composer H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 37 Files download 5 Original Producer Jon Hammond Language English Sennheiser In The News led by system designer Norbert Hilbich AMBEO 3D audio soundscapes guidePORT system wow! Jon Hammond Courtesy of Installation AV integration in a networked world LINK http://www.installation-international.com/sennheiser-to-provide-3d-music-for-va-revolution-exhibition/ Photo: Dave Robinson --Sennheiser audio solutions - Daniel Sennheiser, CEO of Sennheiser – pictured (centre) holding a replica of a 1968 set of Sennheiser headphones - Installation AV Says: "Sennheiser has announced a new collaboration with the Victoria and Albert Museum (V&A) in London for the forthcoming exhibition You Say You Want a Revolution? Records & Rebels 1966 – 1970. The exhibition will open to the public on 10 September 2016 and run until 26 February 2017, following which it will tour internationally. Sennheiser will provide immersive sound utilising its AMBEO 3D audio technology delivered through a guidePORT audio guide system. Curated by Geoffrey Marsh and Victoria Broackes, the curatorial team behind the V&A’s David Bowie is, the new exhibition is designed in six distinct sections. It will explore the late 1960s through hundreds of exhibits from the V&A’s extensive collections alongside a selection of loans that range from design, music, film, fashion and consumer products to photography, posters and books. It is designed by Nissen Richards Studio, with video content designed by Fray studio, and sound design by Carolyn Downing. Music will play a key role in the exhibition, said Broakes: “The music running through You Say You Want a Revolution will represent the backbone and heart of the exhibition; it will be an object in itself. Therefore, we are delighted to be working with Sennheiser once again. Their expertise in 3D immersive audio will push the limits of the sound experience still further.” Working closely with the exhibition’s sound designer Carolyn Downing, the Sennheiser team, led by system designer Norbert Hilbich (left of picture), will be setting up two AMBEO 3D audio soundscapes. One will place visitors in an immersive environment evoking the political issues and fight against censorship and the establishment of the late 1960s while the other will recreate a live concert atmosphere with upmixed audio material from the period. Hilbich told Installation that the new exhibition will contain a lot more music than David Bowie is. “We have quite a big bunch of songs that they think we should transfer to 3D audio, but the process is not finished. There are plenty of ideas – we now have to [think about] how we put it into operation, what will it sound like, which part of the songs we should take and so on.” After being set up in the studio, Hilbich added, the mix will be adjusted on site to suit the acoustics of the venue – as was also done with the Bowie exhibition. Visitors will be accompanied through the exhibition by a Sennheiser audio guide system. The guidePORT system will deliver hundreds of personal, automatically triggered stereo feeds simultaneously. It will transmit real-time, lip-sync audio to fully immerse visitors in the sights and sounds of the late 1960s. The system at the V&A will comprise 750 receiver units with high-quality headphones, along with several transmission and trigger units that will be hidden from sight. Robert Genereux (right of picture), business director system design at Sennheiser, said: “The headphone part [using the guidePORT system] will be similar, but along the way they are going to create ‘disturbances’ in the headphone experience in different sections. This will be a little bit of a difference [from] the guidePORT experience for Bowie, which is uniform all the way from the beginning to the ‘show moment’.” Daniel Sennheiser, CEO of Sennheiser – pictured (centre) holding a replica of a 1968 set of Sennheiser headphones – commented: “We are absolutely thrilled to cooperate with the Victoria and Albert Museum on yet another fantastic project. The V&A is uniquely positioned to curate an exhibition about this transformational time in our more recent history. The artistic quality of the exhibition together with spectacular exhibits and an innovative state-of-the-art sound experience, featuring Sennheiser’s AMBEO 3D audio technology, will make this exhibition a truly immersive experience.” Photo courtesy of PSN Europe: Dave Robinson "Bag O’Nails staircase pic: Sennheiser’s Robert Genereux (business director system design, strategic collaborations); Daniel Sennheiser, holding the reproduction HD414s; Eric Clapton(!) c. 1968; Norbert Hilbich (Sennheiser director spectrum affairs & system design)" PSN Europe Says: "Sennheiser to play major role at Sgt Pepper exhibition" LINK http://www.psneurope.com/sennheiser-to-play-major-role-at-sgt-pepper-exhibition/ "Shards from Jimi Hendrix’s and Pete Townshend’s shattered guitars… The brown fringe jacket Roger Daltrey wore at Woodstock…. Handwritten lyrics for Lucy in the Sky with Diamonds by the Beatles… The suits worn by John Lennon and George Harrison on the cover of Sgt. Pepper’s Lonely Hearts Club Band… All of these incredible artefacts are to be included in a major cultural retrospective to be held at the Victoria & Albert (V&A) Museum in September 2016. Called You Say You Want a Revolution? Records and Rebels 1966–70, the exhibition will explore the era-defining significance and impact of the late 1960s upon life today. It follows the success of 2013’s David Bowie Is – the most popular exhibition ever held at the V&A – and once again, Sennheiser technology, including the guidePORT system and the emerging AMBEO 3D environment, will play a major part in the presentation and production of the show. You Say You Want a Revolution? Records and Rebels 1966–70 will “investigate the upheaval, the explosive sense of freedom, and the legal changes that took place resulting in a fundamental shift in the mindset of the Western world”, say the curators, Victoria Broakes and Geoffrey Marsh. More than 350 objects from the period, encompassing photography, posters, literature, music, design, film, fashion, and performance, have been procured for the show: even a moon rock, and an Apple 1 computer (of which there are only four working models in the world). Details of Record and Rebels 1966-70 – which will run from September 2016 to February 2017 – were revealed at former legendary ’60s bar (now a private club) the Bag O’ Nails, just off London’s Carnaby Street, at the end of February. Martin Roth, director of the V&A, said it was one of the most important exhibitions the museum had curated. Broakes and Marsh agreed that the Sgt Pepper suits were some of the most difficult objects to secure – but they were items considered essential to the show. Levi’s and Sennheiser are key sponsors of the event, along with outfitter Fenwick and stylist Sassoon. “I knew some of the concept, but not all of it until today, so and I think it’s going to be a really, really exciting exhibition!” Sennheiser co-CEO Daniel Sennheiser told PSNEurope at the launch. He noted that one of the show themes – how the 1960s have shaped how we think today – is very much in tune with his company philosophy. In an introductory speech at the Bag O’Nails, Daniel spoke of how his grandfather’s business had mass-produced the HD414 headphones starting in 1968, and how it had gone on to be the “most sold headphone in the world”. Later, while clutching a pair based on the original ’60s design, Daniel told PSNEurope that the phones were never planned as a product but came about when some of the Sennheiser engineers were “playing around with microphone capsules” and noticed the transparency of the sound when they were placed close to the ear. “My grandfather [Fritz Sennheiser] said, OK, let’s make a product out of it. He asked the distributor at the time how many they could sell. But no one could imagine having a hi-fi sound ‘in your head’. The distributor said, maybe 500 worldwide! But grandfather said, to make it work financially, I need to make 5,000. “So he made 5,000 – and it was sold out in three months. And today, more than 12m pieces have been produced. And we can still sell you replacement earpads for a 1968 pair!” revealed Daniel. Working with the exhibition’s sound designer Carolyn Downing, the Sennheiser team (led by system designer Norbert Hilbich) will be setting up two AMBEO 3D audio soundscapes at the museum. One will place visitors in an immersive environment evoking the political issues and fight against censorship and the establishment of the late 1960s; the other will recreate a live concert atmosphere with upmixed audio material from the period. Of AMBEO 3D – demonstrated in London last year but launched official at CES earlier in 2016 – Daniel says: “The idea is to transport you into a different place. “We’re still learning how to use it and what we [can] do with it. It’s not just one technology, it’s about the capturing, the mixing, the creation of the spacial audio, then the processing and the playback. [But] that’s where Sennheiser is uniquely positioned [at the V&A]: to provide the 3D audio and create an emotional experience in an exhibition which is already emotive in its content, so it’s a really good case study and demonstration for us.” Visitors will be accompanied through the exhibition by Sennheiser’s guidePORT system, as they were for David Bowie Is…. GuidePORT can deliver hundreds of personal, automatically triggered stereo feeds simultaneously, and will transmit real-time, lip-sync audio to fully immerse visitors in the sights and sounds of the period. The V&A implementation will comprise 750 receiver units with premium headphones (though Daniel didn’t know which models at the time), along with several transmission and trigger units, hidden from the public eye. David Bowie Is has been on tour ever since the March 2013 V&A launch: it’s visited Toronto, Sao Paolo, Chicago, Melbourne, the Netherlands and is about to open in Tokyo. Daniel remarks, “If [Records and Rebels] is successful, I would love it to go on tour – but that is the V&A’s decision.” Is Daniel a big fan of music from the era? “I would have loved to have been alive at that time. I’m a big fan of Zappa, Hendrix, Bob Dylan. I play guitar and piano – but I have more passion than talent!” www.sennheiser.com http://www.vam.ac.uk/content/exhibitions/exhibition-you-say-you-want-a-revolution-records-and-rebels-1966-70/ " Jon Hammond's Sennheiser evolution microphone Monophonic Recorder combo Headphone HD 25-1 Classic and Song Jon Hammond: Back to Mono with Sennheiser combo TASCAM product DR-10X Plug-on Micro Linear PCM Recorder for XLR Connection (flipped over): Monophonic High fidelity Folks! True Hi-fi Jon Hammond playing his 1968 Gibson Byrdland - owned since 18 years old Front and Back Jon Hammond's 1968 Gibson Byrdland Jon Hammond interviewing the great Roy Clark with Sennheiser evolution e855 microphone - Roy is a long-time Gibson Byrdland virtuoso! Jon Hammond 1965 Fender Bandmaster Blackface on the bench Jon's Bandmaster Fender Head paired with Bag End 15" coaxial speaker bottom Jon Hammond flanked by Sennheiser co-CEO's Dr. Andreas Sennheiser and Daniel Sennheiser foto by Christian Burkert: Sennheiser to open Soundscape Showroom in the Westfield World Trade Center http://www.nydailynews.com/new-york/manhattan/daniel-sennheiser-open-soundscape-showroom-nyc-article-1.2815943 - Jon Hammond "Daniel and Andreas Sennheiser who run the blossoming Sennheiser company, an audio business based in Germany. (CHRISTIAN BURKERT)" BY EBENEZER SAMUEL NEW YORK DAILY NEWS Monday, October 3, 2016, 2:47 PM "Daniel Sennheiser knows exactly what he's up against. Along with his brother Andreas, Daniel Sennheiser runs the blossoming Sennheiser company, a blossoming audio business based in Germany. But he's watched and admired New York City for a long time, come to appreciate the business challenges of the Big Apple. And along the way, Sennheiser says, he's come to view New York City as a pivotal battleground for any business ready to go global. "New York has been the beginning of a lot of things," Sennheiser says. "This is a melting pot, that has brought up so many things, brought up Broadway. New York is very fast-living. And that's positive in a sense that they're quick to pick up new trends and things. "But that also means you need to make a certain amount of noise." And now, it's time for Sennheiser to make some noise. In late October, the company will take up residence in the Big Apple, opening the Sennheiser Soundscape Showroom in the Westfield World Trade Center. It's a venue that will be filled with Sennheiser's unique products, but the focus isn't on selling. Instead, Sennheiser is focused on introducing New Yorkers to its distinctive audio, part of a first step in establishing the company as a sound powerhouse in a nation that's spent the last few years in the midst of a great headphone awakening. "We believe it's the right time for us to make a big splash to share our version of the future of audio with New York," says Andreas. It's an intriguing vision from a company that's long delivered high-quality sound but has consistently lacked the profile of the bigger names in the industry. Beats by Dre and Bose own the majority of U.S. mindshare, and both companies are highly visible, utilized by both celebrities and major sports franchises. Sennheiser has never had such presence, and that's mostly by choice. Look closely during your next NBA on TNT broadcast, and you may notice Sennheiser headsets on the play-by-play guys. But the company has historically done little marketing, preferring to let its devices shine on their own merits. The Soundscape Showroom isn't the start of some massive ad campaign, either. But it is part of a company-wide initiative to be more visible in the United States, to draw more notice to an underrated line of products. Just a few years ago, the company set up a small pop-up store on the East Side. With the Soundscape Showroom, it's going bigger, aiming to be a national presence. "It's to raise a little awareness. We're just not present enough," Daniel says, before talking proudly of Sennheiser's lore. "Sennheiser is the inventor of the hi-fi headphone. Not a lot of people know that." Indeed, few realize just how potent Sennheiser products truly are. It was Sennheiser that released the first pair of open headphones way back in 1968, and it's Sennheiser that's continued to chase perfect, pure sound throughout the last few decades. And it's Sennheiser that last year debuted the HE1 Orpheus, a handcrafted set of headphones powered by a massive amplifier built from marble and driven by gold-vaporized electrodes and platinum vaporized-diaphragms. It's a device that costs tens of thousands of dollars and is hardly for use with your iPad on the train - but it's a device that showcases Sennheiser's pursuit of high-level sound. "Sennheiser has been on the forefront of audio strategy for years," says Daniel. "We just added the sexy aesthetics after we did the sound." Sound remains the company's top priority, but in recent years, it's been pushing to match the more attractive headphones delivered by the likes of Beats and Bose. There's the Momentum line of headphones, a sharp-looking line of headphones with rugged leather bands that seem tailor made for the stylish Manhattanite. And just this summer, Sennheiser released the PXC 550, a noise-canceling Bluetooth pair of cans designed to go head-to-head with Bose's QuietComfort line, but with touch controls built onto the earcups. These products, says Daniel Sennheiser, are examples of Sennheiser's ability to adapt to culture, proof that the company's products truly can fit the New Yorker. The Sennheiser aesthetic is unique, and the Momentums are especially eye-catching units, as fashion-conscious as they come. The hope is that consumers enter the Soundscape Showroom and see these products, falling in love with a new brand of headphone. "The qualities (of Sennheiser headphones) are great — the material, the leather, the steal," Daniel says. "But you also have to have the opportunity to touch it. In our experience, audio is something you can't describe. You have to put it on your head. "Sennheiser is not a brand for everyone. I think we're a brand for people who are in the know, who are creative, who really look for special things. That's why I think a place like New York is the place to be." And that's precisely why Sennheiser is finally here, with the Soundscape Showroom as its first truly potent portal in the United States. The goal is to build from here, Andreas says, to finally aggressively cultivate the Sennheiser brand in the U.S. It won't be easy, not with Beats and Bose dominant. But Sennheiser arrives prepared. "We have a serious plan, but we're also nimble enough to adjust," says Daniel. "As Frank Sinatra said, 'If you can make it here, you can make it everywhere.'" Interviews Sennheiser Jon Hammond Headphones Microphones Organ Accordion Music Archive NAMM Musikmesse Jon's archive http://ia601507.us.archive.org/7/items/HeadPhoneStickWithSennheiser/Head%20Phone%20stick%20with%20Sennheiser.mp4 Sennheiser (headphones) Momentum series with tribute to Lutz Büchner on solo section: Head Phone stick with Sennheiser (headphones) Jon Hammond's 20th annual Musikmesse Session in Jazzkeller Hofheim - funky jazz with Giovanni Totò Gulino drums, Peter Klohmann tenor saxo, Joe Berger guitar, Jon Hammond at the Sk1 Hammond organ - Jon's keyboard stand by Bespeco Professional, Audio: Philipp, Konrad Neupert, Marvin Gans Jazzkeller Hofheim Team - special thanks Jeff Guilford / JJ guitars for operating the camera http://www.HammondCast.com Sennheiser HD 25-1 NAMM Oral History Interview Jon Hammond by Dan Del Fiorentino and Tony Arambarri Jon's archive https://archive.org/details/JonHammondJonHammond_NAMM.orgOralHistoryInterviewDate_January13_2011FullVersion_0 Views 144 #144 Youtube https://youtu.be/Faq_A58v4sE 275 views #275 Usage Attribution-NonCommercial-NoDerivs Topics NAMM Oral History, Musikmesse, Mini-B, NAMM, G37, G27, Leslie Speaker, Onions, Jazz, Blues, Musicians Union, Local 802, ASCAP, KYOU Radio, Anaheim, Frankfurt, B3 Organ, XB-2, Leslie Speaker Jon's archive https://archive.org/details/JonHammondJonHammond_NAMM.orgOralHistoryInterviewDate_January13_2011FullVersion_0 Views 144 #144 Youtube https://youtu.be/Faq_A58v4sE 275 views #275 Usage Attribution-NonCommercial-NoDerivs Topics NAMM Oral History, Musikmesse, Mini-B, NAMM, G37, G27, Leslie Speaker, Onions, Jazz, Blues, Musicians Union, Local 802, ASCAP, KYOU Radio, Anaheim, Frankfurt, B3 Organ, XB-2, Leslie Speaker Jon Hammond | NAMM.org Oral History Interview Date: January 13, 2011

namm.org/ library/ oral-history/ jon-hammond

Jon Hammond
Interview Date: January 13, 2011
Job Title: President and Founder
Company: Jon Hammond & Associates
accordions electric organs Hammond B-3 Hammond Organs Jazz Music Manufacturing Musicians

Jon Hammond


Jon Hammond has successfully created a career based on his musical talents and his passion for the music industry! As a musician Jon has performed with many legendary players and as a clinician and product artist he has introduced many innovative products to music stores and their customers over the last 30 plus years. Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Digital B3 Organ.

Subject Info Jon Hammond Interview Date: January 13, 2011 Job Title: President and Founder Jon Hammond & Associates Jon Hammond has successfully created a ... of his career, the Excelsior Accordion and the Digital B3Organ. (accordions, electric organs, Hammond B-3, Hammond Organs) 512KB MPEG4 download download 1 file MPEG4 download download 1 file TORRENT download download 45 Files download 4 Original Producer Jon Hammond Alex Hsieh NAMM Oral History https://www.namm.org/library/oral-history/alex-hsieh Alex Hsieh is the CEO of P.Mauriat Paris, a brass instrument maker in Taiwan that specializes in saxophones, trumpets and accessories. Their saxophone line of instruments are inspired by the late French orchestra leader Paul Mauriat (1925-2006) who was known in America for a series of pop recordings. Alex created the environment to ensure quality instruments were developed that could produce the sounds and tones used in Mr. Mauriat’s recordings. The results of these efforts have been a well-regarded product line and innovative models such as the PMST Saxophone and the Professional Bb Trumpet. Interview Date: January 24, 2014 Job Title: CEO Company: P.Mauriat Paris Tags: Taiwanese Music Industry Music Manufacturing Saxophones Music Accessories Trumpets Woodwinds Brass Instruments Band and Orchestra Jon's archive https://archive.org/details/JoeBergerNammOralHistoryInterviewUneditedLongVersionOfficial55 Youtube https://youtu.be/uFFMVHCkZ8w Joe Berger NAMM Oral History Interview Unedited Long Version Official 55 minutes 4 seconds by Jon Hammond Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics concert production, electric guitars, namm show, frankfurt musikmesse, joe berger, oral history, john entwistle, concert tours Joe Berger Interview Date: January 20, 2012 Job Title: Musician, Product Endorser - short version here also http://www.namm.org/library/oral-history/joe-berger Joe Berger knows sound! Joe has been mixing sound for over 30 years and he stopped counting at 35,000 bands! Also a virtuoso guitar player with his own definitive, unique playing style and "ear", Joe has jammed with the likes of John Entwistle and Jack Bruce. He has also been a fixture at music trade shows for decades as a guitar demonstrator, having set a record for most hours played at a single trade show. Tony Arambarri, Dan Del Fiorentino - NAMM Historians Categories: concert production electric guitars Guitars-Amps-Fretted Jon Hammond mixing consoles Musicians Musik Messe Frankfurt NAMM Show New York City NY product endorsers Run time 55 minutes 4 seconds Audio/Visual sound Jon's archive https://archive.org/details/JonHammondsMusikmesseWarmUpPartyJazzkeller Alpha Jon Hammond - http://hammondcast.tumblr.com Add to Calendar: Tuesday April 5, 2016 in the famous jazzkeller Frankfurt - Jon Hammond Band performs at 9PM Celebrating 30 Years, As Seen On Cable TV 32 Years Jon Hammond Show MNN TV Channel 1 and Streaming Worldwide FULL HIGH DEFINITION VERSION 29th Year! Jon Hammond's musikmesse Warm Up Party jazzkeller - Big Special Thanks to my good friend Saray Pastanesi for absolute Masterpiece Birthday & 29th musikmesse Chocolate Chocolate cake!! It was delicious, every morsel was consumed and enjoyed! Journal Frankfurt http://www.journal-frankfurt.de/journal_news/Kultur-9/My-home-away-from-home-Jon-Hammond-zum-27-Mal-auf-der-Musikmesse-18308.html MY HOME AWAY FROM HOME Jon Hammond zum 27. Mal auf der Musikmesse Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller ein. JOURNAL FRANKFURT: Was war für Sie zuerst da - die Frankfurter Musikmesse oder Auftritte im Jazzkeller? Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show -- Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind. Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden - wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren? Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses "lucky light on me", eine tolle Erfahrung. Seitdem nenne ich Frankfurt "My Good Luck City" und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine "Musikmesse Warm Up Party" dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht. Wie würden Sie Ihr persönliches Verhältnis zu Deutschland und Frankfurt beschrieben? Lassen Sie es mich so sagen: ich liebe Frankfurt und die Frankfurter waren immer gut zu mir in all den Jahren. Ich könnte ein ganzes Buch über die Zeit schreiben, in der ich in Bornheim wohnte und Nacht für Nacht in der alten Jazzkneipe in der Berliner Straße auftrat. Das war der Treffpunkt, wo auch die Musiker der HR Bigband hinkamen und es gab eine generöse Chefin in der kleinen Kneipe. Auch Regine Dobberschütz und Eugen Hahn im Jazzkeller waren wahre Jazzengel für mich, die mir so vieles ermöglichten in der Zeit. Wir konnten auch in den Studios von AFN Radio spielen, waren die einzigen Musiker, die das - mit einer Sondergenehmigung des US Militärs - durften. Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN "Profile TV "-Show "Sound Police". Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin. Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren? Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich "Swinging Funky Jazz and Blues" und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Giovanni Gulino, diesen tollen Schlagzeuger, der schon für fast alle Großen der Szene getrommelt hat. Ich liebe diese Jungs. Als Gitarrist ist mein alten Freund und Kollege Joe Berger dabei, den man auch als The Berger-Meister kennt. Auf diese Formation bin ich wirklich stolz. Werden Sie im Jazzkeller wieder eine Hammond Orgel spielen? Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten Härttest (lacht). Interview: Detlef Kinsler Jon Hammond - organ Joe Berger - guitar Peter Klohmann - saxophone Giovanni Gulino - drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ "Classic Hammond Sound...In A Suitcase!" The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound - 100% organic As seen on MNN TV Cable TV Show The Jon Hammond Show 32nd year -- Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Journal Frankfurt, Journalkalendar, Jon Hammond, musikmesse, Warm Up Party, Hammond Organs, Frankfurt, Blues, Jazz, Soft News, MNN TV Channel 1 - Jazz Party of The Year! #JazzParty #CNNiReport Producer Jon Hammond Language English Jon's archive https://archive.org/details/48MinuteDocumentaryJazzMovieBigBandWithOrganistJonHammond by Jon Hammond 48 minute Documentary movie of Tuesday night session at Friends Seminary School in Manhattan, 5 original compositions! "Head Phone" by Jon Hammond arranged by Todd Anderson "Lydia's Tune" by Jon Hammond arranged by Todd Anderson "Late Rent" by Jon Hammond arranged by Todd Anderson "Pocket Funk" by Jon Hammond arranged by Todd Anderson "Have a Nice Day Blues" by Todd Anderson arranged by Todd Anderson *Note: Tenor Saxophonist Arranger Todd Anderson was Jon Hammond's teacher for Arranging and Compostion at Berklee College of Music in Boston MA in 1973. 10 years later they recorded this music for TV Show "The Jon Hammond Show" still on TV every week for 32 years, the recording session went down at Intergalactic Recording Studios where John Lennon did some of his last recording dates. The big band here is presided over by Professor Bob Rosen in charge of the music program at Friends Seminary School on Manhattan's East Side, 230 year old school K - 12th grade. Top sight reading musicians gather weekly - more info: http://www.HammondCast.com ©JON HAMMOND International ASCAP / BMI Photographs Courtesy of Elmar Lemes L to R Joe Berger, Heinz Lichius, Michael Leuschner, Lutz Büchner, Fiete Felsch, Jon Hammond NDR Horns, Head Phone, Funk Band, #NDRHorns #Headphone #FunkBand #HammondOrgan

Jon Hammond Broadcasting with Joe Franklin - October 27, 2016

#WATCHMOVIE HERE: Jon Hammond Broadcasting with Joe Franklin Jon's archive https://archive.org/details/Jon_Hammond_Show_Podcast_HammondCast_wJOE_FRANKLIN Views 1,448 #1448 My first Vlogging attempt..check it out!! - Jon Hammond download 1 file 512KB MPEG4 download download 1 file OGG VIDEO download download 1 file QUICKTIME download download 1 file TORRENT download download 20 Files download 5 Original Jon Hammond Funk Unit CenterStage Presented by Pioneer DJ @NAMM Friday, January 20, 2017 at 4 PM - 4:40 PM https://www.facebook.com/events/970048696439945/ The NAMM Show Anaheim, California NAMM LINK https://www.namm.org/thenammshow/2017/events/jon-hammond-funk-unit Artist Info Jon Hammond Organ+bass / Organist Leader Koei Tanaka Harmonica / Master Chromatic Harmonica Player Joe Berger Guitar / more band members tba - Photos by Lawrence Gay co-producer West Coast Live Radio Program ©JHINTL Genre: Funky Jazz and Blues Hometown: New York City FB https://www.facebook.com/jonhammondband/posts/ Jon's archive https://archive.org/details/BehindTheBeatBTBASCAPAudioPortraitLateRentJonHammondShow Views 57 #57 Youtube https://youtu.be/63ErHjQcRGU 32 views #32 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics MNN TV, #ASCAPEXPO, Jon Hammond, Public Access, Melody, Hammond Organ, Sk1, B3, Accordion, Musicians Union, Local 6, Local 802 Jon Hammond with ASCAP's Seth Saltzman - Protect Your Music! - ASCAP I Create Music Expo Hollywood CA Jon's archive https://archive.org/details/1001JonHammondShowMNNTVChannel1MusicTravelSoftNews Youtube https://youtu.be/vSE3_5x-t5Y Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Jon Hammond Show, MNN TV, NDR Horns, Original Music, Chicago Blues, Sennheiser evolution microphone, #Sennheiser #Evolution #ChicagoBlues #NDRJazz #HammondOrgan The Musicians Jon Hammond flanked by Bernard Purdie and bassist Jerry Jemmott rhythm section finally reunites historic night Baggage to the Gig - Jon Hammond flies with Briggs & Riley luggage - Marc Baum and Jon Hammondd Jon Hammond Show #1001 first segment: NDR Horn Section plays Jon Hammond's No X-Cess Baggage Blues in Hamburg Jon Hammond Band special dedication to Lufthansa and NDR "No X-Cess Baggage Blues" live performance of track from NDR SESSIONS Projekt album featuring the NDR Horns: Michael Leuschner trumpet, Lutz Büchner tenor saxophone, Fiete Felsch alto saxophone, Heinz Lichius drums, Joe Berger guitar, Jon Hammond organ + bass - concert in Auster Bar Auster Jazz Series - special thanks Nicolai Ditsch for operating the camera - the incredible NDR Musicians and Knut Benzner & Jazz Redaktion Team, Lufthansa Technik Hamburg 2nd segment: Sennheiser evolution microphone Jon Hammond Breakfast Interview with Taka in Narita Japan Sennheiser evolution microphone Jon Hammond Breakfast Interview with Taka in Narita Japan - Takamitsu Yashiro, Blue Groove Sessions, Harley Davidson, Fender Telecaster, Jon Hammond, HammondCast 3rd segment: Chicago Blues Festival Director Barry Dolins Interview with Jon Hammond in Chicago - presenting the Hoochie Coochie Boys later that day. 4th segment: Cooking With The NDR Horns Uptempo Blues Shuffle Auster Bar Hamburg Absolutely cooking session in Hamburg Germany - Jon Hammond Band with The NDR Horns until the last minute when music must stop 10PM / 22:00 Auster Bar is in residential quarter of Eimsbüttel HH, The Musicians: Heinz Lichius drums, Joe Berger guitar, Lutz Büchner tenor saxophone, Fiete Felsch alto saxophone, Michael Leuschner musical director / trumpet, Jon Hammond organ + bass - special thanks Nicolai Ditsch for operating the camera - Auster Bar Team Frank Blume, Torsten Wendt, Musik Rotthoff support, Knut Benzner NDR Redaktion - as seen on MNN TV The Jon Hammond Show http://www.HammondCast.com H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 27 Files download 5 Original Producer Jon Hammond Usage Attribution-Noncommercial-No Derivative Works 3.0 ©JON HAMMOND International All Rights Reserved Producer Jon Hammond Language English Jon Hammond Baggage on the Tracks - Dammtor Bahnhof Hamburg Germany 30th consecutive year Jon Hammond concerts in Frankfurt - all baggage arrived, ready to rock! Beverly Ann cabin cruiser Port of Oakland San Francisco Bay Frankfurt Hauptbahnhof - Jon Hammond on the move Mill Valley CA — Marla Hunt Hanson and Julius Karpen at special gathering celebrating life of Ron Polte who was the manager of Ace of Cups and Quicksilver Messenger Service. Marla Hunt original organist of Ace of Cups and Julius Karpen manager of Big Brother and The Holding Company band with Janis Joplin – long-time associate friend of Chet Helms – photo by Jon Hammond: Jon's archive https://archive.org/details/JonHammondJonHammondBandannualMusikmesseWarmUpParty2013Blues Views 290 #290 Youtube https://youtu.be/zQBZ1N-xq9Y 262 views #262 Jon Hammond Band Musikmesse Warm Up Party 2013 Blues
MY HOME AWAY FROM HOME
 Jon Hammond zum 27. Mal auf der Musikmesse
Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller Jon Hammond Music Travel and Soft News http://minicasts.podomatic.com/play/1030803/8180711 By Jon Hammond's Podcast 3m 46s - 
JOURNAL FRANKFURT: Was war für Sie zuerst da - die Frankfurter Musikmesse oder Auftritte im Jazzkeller?
Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show -- Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind.

Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden - wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren?
Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses "lucky light on me", eine tolle Erfahrung. Seitdem nenne ich Frankfurt "My Good Luck City" und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine "Musikmesse Warm Up Party" dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht. 
Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN "Profile TV "-Show "Sound Police". Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin.

Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren?
Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich "Swinging Funky Jazz and Blues" und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Totó Giovanni Gulino, diesen tollen Schlagzeuger, Und das unterziehe ich jetzt einen echten Härttest (lacht).
27. März 2013 Interview: Detlef Kinsler
http://www.jonhammondband.com — with Tony Lakatos, Joe Berger, Totó Giovanni Gulino, Pmauriat Albest, Jon Hammond Band and P Mauriat HQ at Jazzkeller.. Podomatic http://minicasts.podomatic.com/play/1030803/8180711 Jon's archive https://archive.org/details/JonHammondBand2ndSetAfterBirthdayCakeBreak Youtube https://youtu.be/o2--TIC-frk Vimeo https://vimeo.com/166375459 Facebook video https://www.facebook.com/hammondcast/videos/10153459987517102/ Note from Jon Hammond Video: Tino Pavlis​ https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736 Best Party of The Year! Jon Hammond’s annual musikmesse​ Warm Up Party in Jazzkeller​ Tuesday April 5th 2016 celebrating 30 years Jon Hammond​ – organ Joe Berger​ – guitar Peter Klohmann​ – saxophone Giovanni Totò Gulino​ – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic - Jon's birthday cake by Saray Pastanesi​ Jon Hammond Band​ Frankfurt to Nashville With Detour to Hollywood Musikmesse ASCAP Expo Summer NAMM Show http://kernelpanichammondcast.blogspot.com/2016/05/frankfurt-to-nashville-with-detour-to.html Jon's archive https://archive.org/details/TinosHammondOrgan80thAnniversaryFilmDocumentaryTrailer Joe Franklin, Vlogging, Broadcasting, #Radio #TV #Microphone #HammondOrgan

Jon Hammond Funk Unit CenterStage Presented by Pioneer DJ @NAMM - October 27, 2016

Jon Hammond Funk Unit CenterStage Presented by Pioneer DJ @NAMM Friday, January 20, 2017 at 4 PM - 4:40 PM https://www.facebook.com/events/970048696439945/ The NAMM Show Anaheim, California NAMM LINK https://www.namm.org/thenammshow/2017/events/jon-hammond-funk-unit Artist Info Jon Hammond Organ+bass / Organist Leader Koei Tanaka Harmonica / Master Chromatic Harmonica Player Joe Berger Guitar / more band members tba - Photos by Lawrence Gay co-producer West Coast Live Radio Program ©JHINTL Genre: Funky Jazz and Blues Hometown: New York City FB https://www.facebook.com/jonhammondband/posts/ #WATCHMOVIE HERE: Behind The Beat LATE RENT - ASCAP BTB Piece Jon Hammond Multimedia Story Jon's archive https://archive.org/details/BehindTheBeatBTBASCAPAudioPortraitLateRentJonHammondShow Views 57 #57 Youtube https://youtu.be/63ErHjQcRGU 32 views #32 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics MNN TV, #ASCAPEXPO, Jon Hammond, Public Access, Melody, Hammond Organ, Sk1, B3, Accordion, Musicians Union, Local 6, Local 802 Jon Hammond with ASCAP's Seth Saltzman - Protect Your Music! - ASCAP I Create Music Expo Hollywood CA Funk Unit, Winter NAMM, Presented by Pioneer DJ, #NAMMShow #CenterStage #HammondOrgan

Jon Hammond Funk Unit WINTER NAMM EVENT DATE Friday, January 20, 2017 - 4:00pm Presented by Pioneer DJ - October 26, 2016

Jon Hammond Funk Unit CenterStage Presented by Pioneer DJ @NAMM Jon Hammond Funk Unit WINTER NAMM EVENT DATE Friday, January 20, 2017 - 4:00pm WINTER NAMM LINK: https://www.namm.org/thenammshow/2017/events/jon-hammond-funk-unit Facebook Event https://www.facebook.com/events/970048696439945/ Jon Hammond Funk Unit San Francisco CA Band bio: https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Artist Info Jon Hammond Organ+bass / Organist Leader Koei Tanaka Harmonica / Master Chromatic Harmonica Player Joe Berger Guitar / more band members tba


Jon Hammond Funk Unit
San Francisco CA
Band bio: https://www.namm.org/ thenammshow/2016/events/ jon-hammond-funk-unit Artist Info Jon Hammond Organ+bass / Organist Leader Koei Tanaka Harmonica / Master Chromatic Harmonica Player Joe Berger Guitar / more band members tba - Photos by Lawrence Gay co-producer West Coast Live Radio Program


Performance Info 

 

Event Date:
Friday, January 20, 2017 - 
4:00pm to 4:40pm
Location:
CenterStage 

Jon Hammond Funk Unit

San Francisco  
 
CA 
 
Band bio: https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Artist Info Jon Hammond Organ+bass / Organist Leader Koei Tanaka Harmonica / Master Chromatic Harmonica Player Joe Berger Guitar 
Genre: Rock Endorsed By: Hammond Suzuki http://www.jonhammondband.com/bio.html Description: "The Jon Hammond Show" is a funky, swinging Jazz instrumental revue, featuring notable international soloists and reflecting the influences of Miles Davis, The Crusaders and Jimmy Smith. The show has universal appeal Music Samples: https://itunes.apple.com/us/album/late-rent/id30945539https://itunes.apple.com/us/album/hammonds-bolero/id4308341iTunes FEED (free): https://itunes.apple.com/us/podcast/jon-hammond-band-official/id352184978 Links to Social Media Posts: https://www.facebook.com/jonhammondband/videos/1339829652712495/https://www.facebook.com/jonhammondband/videos/1331953710166756/Video: https://youtu.be/wENSMW6-jps Times You/We Are Available: Every Day and Night of Winter NAMM 2017
*WATCH THE MOVIE HERE: Lydia's Tune Head Phone Late Rent Jon Hammond Funk Unit Nissan Stage 480 Jon's archive https://archive.org/details/LydiasTuneHeadPhoneLateRentJonHammondFunkUnitNissanStage480Lydia's Tune Head Phone Late Rent Jon Hammond Funk Unit Nissan Stage 480 by Jon Hammond Youtube https://youtu.be/qKjYrk0fOFw Facebook video https://www.facebook.com/hammondcast/videos/10153615680412102/Full HighDef But Web Friendly Movie: First song: Lydia’s Tune - Jon Hammond Funk Unit on Nissan Stage Nashville https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Nashville Music City Center, front line: Lee Oskar harmonica, Joe Berger guitar, Cord Martin tenor, Roland Barber trombone, Jon Hammond organ, Rhythm section Chuggy Carter congas & percussion, Louis Flip WInfield drums -- Head Phone Late Rent Nissan Stage Jon Hammond Funk Unit Nashville Tennessee Nissan Stage Summer NAMM Show -- Head Phone Late Rent Nissan Stage Jon Hammond Funk Unit with special guest Lee Oskar, Roland Barber trombone, Cord Martin tenor saxophone, Chuggy Carter congas & percussion, Joe Berger guitar (TV Jones guitar and pickups), Louis Flip Winfield drums, Jon Hammond Sk1 Hammond organ and bass Greg Herreman productions manager, Michael Apodaca & Alex Moore audio / Sound Image Nashville, Tennessee https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit - The NAMM Show Summer NAMM Show Nissan Stage - Jon Hammond Band — with Cord Martin, Lee Oskar, Joe Berger, Louis Flip Winfield, Roland Barber and Leslie J. Carter at The NAMM Show. - all compositions composed & published by JON HAMMOND International ASCAP #NAMMShow #SummerNAMM #FunkBand #HammondOrgan #Nissan #Nashville #NashvilleMusicCityCenter Producer Jon Hammond Language English Jon's archive https://archive.org/details/2PMKickOffNissanStageSummerNAMMShow2PM EST Jon Hammond Funk Unit kicking it off on the Nissan Stage at Summer NAMM Show Nashville Music City Center Roland Barber - trombone, trumpet, sea shell Cord Martin - tenor saxophone Chuggy Carter - percussion Louis Flip Winfield - drums Lee Oskar - harmonica Joe Berger - guitar Jon Hammond - organ + bass http://www.jonhammondband.com ‪#‎NAMMShow‬ ‪#‎SummerNAMM‬ ‪#‎NissanStage‬ 
*WATCH THE FILM HERE: "White Onions" by Jon Hammond NAMM Show Center Stage Jon Hammond Funk Unit FULL HIGH DEF, let it load Jon's archive https://archive.org/details/TheNAMMShowWhiteOnionsJonHammondFunkUnitNAMMShowcase #TheNAMMShow White Onions Jon Hammond Funk Unit NAMM Showcase by Jon Hammond Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics NAMM Show, Lunch set, Bernard Purdie, Jon Hammond, Onions, Funky Jazz, Hercules folding stands, KHS America, Hammond Organ #‎TheNAMMShow‬ “White Onions” Jon Hammond Funk Unit NAMM Showcase lunch set https://www.namm.org/thenammshow/2015/events/jon-hammond-funk-unit 23rd 2015 reprising 1989 Late Rent Sessions recording ©JON HAMMOND International ASCAP with special guest Bernard Purdie drums, Leslie J. Carter percussion Jon Hammond organ (original members on record) featuring Koei Tanaka chromatic harmonica from Tokyo Japan Suzuki world star, Joe Berger guitar JJ guitars, Alex Budman tenor saxophone Dom Famularo returning to the NAMM Stage – special thanks NAMM President CEO Joe Lamond, KHS Hercules folding stands – congratulations KHS America: Announces Acquisition of Hohner Inc. USA Producer Jon Hammond Audio/Visual sound, color Language English Youtube http://youtu.be/EKavYAXYYw4 ‪#‎TheNAMMShow‬ "White Onions" Jon Hammond Funk Unit NAMM Showcase
 Photos by Lawrence Gay co-producer West Coast Live Radio Program ©JHINTL

Presented by, Pioneer DJ, Winter NAMM Show, CenterStage, #FunkUnit #NAMMShow #CenterStage #HammondOrgan

2017 ProLight + Sound and Musikmesse Kicking Off with Jon Hammond Next April - October 26, 2016

2017 ProLight + Sound and Musikmesse Kicking Off with Jon Hammond Next April Dankeschön Johannes Weber and Ilona Schlesinger-Jakoby for the Press Release & New Poster - also Natalia Kryukova Prolight + Sound NAMM Russia 2017 "news +++ Prolight + Sound Prolight + Sound 2017 continues on its successful course following recent conceptual developments Attractive setting for product presentations, business and recruiting Comprehensive overview of the sector in the eastern part of Frankfurt Fair and Exhibition Centre" Johannes Weber, Christopher Sparkes and Jon Hammond "Prolight + Sound has been strengthened by the recent conceptual developments and will maintain and continue to develop the new components for the next edition in 2017. Thus, from 4 to 7 April 2017, the International Fair of Technologies and Services for Entertainment, Integrated Systems and Creation will once again be the meeting place for the industry and the showcase for the latest products and trends in the sector. By moving to the eastern part of Frankfurt Fair and Exhibition Centre in 2016, the fair was able to expand the spectrum of products and services on show and, as in the past, all key players will be represented at Prolight + Sound 2017, many of them with even bigger presentations than before. The shift in the days of opening to Tuesday to Friday was given a positive reception this year and will be retained next year. A wide-ranging seminar programme covering all business segments will be held on all four days of the fair. A special focal point of Prolight + Sound 2017 will be on promoting young people and creating areas of contact between companies and skilled personnel. “With the highly successful première of the new concept, we executed a decisive change in course for the future of Prolight + Sound as the world’s foremost business platform and showcase for the sector”, says Michael Biwer, Group Show Director of the Entertainment, Media & Creative Industries Business Unit of Messe Frankfurt Exhibition GmbH. “In close cooperation with companies from the sector, we aim to continue this success story at the coming Prolight + Sound and further optimise the fair in the future."   High degree of exhibitor interest sends out positive signals Prolight + Sound visitors have the chance to obtain an unrivalled overview of the latest products, trends and technologies on the global market. The leading brands of all branches of the event-technology industry have already registered to exhibit at the coming Prolight + Sound. The key players that have confirmed their participation in the event include Adam Hall, Altman, Amptown, Audio-Technica, Ayrton, Chain Master, Chauvet, Clay Paky, Coda Audio, dbTechnologies, Digico, DPA Microphones, ETC – Electronic Theatre Controls, FBT Elettronica, Gerriets, GLP German Light Products, JB-Lighting, Klotz, L-Acoustics, Lawo, MA Lighting, Martin Professional, Meyer Sound, Monacor International, Music & Lights, nivtec-flexibel, Panasonic, Prolyte Group, Riedel, ROBE Lighting, Sennheiser and SGM Light. Additionally, Georg Neumann GmbH will have its own stand at Prolight + Sound 2017. Unchanged hall layout, optimised visitor orientation The seven exhibition halls and the extensive outdoor exhibition area in the eastern section of Frankfurt Fair and Exhibition Centre provide the space required for the targeted presentation of the individual product groups. Prolight + Sound is split into the following sections: Audio + Sound (Hall 3.1, Hall 4.1), Light + Stage (Hall 3.0), Light + Multimedia (Hall 4.0), Light + Entertainment (Hall 5.0) and Education + Associations (Forum.0). Additionally, the outdoor exhibition space makes it possible to demonstrate new products under realistic, open-air conditions. In 2017, the Concert Sound Arena, which presents PA systems in action, will be centrally located on the Agora, in the heart of the eastern section. At the same time, the Live Sound Arena, close to the City entrance, will showcase mobile PA systems. Also on the outdoor area will be mobile stages, tent systems and LED walls. An improved visitor-guidance system compared to last year will make it easier for visitors to find the individual product groups. Moreover, there will be separate, clearly laid-out brochures for ‘special interest’ product groups, which bring together the appropriate exhibitors from the various segments. These ‘Quickfinders’ will be available for the ‘Broadcast, Production & Recording’, ‘Stage & Theatre’, ‘Media Technology & System Integration’ and ‘Event & Congress’ product segments. Exhibitors from the individual ‘special interest’ segments can also be found directly via the online search engine of the Prolight + Sound website and the Prolight + Sound app. High-grade seminar programme with broad thematic spectrum The shift to four workdays enabled Prolight + Sound to further hone its profile as the fair for professionals and, in the course of this process, to extend the range of professional-development events to all four days. Next year, as in the past, renowned speakers will pass on expertise revolving around technical innovations, new areas of application and marketing and management. The professional-development programme is split into three seminar blocks. The Prolight + Sound Conference is characterised by a wide spectrum of disciplines covering all aspects of professional event and AV media technology. The conference has two main sections, Basic and Advanced, and is aimed at both newcomers and experienced personnel. It offers an opportunity to refresh the basics, learn from experts and exchange ideas and information with colleagues. The second block, the Eventplaza Conference, will be held for the seventh year running. Aimed in particular at event and incentive managers, HR managers and congress and conference organisers, it tackles subjects such as event safety, progressive event production and effective event communication. The third seminar block, the Manufacturers’ Forum was launched at the last Prolight + Sound and is to be continued in 2017. There, leading companies from the sector present technological trends with reference to specific projects. Prolight + Sound brings together companies and young people Against the background of continuous growth in demand for well-trained personnel, Prolight + Sound offers a range of special services for students and trainees. Additionally, there will be a new area to promote contacts between companies wanting to recruit new staff and newcomers and experienced personnel looking for new jobs. In line with this, the Tuesday of the fair will take place under the motto Future Talents Day and include an attractive programme for young and aspiring personnel with guided tours of the fair, special lectures and workshops. The Job Forum in Forum.0 is a platform that puts companies wanting to recruit staff from the event and media-technology sector in touch with suitable applicants. It represents a point of contact for all visitors interested in taking up new challenges in the sector. Renowned awards spotlight outstanding achievements Successful projects are the result of a perfect partnership between man and technology. Prolight + Sound is the venue for important award ceremonies, which draw attention to outstanding achievements in the field of event and media technology. Opus – German Stage Award – has been given for excellent achievements in the fields of lighting design, technical realisation, stage design, video and sound design since 2002. It is one of the most important awards for the creative use of professional event technology. A new set of rules for 2017 now makes it possible to select individual and team achievements. In other words, the winners can be personalities, project teams or companies. Parallel to Opus, Sinus – System Integrations Award – honours projects distinguished by the innovative and pioneering use of media technology and systems integration. The sponsors of this honorary award are Messe Frankfurt, the The German Entertainment Technology Association (Verband der Medien- und Veranstaltungstechnik - VPLT) and the European Association of Event Centers (Europäischer Verband der Veranstaltungs-Centren - EVVC). The expert jury is composed of members of the associations, experts from the sector and representatives of the media and Messe Frankfurt. The awards will be presented in ‘Saal Europa’ of Frankfurt Fair and Exhibition Centre on 5 April 2017. Three-day overlap with Musikmesse Together with Musikmesse, International Trade Fair for Musical Instruments, Sheet Music, Music Production and Music Business Connections, Prolight + Sound represents the world’s biggest get-together for the music and event industry. Changing the days of Musikmesse to Wednesday to Sunday means the valuable synergistic effects between the two events will be strengthened compared to 2016 with Musikmesse and Prolight + Sound being held concurrently on three days. Altogether, the two trade fairs attracted well over 100,000 visitors from 130 countries and around 2,000 exhibitors from 60 countries in 2016. Further information about Prolight + Sound at www.prolight-sound.com Follow us on our social media, too: Facebook: www.facebook.com/prolightsoundfrankfurt Twitter: www.twitter.com/plsfrankfurt #pls2017 @plsfrankfurt Background information on Messe Frankfurt Messe Frankfurt is one of the world’s leading trade fair organisers, generating around €648 million in sales and employing 2,244 people. The Messe Frankfurt Group has a global network of 30 subsidiaries and 55 international Sales Partners, allowing it to serve its customers on location in 175 countries. Messe Frankfurt events take place at approx. 50 locations around the globe. In 2015, Messe Frankfurt organised a total of 133 trade fairs, of which more than half took place outside Germany. Comprising an area of 592,127 square metres, Messe Frankfurt’s exhibition grounds are home to ten exhibition halls. The company also operates two congress centres. The historic Festhalle, one of the most popular venues in Germany, plays host to events of all kinds. Messe Frankfurt is publicly owned, with the City of Frankfurt holding 60 percent and the State of Hesse 40 percent. For more information, please visit our website at: www.messefrankfurt.com " It's my tune dammit - Jon Hammond Michael Biwer Group Show Director and Jon Hammond Betty Heywood Director of International Affairs at NAMM and Jon Hammond Jon Hammond and James Carter saxophonist session - P.Mauriat Saxophones Greg Osby System 76 P.Mauriat and Jon Hammond session Music China article Holda Paoletti-kampl and Focus AFM writer Bob Popyk mention in Accordions Worldwide megasite Ralph Voggenreiter / Voggenreiter Verlag and Jon Hammond Bring back the musikmesse stickers! Jon Hammond's well traveled XB-2 Hammond Organ plastered with some of the past stickers attended Charly Hosenseidl! Dr. Peters, Sabine Nold, Cordelia von Gymnich - Jon Hammond Press Conference Jon Hammond with Ivana and Zuzana Petrof - 150 Years Petrof Pianos! Keep practicing, we'll put him to work on tenor sax! - Jon Hammond - P.Mauriat saxophones Jon Hammond at Console Hammond Organ Jon Hammond - Moscow Russia Wolfgang Lücke Director Musikmesse and Jon Hammond Jon Hammond with David from Shanghai Radio Eastern @ ProLight + Sound Shanghai China Joe Berger, Koei Tanaka, Jon Hammond #WATCHMOVIE HERE: Behind The Beat LATE RENT - ASCAP BTB Piece Jon Hammond Multimedia Story Jon's archive https://archive.org/details/BehindTheBeatBTBASCAPAudioPortraitLateRentJonHammondShow Views 57 #57 Youtube https://youtu.be/63ErHjQcRGU 32 views #32 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics MNN TV, #ASCAPEXPO, Jon Hammond, Public Access, Melody, Hammond Organ, Sk1, B3, Accordion, Musicians Union, Local 6, Local 802 Jon Hammond with ASCAP's Seth Saltzman - Protect Your Music! - ASCAP I Create Music Expo Hollywood CA Jon Hammond in concert Behind the Beat with Landesjugendjazzorchester Mecklenburg-Vorpommern in Zeughaus Wismar Hillary took the Trump Chump to the Shed last night! No doubt about it: Jon Hammond television interview with the great Roy Clark in Nashville! Jon Hammond: Late Rent by Steve Rosenfeld Jon Hammond says "the fingers are the singers.’" The latest CD from this exceptional and soulful Hammond organist is the proof. "Late Rent" draws on decades of great recording sessions and top live performances to showcase his own playing and many top jazz and funk artists. It shows why the Hammond organ is one of the most enduring electric instruments and why Hammond is one of its best players. Late Rent Label: Ham-Berger-Friz Records Genre: Jazz All Jon Hammond profiles… The Late Rent Story Jon Hammond waited half his life to make this CD – starting with being an underground TV host. Swingin’ Funky Jazz & Blues Jon Hammond describes his style of music and how he learned to play it. Two Hot Tracks Jon Hammond recalls one of his first songs – from age 15 – and a great Sunday session. Sonny’s Advice A little advice on melody from a great sax player went a long way. http://behindthebeat.com/2004/12/jon-hammond-late-rent/ H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 28 Files download 5 Original Producer Jon Hammond Audio/Visual sound, color Language English Jon's archive https://archive.org/details/JonHammondBand2ndSetAfterBirthdayCakeBreak Views 45 #45 Youtube https://youtu.be/o2--TIC-frk 24 views #24 Usage Attribution-Noncommercial-No Derivative Works 3.0 Jazzkeller, Frankfurt, Musikmesse, Warm Up Party, Hammond Organ, Jon Hammond Band, Jazz, Blues HammondCast MEDIA Behind The Beat LATE RENT Jon @HammondCast courtesy of Steven @srose14 Funky Jazz #suchanastywoman #badhombres Sonny Stitt @bernardpurdie Jon Hammond ‏@HammondCast 23m23 minutes ago WALL OF LESLIE SPEAKER SOUND 2215 HIGH POWER 3300 WOOD #suchanastywoman #hammondorgan Suzuki Musical Instrument Jon @HammondCast Koei Tanaka Jon's archive https://archive.org/details/JonHammondJonHammond_NAMM.orgOralHistoryInterviewDate_January13_2011FullVersion_0 Views 144 #144 Youtube https://youtu.be/Faq_A58v4sE 275 views #275 Usage Attribution-NonCommercial-NoDerivs Topics NAMM Oral History, Musikmesse, Mini-B, NAMM, G37, G27, Leslie Speaker, Onions, Jazz, Blues, Musicians Union, Local 802, ASCAP, KYOU Radio, Anaheim, Frankfurt, B3 Organ, XB-2, Leslie Speaker Jon Hammond | NAMM.org Oral History Interview Date: January 13, 2011

namm.org/ library/ oral-history/ jon-hammond

Jon Hammond
Interview Date: January 13, 2011
Job Title: President and Founder
Company: Jon Hammond & Associates
accordions electric organs Hammond B-3 Hammond Organs Jazz Music Manufacturing Musicians

Jon Hammond


Jon Hammond has successfully created a career based on his musical talents and his passion for the music industry! As a musician Jon has performed with many legendary players and as a clinician and product artist he has introduced many innovative products to music stores and their customers over the last 30 plus years. Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Digital B3 Organ.

Subject Info Jon Hammond Interview Date: January 13, 2011 Job Title: President and Founder Jon Hammond & Associates Jon Hammond has successfully created a ... of his career, the Excelsior Accordion and the Digital B3Organ. (accordions, electric organs, Hammond B-3, Hammond Organs) 512KB MPEG4 download download 1 file MPEG4 download download 1 file TORRENT download download 45 Files download 4 Original Producer Jon Hammond Alex Hsieh NAMM Oral History https://www.namm.org/library/oral-history/alex-hsieh Alex Hsieh is the CEO of P.Mauriat Paris, a brass instrument maker in Taiwan that specializes in saxophones, trumpets and accessories. Their saxophone line of instruments are inspired by the late French orchestra leader Paul Mauriat (1925-2006) who was known in America for a series of pop recordings. Alex created the environment to ensure quality instruments were developed that could produce the sounds and tones used in Mr. Mauriat’s recordings. The results of these efforts have been a well-regarded product line and innovative models such as the PMST Saxophone and the Professional Bb Trumpet. Interview Date: January 24, 2014 Job Title: CEO Company: P.Mauriat Paris Tags: Taiwanese Music Industry Music Manufacturing Saxophones Music Accessories Trumpets Woodwinds Brass Instruments Band and Orchestra Jon's archive https://archive.org/details/JoeBergerNammOralHistoryInterviewUneditedLongVersionOfficial55 Youtube https://youtu.be/uFFMVHCkZ8w Joe Berger NAMM Oral History Interview Unedited Long Version Official 55 minutes 4 seconds by Jon Hammond Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics concert production, electric guitars, namm show, frankfurt musikmesse, joe berger, oral history, john entwistle, concert tours Joe Berger Interview Date: January 20, 2012 Job Title: Musician, Product Endorser - short version here also http://www.namm.org/library/oral-history/joe-berger Joe Berger knows sound! Joe has been mixing sound for over 30 years and he stopped counting at 35,000 bands! Also a virtuoso guitar player with his own definitive, unique playing style and "ear", Joe has jammed with the likes of John Entwistle and Jack Bruce. He has also been a fixture at music trade shows for decades as a guitar demonstrator, having set a record for most hours played at a single trade show. Tony Arambarri, Dan Del Fiorentino - NAMM Historians Categories: concert production electric guitars Guitars-Amps-Fretted Jon Hammond mixing consoles Musicians Musik Messe Frankfurt NAMM Show New York City NY product endorsers Run time 55 minutes 4 seconds Audio/Visual sound Jon's archive https://archive.org/details/JonHammondsMusikmesseWarmUpPartyJazzkeller Alpha Jon Hammond - http://hammondcast.tumblr.com Add to Calendar: Tuesday April 5, 2016 in the famous jazzkeller Frankfurt - Jon Hammond Band performs at 9PM Celebrating 30 Years, As Seen On Cable TV 32 Years Jon Hammond Show MNN TV Channel 1 and Streaming Worldwide FULL HIGH DEFINITION VERSION 29th Year! Jon Hammond's musikmesse Warm Up Party jazzkeller - Big Special Thanks to my good friend Saray Pastanesi for absolute Masterpiece Birthday & 29th musikmesse Chocolate Chocolate cake!! It was delicious, every morsel was consumed and enjoyed! Journal Frankfurt http://www.journal-frankfurt.de/journal_news/Kultur-9/My-home-away-from-home-Jon-Hammond-zum-27-Mal-auf-der-Musikmesse-18308.html MY HOME AWAY FROM HOME Jon Hammond zum 27. Mal auf der Musikmesse Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller ein. JOURNAL FRANKFURT: Was war für Sie zuerst da - die Frankfurter Musikmesse oder Auftritte im Jazzkeller? Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show -- Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind. Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden - wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren? Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses "lucky light on me", eine tolle Erfahrung. Seitdem nenne ich Frankfurt "My Good Luck City" und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine "Musikmesse Warm Up Party" dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht. Wie würden Sie Ihr persönliches Verhältnis zu Deutschland und Frankfurt beschrieben? Lassen Sie es mich so sagen: ich liebe Frankfurt und die Frankfurter waren immer gut zu mir in all den Jahren. Ich könnte ein ganzes Buch über die Zeit schreiben, in der ich in Bornheim wohnte und Nacht für Nacht in der alten Jazzkneipe in der Berliner Straße auftrat. Das war der Treffpunkt, wo auch die Musiker der HR Bigband hinkamen und es gab eine generöse Chefin in der kleinen Kneipe. Auch Regine Dobberschütz und Eugen Hahn im Jazzkeller waren wahre Jazzengel für mich, die mir so vieles ermöglichten in der Zeit. Wir konnten auch in den Studios von AFN Radio spielen, waren die einzigen Musiker, die das - mit einer Sondergenehmigung des US Militärs - durften. Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN "Profile TV "-Show "Sound Police". Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin. Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren? Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich "Swinging Funky Jazz and Blues" und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Giovanni Gulino, diesen tollen Schlagzeuger, der schon für fast alle Großen der Szene getrommelt hat. Ich liebe diese Jungs. Als Gitarrist ist mein alten Freund und Kollege Joe Berger dabei, den man auch als The Berger-Meister kennt. Auf diese Formation bin ich wirklich stolz. Werden Sie im Jazzkeller wieder eine Hammond Orgel spielen? Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten Härttest (lacht). Interview: Detlef Kinsler ProLight + Sound, Jon Hammond, Shanghai, Moscow, Frankfurt, #2017 #Musikmesse #ProLight+Sound #HammondOrgan

802 Club Room Early Bird Musicians Jazz Standards Session Swingin' the house! - October 24, 2016

#WATCHMOVIE HERE: 802 Club Room Early Bird Musicians Jazz Standards Session Swingin' the house! Jon's archive https://archive.org/details/JonHammond802EarlyBirdsMondayNightJazzSessionHD1080p Views 309 #309 Youtube https://youtu.be/XXpkFBd2pSc 383 views #383 This video takes place in the Local 802 Musicians Union New York City with organist Jon Hammond and Richard Clements at the piano. Later joined on drums by Rudy Lawless. Traditional Monday night Jazz session, early birds warming up the bandstand in 802 Club Room. Early bird gets the worm...and the second mouse gets the cheese!
 http://www.HammondCast.com/ — at Associated Musicians of Greater New York, Local 802 AFM Attribution-NonCommercial-NoDerivs Early Birds, Local 802, Musicians Union, Jon Hammond, Traditional Jazz, Session, Sk1 organ, Piano, Drums, Richard Clements, Rudy Lawless H.264 download download 1 file OGG VIDEO download download 1 file QUICKTIME download download 1 file TORRENT download download 37 Files download 4 Original Jon's archive https://archive.org/details/SixYearItchByJonHammond Views 197 #197 Youtube https://youtu.be/TaCYavcSZs8 59 views #59 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Six Year Itch, Louisville Kentucky, Jon Hammond Band, Organ, Soul Jazz Jon Hammond original composition "Six Year Itch" from Jon's album "Hammond's Bolero" - here in Louisville Kentucky at soundcheck with Ronnie Smith Jr. drums Alex Budman tenor saxophone John Bishop guitar Jon Hammond organ http://www.jonhammondband.com JH INTL ASCAP H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 17 Files download 4 Original Run time 4 minutes 30 seconds Producer Jon Hammond Audio/Visual sound ENCORES: Louisville Kentucky Jazz Factory – JON HAMMOND Band Jazzin By Martin Z. Kasdan Jr. Last year San Francisco-based organist Jon Hammond joined his buddy, Louisville guitarist John Bishop, for a night at the Jazz Factory. Hammond has just released Late Rent, on Ham-Berger-Friz Records, available at http://www.cityhallrecords.com/artist/HAMMOND,%20JON.htm if you can’t find it locally. In an e-mail to me, Hammond described this as “a record that took me 25 years to put together. The disc opens with “Late Rent,” a loping swinger and is followed by “Pocket Funk,” with a slightly Latin feel. “Late Rent” is reprised in a live take at the end of the CD. Lee Morgan’s funky “The Sidewinder” is the only cover tune on the album, although, as Hammond acknowledges in his liner notes, “White Onions” is “a bluesy Hammond/Finnerty composition reminiscent of `Green Onions.'” In closing, happy holidaze to one and all. You can send greetings to me at mzkjr@yahoo.com AFM Local 6 Member Profile JON HAMMOND: "WHERE'S THE GIG?" -- by ALEX WALSH https://afm6.org/member-profile/jon-hammond-wheres-the-gig/ Jon Hammond is a musician, composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows. THE EARLY YEARS Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.”

“Every time I see a musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.” Jon played his first gig at a senior citizens luncheon when he was eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.” In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got to open for his band, Copperhead.” Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.”

Jon in the early 70s Jon moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it yourself.” When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.” LATE RENT In 1981 Jon took a trip to Paris where he broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings, including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”. The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New York with his band Jon Hammond and the Late Rent Session Men.

Jon Hammond Band Onstage at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond n 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.” LIVING ABROAD Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion. He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100 expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.” In the early 90s, when his New York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.” Jon stayed at a friend’s house and played a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.” Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show anywhere. PRESENT DAY In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line was ‘Hello, Hello, Hello! Wake up or go back to sleep…’” Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.” Jon has released four CDs

Jon Hammond Entertaining on Excelsior Accordion in Bernal Heights SF Neighborhood Center -- photo by Cheryl Fippen Local 6

Jon's archive https://archive.org/details/JonHammondMelodyWithoutName2010jazzkellerFrankfurt Views 637 #637 Youtube https://youtu.be/bt6M2YbdqO4 323 views #323 Annual 2010 Musikmesse Warm Up Party in Jazzkeller Frankfurt hosted by Jon Hammond Band Tony Lakatos tenor sax Jon Hammond XK-1 organ and remarks Giovanni Gulino drums Melody Without Name 2010 jazzkeller Frankfurt aka Hungarian Soul Stew special thanks Eugen Hahn Jazzkeller Frankfurt Team, Musikmesse, Waichiro Tachikawa Suzuki Hammond, Michael Maier Falkenstein Hammond Deutschland, Video Camera by Jennifer http://www.jonhammondband.com Note: This is Jon Hammond's 24th consecutive Musikmesse. Jon's next Musikmesse Warm Up Party in jazzkeller Frankfurt will be Tuesday night April 5, 2011 - April 4th 2017 on Tuesday night always 25-jähriges Firmenjubiläum! 512KB MPEG4 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT by Jon Hammond Usage Attribution-NonCommercial-NoDerivs Topics Musikmesse, Warm Up Party, Jazzkeller, Frankfurt, Joachim Hildebrand, TecAmp, Thomas Eich, Waichiro Tachikawa, XK-1, XK-3c, Organ, HammondCast, ASCAP, KYOU Radio, Local 802 Musicians Union Producer Jon Hammond Jon's archive https://archive.org/details/MarshallStaxSpinsJonHamondBandOnKALX90.7FM Youtube https://youtu.be/HOLGBg5TORU Marshall Stax host of "Next Big Thing" program spins "Pocket Funk" by Jon Hammond Band on KALX 90.7 FM - Musicians: Lutz Büchner saxophone, Ernst-Friedrich Fiete Felsch saxophone, Michael Leuschner trumpet, Joe Berger guitar, Heinz Lichius drums, Jon Hammond organ http://www.HammondCast.com/ Hosted by Marshall Stax. Every Monday night from 6 pm to 7 pm http://kalx.berkeley.edu/ Jon's archive https://archive.org/details/JonHammondBandAtXK5OrganDebutHammondOrganUSAPartySoundCheckNashville Youtube of https://youtu.be/Zse4xuv6-eg Jon Hammond Band at XK-5 Organ Debut Hammond Organ USA Party SoundCheck Nashville: Kayleigh Moyer drums, Chuggy Carter congas percussion, Joe Berger guitar, Jon Hammond at the new XK-5 organ - Summer NAMM 2016 fifth Sound Soul Summit Hammond Organ USA co-sponsored by Keyboard magazine and SoundCheck Nashville LLC, Nashville - Event: "the first public showing of Hammond’s new XK-5 organ and Heritage Series expanded systems, which represent the cutting edge of technology applied to recreating the precise touch, feel, and sound of the classic Hammond B-3. Music Director Mark Prentice will lead a top Nashville-based rhythm section (Charlie Morgan and Mike Severs) supporting the Hammond Artist All-Stars, including the living jazz legend Dr. Lonnie Smith, Grammy nominee Paul Brown, Red Young, Jon Hammond, Peter Gallinari, Kevin McKendree (Brian Setzer, Joe Bonamassa) and Yates McKendree, the Reverend Jimmie Smith, and Kim Tibbs. Robby Robinson (musical director for Frankie Valli) will be on hand, as will Jim Alfredson, Gary Swan, Christian Matthew Cullen, and this year’s DownBeat Critic’s Choice Poll winner Brian Charette, and more. It’s very rare that this many accomplished Hammond organists get to play together, so the excitement level among the musicians is as high as it is for the audience. It’s even rarer to experience players from different genres jamming together. As in past years, some surprise guests are sure to turn up. Four years after the first Sound Soul Summit, attendees still remember it as a highlight of their NAMM experience." http://www.HammondCast.com Producer Jon Hammond Language English Vimeo https://vimeo.com/172604621 FaceBook Video https://www.facebook.com/hammondcast/videos/10153555094272102/ Club Room, Associated Musicians of Greater New York, Local 802, AFM, Early Bird, #JazzPiano #JazzOrgan #Standards #HammondOrgan

Vintage Jon Hammond Show Cable Access TV Program Music Travel Soft News - October 23, 2016

#WATCHMOVIE HERE: Vintage Jon Hammond Show Cable Access TV Program Music Travel Soft News Jon's archive https://archive.org/details/JonHammondJonHammondShowMNNTV Views 448 #448 JON HAMMOND Show MNN TV this classic clip includes Jon's signature tune "Late Rent" with Video by LORI with Jon's studio band Steve Ferrone drums, Barry Finnerty guitar, Todd Anderson sax and Jon Hammond at B3 organ. When I Fall In Love in Jazzkeller Frankfurt with Tony Lakatos tenor sax, Giovanni Gulino drums, Joe Berger guitar, Jon Hammond at XK-1 organ and Introduction Pocket Funk annual Musikmesse Warm Up Party © http://www.HammondCast.com as seen on MNN TV Producer Jon Hammond Youtube https://youtu.be/b18PqeWmB98 2,432 views #2432 Excerpt from the long-running JON HAMMOND SHOW now in 23rd year on Time Warner in New York and RCN. Jon's classic opening with VIDEO by LORI and theme song "LATE RENT" performed by house band: STEPHEN FERRONE-drums, TODD ANDERSON-sax, BARRY FINNERTY-gtr., JON HAMMOND-B3 Organ and partial segment of Jon's band performing "POCKET FUNK" in Frankfurt Red Light District club INTIM BAR with drummer JAMES PRESTON (of SONS OF CHAMPLIN), SGT. AL WITTIG-sax (US AIR FORCE), BF-gtr., JON HAMMOND-XB-2 Organ/Bass All Rights Reserved ©JHINTL JON HAMMOND International Attribution-NonCommercial-NoDerivs Topics MNN TV, Hammond Artist, XK-1, XK-3c, B3 organ, Jazzkeller, HammondCast, Local 802 Musicians Union, ASCAP Network, KYOU Radio 512KB MPEG4 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 37 Files download 4 Original Jon's archive https://archive.org/details/BehindTheBeatBTBASCAPAudioPortraitLateRentJonHammondShow Views 57 #57 Youtube https://youtu.be/63ErHjQcRGU 32 views #32 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics MNN TV, #ASCAPEXPO, Jon Hammond, Public Access, Melody, Hammond Organ, Sk1, B3, Accordion, Musicians Union, Local 6, Local 802 Jon Hammond with ASCAP's Seth Saltzman - Protect Your Music! - ASCAP I Create Music Expo Hollywood CA Jon Hammond in concert Behind the Beat with Landesjugendjazzorchester Mecklenburg-Vorpommern in Zeughaus Wismar Hillary took the Trump Chump to the Shed last night! No doubt about it: Jon Hammond television interview with the great Roy Clark in Nashville! Jon Hammond: Late Rent by Steve Rosenfeld Jon Hammond says "the fingers are the singers.’" The latest CD from this exceptional and soulful Hammond organist is the proof. "Late Rent" draws on decades of great recording sessions and top live performances to showcase his own playing and many top jazz and funk artists. It shows why the Hammond organ is one of the most enduring electric instruments and why Hammond is one of its best players. Late Rent Label: Ham-Berger-Friz Records Genre: Jazz All Jon Hammond profiles… The Late Rent Story Jon Hammond waited half his life to make this CD – starting with being an underground TV host. Swingin’ Funky Jazz & Blues Jon Hammond describes his style of music and how he learned to play it. Two Hot Tracks Jon Hammond recalls one of his first songs – from age 15 – and a great Sunday session. Sonny’s Advice A little advice on melody from a great sax player went a long way. http://behindthebeat.com/2004/12/jon-hammond-late-rent/ H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 28 Files download 5 Original Producer Jon Hammond Audio/Visual sound, color Language English Jon's archive https://archive.org/details/JonHammondBand2ndSetAfterBirthdayCakeBreak Views 45 #45 Youtube https://youtu.be/o2--TIC-frk 24 views #24 Usage Attribution-Noncommercial-No Derivative Works 3.0 Jazzkeller, Frankfurt, Musikmesse, Warm Up Party, Hammond Organ, Jon Hammond Band, Jazz, Blues Note from Jon Hammond Video: Tino Pavlis​ https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736 Best Party of The Year! Jon Hammond’s annual musikmesse​ Warm Up Party in Jazzkeller​ Tuesday April 5th 2016 celebrating 30 years Jon Hammond​ – organ Joe Berger​ – guitar Peter Klohmann​ – saxophone Giovanni Totò Gulino​ – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic - Jon's birthday cake by Saray Pastanesi​ Jon Hammond Band​ H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 23 Files download 5 Original Producer Jon Hammond Language English Bringing Back Sony Tape Recorder Audio Transfer Project Jon Hammond rock band Hades 1971 recordings Archive at CHRS Radio Clinic at California Historical Radio Society, Elmo disassembles Jon Hammond's TC-366 tape deck on the bench from Kozo Ohsone Sony Tape Recorder Division to play back 40 year old archive recording Berkeley El Cerrito based band HADES recorded live at Provo Park in Berkeley and at rehearsal garage on Carlson Blvd. Richmond recorded on a TC-366 sound on sound reel to reel tape deck, here is the machine on the bench with Elmo:

Elmo discussing remedy for glazed pinch roller with radio engineer Art Lieberman:

AMPEX 354 Tape Deck in KRE dubbing studio:

CHRS President Steve Kushman at the GATES Audio Board transferring from Analog to Digital:

Sony TC-366 project machine:

http://www.archive.org/details/HammondCast_19_1 HammondCast 19 starts out in Frankfurt Germany recording in AFN Europe Headquarters on one big tube microphone featuring Hungarian tenor saxophone star TONY LAKATOS, now a member of the HR Radio Big Band. And a slow rainy day Blues featuring guitarist JOE BERGER and RAY GRAPPONE drums, Jon on the XB-2 organ/bass. Also a 35 year-old recording of my old rock band HADES and a shout out to the bass player STEVE WRIGHT who is recuperating from a stroke and heart attack but is now starting to speak again, get better Steve! From there to 1995 recording in LE BAR BAT NYC playing Jon's tune "Pocket Funk". A song I recorded with Eddie Money that is close to Eddie's heart: "I've Been Lovin' You Too Long" for all the Eddie Money freaks out there. I just saw Eddie in NY and he's doin' fine, still touring in a city near you! And finally ending up back in AFN Europe Headquarters playing Jon Hammond's theme song: "LATE RENT", dedicated to YOU of KYOU the your Rent will never be Late! http://www.HammondCast.com HADES R to L: Steve Wright bass vocals, Jimmy Thorsen guitar vocals, Dave Danza drums, Jon Hammond organ electric piano

Jon's archive https://archive.org/details/2PMKickOffNissanStageSummerNAMMShow Some Serious Bad Hombres!: Roland Barber - trombone, trumpet, sea shell Cord Martin​ - tenor saxophone Chuggy Carter​ - percussion Louis Flip Winfield​ - drums Lee Oskar​ - harmonica Joe Berger​ - guitar Jon Hammond​ - organ + bass 2PM EST Jon Hammond Funk Unit kicking it off on the Nissan Stage at Summer NAMM Show Nashville Music City Center​ Facebook Video https://www.facebook.com/jonhammondband/videos/1330048600357267/ http://www.jonhammondband.com #NAMMShow #SummerNAMM #NissanStage #suchanastylady #badhombres #putinspuppet #yourethepuppet #NOYOURETHEPUPPET #cantwaitforSNL #badhombre vs #badhombres #Unbeleivable Bad Hombre Joe Berger! *photo courtesy CNN Jon Hammond Funk Unit on Nissan Stage Nashville Music City Center Summer NAMM Show showcase: H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 23 Files download 5 Original Producer Jon Hammond Language English WALL OF LESLIE SPEAKER SOUND 2215 HIGH POWER 3300 WOOD VERSION 3300w Keyboard Products Super Leslie Jon Hammond 3 x LS-2215 Leslie's with Hammond Sk1 Organ - Jon Hammond: Leslie LS-2215 Info http://hammondorganco.com/products/leslie/ls2215/ Mono Solid State 200W RMS/300W Peak Preamp Stereo mini mixer Inputs 2x 1/4" TR keyboard inputs, auto sensing between passive/active 2x 1/4" TR instrument inputs, auto sensing between passive/active 2x 1/4" TR auxiliary inputs 2x 1/4" TRS effects return inputs 1x 1/4" TRS effects return / power amp input 1x XLR mic input 1x 1/4" mono mic input Outputs 1x 1/4" TRS stereo headphone output 2x 1/4" TR outputs 2x XLR outputs, each with ground 2x 1/4" TRS effect send outputs 1x 1/4" TRS effect send / slave amp output (send only provides right channel audio out to slave amp for stereo) Channels and Controls Instrument: Low, mid, high, volume Keyboard: Low, mid, high, volume Microphone: Low, mid, high, volume Auxiliary: Volume Phones: Volume Master: Low, mid, high, volume Tweeter 2x 4" mid to high frequency drivers Woofer 1x 15" low frequency driver 2x bass ports, front and rear My 1959 Hammond B3 organ with custom built Super Leslie Speaker by the late great Bill Beer of Keyboard Products - just to the right of the Leslie box & flight case is my well-traveled original Hammond XB-2 in the 'weekend warrior case', it was not lightweight and not designed for heavy travel - but with the help of lots of gaffer tape and stickers I went around the world with that organ numerous times - can't beat the mighty B3, but it won't fit in a taxi cab don't ya' know! - Jon Hammond *Note: It was a LONG weekend for the Weekend Warrior Case folks!: Very Special Concert in Suzuki Hall, First Time Koei Tanaka Harmonica In Duo with Jon Hammond B3mk2 Organ and High Power Leslie model 3300W and W stands for Wood! - Jon Hammond Jon Hammond at the Hammond Organ with Manji Suzuki President Founder of Suzuki Musical Instruments Corp. LTD in Hamamatsu Japan Jon's archive https://archive.org/details/JonHammondSuzukiWorldHeadquartersInHouseConcertJonHammondPt3of3 Jon's archive https://archive.org/details/JonHammondJAZZBEAUXSCOTTMUNIWNEWHammondCast Views 612 #612 Youtube https://youtu.be/7W1zinL5iCQ 4,257 views #4257 Priceless film inside WNEW 1130AM New York with 2 Radio Legends: Al JAZZBEAUX COLLINS and SCOTT MUNI on JON HAMMOND'S HammondCast: Hear Scott Muni tell Jazzbeaux about his days at "WABeatlesC" on the date commemorating when the Beatles first hit the shores of USA! As previously broadcast on Jon's TV show The Jon Hammond Show (24th year) and HammondCast on CBS' KYCY/KYOU 1550AM San Francisco California. Enjoy! *Official site: http://www.HammondCast.com c)2006 Usage Attribution-NonCommercial-NoDerivs Topics WNEW, Jazzbeaux, Scott Muni, HammondCast, BEATLES, WABeatlesC 512KB MPEG4 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 16 Files download 5 Original Producer Jon Hammond Scott Muni wiki https://en.wikipedia.org/wiki/Scott_Muni Scott Muni (May 10, 1930 – September 28, 2004, aged 74) was an American disc jockey, who worked at the heyday of the AM Top 40 format and then was a pioneer of FM progressive rock radio. Rolling Stone magazine termed him "legendary" Born Donald Allen Muñoz in Wichita, Kansas, Muni grew up in New Orleans. He joined the United States Marine Corps and began broadcasting there in 1950, reading "Dear John" letters over Radio Guam. After leaving the Corps and having considered acting as a career, he began working as a disc jockey; in 1953 he began working at WSMB in New Orleans. His mentor was Marshall Pearce. In 1955 he began broadcasting at station WAKR in Akron, Ohio, and after that worked in Kankakee, Illinois. Career[edit] Muni then spent almost 50 years at stations in New York City. He became a Top 40 broadcaster at 570 WMCA in the late 1950s, just before the start of their "Good Guys" era, and did a number of record hops in the New York area. In 1960, he moved to rival Top 40 station 770 WABC. There he did an early evening show called "Scotland's Yard" and was among the first WABC DJs to capture the attention of the teenage audience for which the station would become famous. He also participated in the competition to cover The Beatles on their first visits to the United States, and thus began a long association with them. In 1965, Muni left WABC and ran the Rolling Stone Night Club while doing occasional fill-in work for WMCA. Muni had explored some opportunities beyond radio: for a short time he co-hosted a local weekly television show on WABC-TV 7 with Bruce "Cousin Brucie" Morrow, and he would go on to record the spoken single "Letter to an Unborn Child", about a soldier with a premonition, which was released in 1967 to little acclaim. Muni decided to return to radio, and in 1966, he joined 98.7 WOR-FM, one of the earliest stations in the country to program free-form Progressive Rock music. The progressive format did not last at that station. In 1967 Muni moved to 102.7 WNEW-FM, which had been running a format of pop hits and show tunes, hosted by an all-woman staff. This time, the Progressive Rock format really took hold, with WNEW-FM becoming a legendary rock station. Muni stayed there for three decades as the afternoon DJ and sometimes program director. Muni was described by fellow WNEW-FM DJ Dennis Elsas as "the heart and soul of the place". Under assorted management changes during the 1990s WNEW-FM lost its way, and in 1998 Muni ended up hosting a one-hour noontime classic rock program at WAXQ "Q104.3", where he worked until suffering a stroke in early 2004. Muni's low, gravelly voice was instantly recognizable and often lampooned, both by other disc jockeys and by impressionists such as on Imus in the Morning. He was often known to his listeners by the nicknames "Scottso" or "The Professor", the latter to emphasize both his rock expertise and his age difference with most of his audience. While he sometimes spoke in roundabout phrases and succumbed to progressive rock radio clichés such as "That was a tasty cut from ...", he also conveyed on the air and in his professional relationships a gruff immediacy that was a by-product of both his time in the Marines and his earlier Top 40 skills. A bizarre exchange occurred in August 1972 when a hostage-holding bank robber called Muni on the air and engaged him in a long, often nonsensical conversation; the two peppered their post-hippie speech with discussions of Bob Dylan music and requests to hear the Grateful Dead. Muni specialized in playing records from up-and-coming, or sometimes just-plain-obscure, acts from the United Kingdom on his weekly Friday "Things from England" segment. He also hosted the syndicated radio programs Ticket to Ride and Scott Muni's World of Rock. Muni often referred to "we interviewed so and so," making reference to himself and either "Black" Earl Douglas or another producer. Indeed, Muni was friendly with many of the musicians whom he played, and they would often stop by the studio to visit on-air. He played poker in the studio with the Grateful Dead, and he would let Emerson, Lake & Palmer browse the station's huge record library and put on whatever they liked. An oft-related story tells that he was interviewing Jimmy Page when the guitarist suddenly passed out from the aftereffects of the Led Zeppelin lifestyle. Muni calmly put on a record, revived Page, and completed the interview on the studio floor. Muni was close to John Lennon and his family, and after Lennon's murder he vowed to always open his show with a Lennon or Beatles record, a pledge that he kept for the balance of his career. In addition to radio broadcasting, Muni also did voice-over work for radio and television; the most known were a commercial for Rolaids antacid ("How do you spell relief?") and promos for Monday Night Football. His voice is also heard giving the introduction on the 1971 live albums Chicago at Carnegie Hall and Melanie at Carnegie Hall. Muni also voiced many Radio & TV commercials such as Rolaids, JCPenney, Ricoh, etc. He also voiced episodes of NBC's Friday Night Videos during 1985-86 and also voiced promos for ABC Sports which included boxing events on Wide World of Sports as well as Monday Night Football, the USFL on ABC, the Pro Bowlers Tour, the Sugar Bowl, the 1994 Stanley Cup Playoffs & Auto Racing including the Indy 500. Personal life[edit] Muni had three children with his first wife and two with his second wife, to whom he was married from 1966 until his death in 2004. Death and legacy[edit] He died on September 28, 2004 at the age of 74 in New York City and is buried in St. Gertrude's Roman Catholic Cemetery in Colonia, New Jersey. Muni is included in an exhibit display of important disc jockeys at the Rock and Roll Hall of Fame. The DJs at Q104.3 keep Muni's promise to New York listeners and still start their noon hour with the "12 o'clock Beatles Block". Muni was inducted into the Rock Radio Hall of Fame in the Legends of Rock Radio-Programming" category for his work at WNEW in 2014. AP Obit for Scott Muni 'The Professor' of rock Scott Muni dies - Posted 9/29/2004 3:17 PM Updated 9/29/2004 3:24 PM Large Size Movie File: http://ia801302.us.archive.org/32/items/OnAirWithJazzboCollinsAndYoshisJonHammondBandFeb.91994/On%20Air%20with%20Jazzbo%20Collins%20and%20Yoshi's%20Jon%20Hammond%20Band%20Feb.%209,%201994.m4v Jon's archive https://archive.org/details/OnAirWithJazzboCollinsAndYoshisJonHammondBandFeb.91994 CNN iReport http://ireport.cnn.com/docs/DOC-1268257 Youtube https://youtu.be/Hjw0_uLg8-E Facebook Video https://www.facebook.com/jonhammondband/videos/vb.133709526657853/1122434651118664/?type=3&theater by Jon Hammond Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Jazzbeaux Collins, Al Jazzbo Collins, Jon Hammond, Yoshi's Oakland, Bennett Friedman, James Preston, Barry Finnerty, #HammondOrgan #AFMLocal6 #MusiciansUnion On Air with Jazzbo Collins and Yoshi's Jon Hammond Band Feb. 9, 1994 - Preston pretty much kicked ass on this gig! -- Oakland CA -- original Yoshi's Oakland​ Gig Feb. 9th 1994, just after being on-the-air with Al "Jazzbo" Collins​ - watching the film now, sounds real good - Jon Hammond​ / Jon Hammond Band​ (quartet) - thanks Jason Olaine​ for the hit - James Preston​ drums (R.I.P.) Bennett Friedman tenor, Barry Finnerty​ gtr., Jon Hammond Organ Group​ http://www.jonhammondband.com all original music ©JON HAMMOND International Member ASCAP - AFM Local 6​ - Associated Musicians of Greater New York, Local 802 AFM​ Yoshi's Oakland​ didn't have any decent lights in those days! Jon Hammond​ - *Note: Broadcasting Legend Al Jazzbeaux Collins opens this film at KCSM 91.1FM, greatly missed!! - Jon Hammond Organ Group​ - https://en.wikipedia.org/wiki/Al_%22Jazzbo%22_Collins Albert Richard "Jazzbo" Collins (January 4, 1919 – September 30, 1997) was an American disc jockey, radio personality and recording artist who was briefly the host of NBC television's Tonight show in 1957. Al "Jazzbo" Collins Al "Jazzbeaux" Collins Born Albert Richard Collins January 4, 1919 Rochester, New York Died September 30, 1997 (aged 78) Marin County, California Born in Rochester, New York in 1919,[1] Collins grew up on Long Island, New York. In 1941, while attending the University of Miami in Florida, he substituted as the announcer on his English teacher's campus radio program, and decided he wanted to be in radio. Collins began his professional career as the disc jockey at a bluegrass station in Logan, West Virginia; by 1943, he was at WKPA in Pittsburgh, moving in 1945 to WIND in Chicago and in 1946 to Salt Lake City's KNAK. In 1950, he relocated to New York where he joined the staff of WNEW and became one of the "communicators" on NBC's Monitor when it began in 1955. Collins made several appearances on The Tonight Show with Steve Allen in the early 50s (and even briefly took over the show after Allen's departure; see below). In 1953, Allen adapted several nursery rhymes (including Little Red Riding Hood) into jazz-flavoured recitations, with Collins on vocals and Lou Stein on piano. "Jazzbo" The name "Jazzbo" derived from a product Collins had seen, a clip-on bowtie named Jazzbows. Just as Martin Block created the illusion that he was speaking from the Make Believe Ballroom, Collins claimed to be broadcasting from his inner sanctum, a place known as the Purple Grotto, an imaginary setting suggested by radio station WNEW's interior design, as Collins explained: I started my broadcast in Studio One which was painted all kinds of tints and shades of purple on huge polycylindricals which were vertically placed around the walls of the room to deflect the sound. It just happened to be that way. And with the turntables and desk and console and the lights turned down low, it had a very cavelike appearance to my imagination. So I got on the air, and the first thing I said was, "Hi, it's Jazzbo in the Purple Grotto." You never know where your thoughts are coming from, but the way it came out was that I was in a grotto, in this atmosphere with stalagtites and a lake and no telephones. I was using Nat Cole underneath me with "Easy Listening Blues" playing piano in the background. The Tonight Show and later work In 1957, NBC-TV installed him for five weeks as the host of the Tonight show when it was known as Tonight! America After Dark in the period between hosts Steve Allen and Jack Paar.[2] Also in 1957, Collins starred in (as himself) an episode of NBC radio's science fiction radio series X Minus One. By 1959, he was with KSFO in San Francisco, hanging out with the beatnik hipsters in North Beach. On-air, Jazzbo would say that he was broadcasting "from the purpleness of the Grotto", often mentioning his assistant "Harrison, the long-tailed purple Tasmanian owl". On the TV side, Collins hosted "The Al Collins Show," that aired mornings on KGO-TV. The format included light talk and guest appearances by local celebrities such as Moe Howard of The Three Stooges. Later in the 1960s, he was the host of Jazz for the Asking (VOA), and he worked with several Los Angeles stations during the late in the decade: KMET (1966), KFI (1967) and KGBS (1968). He officially changed the spelling of his name to Jazzbeaux when he went to Pittsburgh's WTAE in 1969. He moved to WIXZ in Pittsburgh (1973) before heading back to the West Coast three years later. While in Pittsburgh, he briefly hosted a late night television show entitled "Jazzbeauxz (with a 'z') Rehearsal", an eclectic sampling of anything that caught Collins' interest at the time, including a long-running hard-boiled-egg spinning contest. He conducted the program from a barber chair, as he had on a previous TV show. "Stinking badges"[edit] A popular segment on his show was the "no stinkin' badges" routine, a play on the famous exchange in the 1948 film The Treasure of the Sierra Madre. Al would politely request that the main guest for that day don a Mexican bandit costume, complete with ammo belts crossing the chest, six-guns in holsters, a huge sombrero and large fake mustache. The guest then had to pose in front of cameras and for the TV audience. With pistols pointing at the camera lens the guest had to say (with emphasis) "I don't got to show you no stinkin' badges." If the guest did not say it with sufficient sinister tone Collins made him or her repeat it until in Al's opinion the guest got it right. 1970s and beyond[edit] In 1976 Al Collins returned to San Francisco, working at KMPX, followed by a three-year all-night run at KGO which drew callers throughout the West Coast; he always opened his program with Count Basie's "Blues in Hoss Flat". He also worked a late night shift at KKIS AM (in Pittsburg, California, ironically) in 1980. After a stint in New York and WNEW (1981), Jazzbo was back in San Francisco at KSFO (1983) and KFRC (1986). Then came one more run at WNEW (1986–90), then KAPX (Marin County, California) in 1990, and finally a weekly jazz show at KCSM (College of San Mateo, California) from 1993 to his death. Al Collins died on September 30, 1997, at the age of 78, from pancreatic cancer. Producer Jon Hammond Language English Jon's archive https://archive.org/details/HammondPartyNightPocketFunkShakingOutTheNewXK5OrganInNashville Vimeo https://vimeo.com/hammondcast Jon Hammond Band at the Hammond Party for the new XK-5 Hammond organ, playing Jon's tune Pocket Funk in Full HighDef on the new prototype organ with Kayleigh Moyer on the Sleishman Drum Co Mothertone drums, Chuggy Carter congas GON BOPS, Joe Berger guitar, Jon Hammond at the XK5 (plays just like a B3 with Multi Contact keys!) first night of Summer NAMM Show Nashville, Tennessee at the famous studios of SoundCheck Nashville- Pocket Funk as seen on Jon's TV show Jon Hammond Show 34 years on Manhattan Neighborhood Network channel 1 - special thanks to Hammond Organ USA Gregory Gronowski & Scott May, Ray Gerlich long-time Hammond Technical Supervisor since 1976! also Mark Prentice M.D. for the evening, known as "Sound Soul Summit V" fine players all night long on the new org - Thanks to my friend Chuck Rainey the great studio bassist for coming and hanging with us all night long! And the Suzuki Musical Instruments Team makers of Hammond Organs and Leslie Speakers *from Hamamatsu-shi, Shizuoka, Japan http://www.HammondCast.com ‪#‎XK5‬ ‪#‎NAMMShow‬ ‪#‎Nashville‬ ‪#‎SummerNAMM‬ ‪#‎HammondOrgan‬ Vintage TV Show, Jon Hammond Show, Jazz Music, Blues, Music Travel, Soft News, #CableTV #FunkyJazz #HammondOrgan

Docu Film Jazzbo's Time of Night May 29 1987 by Jon Hammond at New York Horn & Hardart Automat - October 23, 2016

#WATCHMOVIE HERE: Docu Film Jazzbo's Time of Night May 29 1987 by Jon Hammond at New York Horn & Hardart Automat Jon's archive https://archive.org/details/JonHammondJAZZBEAUXTIMEMay291987HornHardartBroadcast Views 182 #182 Youtube https://youtu.be/hxv2ZN276_s 2,484 views #2484 As seen on HammondCast & CNN: AL JAZZBEAUX COLLINS (WNEW) all-night broadcast at HORN & HARDART NY to raise money for NYPD Horse named "Jazzbeaux" with All-Star Musicians: LOU ROMANO (IORIO Accorgan), GIL CHIMES (drums/band)..at the Piano: JOE BUSHKIN with appearance by CNN's CYNTHIA TORNQUIST, AL JAZZBEAUX COLLINS outside with NYPD Horse Officers *Shot personally by JON HAMMOND of CBS' HammondCast KYCY/KYOU 1550 AM all night May 29, 1987. Jon Hammond: http://www.HammondCast.com 512KB MPEG4 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 24 Files download 5 Original Producer Jon Hammond Attribution-NonCommercial-NoDerivs Jon's archive https://archive.org/details/TheMoscowConcertsLydiasTuneByJonHammond Wiki Horn & Hardart info: "The last New York Horn & Hardart Automat (on the southeast corner of 42nd Street and Third Avenue) closed in April 1991.[17] Horn & Hardart continued to own a catalog division; it renamed itself Hanover Direct in 1993. Hanover Direct bought Gump's in 1993 and sold it to an investment group in 2005. Hanover Direct, purchased International Male in 1987 when founder Gene Burkard retired." Views 47 #47 Youtube https://youtu.be/4t4AIMAK5pw 22 views #22 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Moscow Concerts, #JonHammond #IgorButman #HammondOrgan #Lydia #BossaNova #ASCAP Moscow Russia -- "Lydia's Tune" by Jon Hammond - Jon Hammond Trio: Eduard Zizak​ drums, Igor Butman tenor saxophone, Jon Hammond​ organ http://www.HammondCast.com ©JON HAMMOND International - Member ASCAP, AFM Local 6, Associated Musicians of Greater New York, Local 802 AFM H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 24 Files download 5 Original Producer Jon Hammond Language English Jon's archive https://archive.org/details/Hammondcast202TheJonHammondShowAudioFromJonsRadioShow Views 493 #493 Youtube https://youtu.be/aJzR5uizk6Y 122 views #122 HammondCast 202 The Jon Hammond Show audio from Jon Hammond's radio program special retrospective with audio from a recording he made while on the house band led by Lou Colombo at The Wychmere Harbor Club in Harwich Port Cape Cod MA in 1978. Jon made the recording with his Nakamichi 550 tape deck, it is a remarkable recording of the Lou Colombo Band which played nightly for luminaries such as Speaker of The House Tip O'Neill for all his private parties and the Kennedy Clan. Visuals from Jon Hammond Show long-running cable access TV program in New York City personally shot by Mr. Hammond with Video by LORI special graphics and FX. Kick back and enjoy! http://www.HammondCast.com For full audio of HammondCast 202: AUDIO: http://www.archive.org/details/JonHammondHammondCast202KYOURadio HammondCast 202 KYOU Radio special edition with part 2 of recording from Wychmere Harbor Club when Jon played B3 organ on the Lou Colombo Band, the house band at Wychmere Harbor Club in Harwich Port Cape Cod MA. First backing up a feature dance duo with cha cha and then Emily waltz, Saturday Night Fever followed by the chaser 'California Here I Come', then Summertime, Hello Dolly medley, Bossa nova medley Watch What Happens in to Wave and then a cooking "In The Mood" taking it home with Jon's "Lydia's Tune" and some of Sidewinder - ©JH INTL Music Tags: Jon Hammond Show, Lou Colombo, Wychmere Harbor Club, B3 organ, Tip O'neill, Kennedy clan, cape cod, private club Run time 14 minutes 58 seconds Producer Jon Hammond Audio/Visual sound H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 38 Files download 4 Original by Jon Hammond Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Jon Hammond Show, Lou Colombo, Wychmere Harbor Club, B3 organ, Tip O'neill, Kennedy clan, cape cod, private club Folks, something told me I had better get on down to see my main man Lou Colombo last week in Fort Myers FL, I played on Lou's band for 2.5 years in Cape Cod at the Wychmere Harbor Club and Thompson's Clam Bar in Harwich Port MA. It was an important time of my life and career and he was always very generous to me, kept me on my toes throwing tunes at me in all keys the music never stopped once we hit. I just saw Lou a few days ago in Fort Myers FL at the gig he was playing at his Daughter Sherri's restaurant and hub Marc Neeley - Roadhouse Cafe, he was at the top of his game, playing great as ever and looking like a million dollars. I am deeply saddened to receive terrible tragic news this morning from Lou's fine trombonist Nelson E. Foucht that Lou was tragically killed last night just 4 blocks from Roadhouse Cafe coming home from the gig. My deepest condolences to the Colombo Family, Lou's Wife Noel, daughters Lori, Sherri, David all his 6 kids, extended Family of friends and musicians. I am totally blown away, thankful that I had the opportunity to know him and play with him nightly back in the 70's and then to see and hear him again at the end of his life, thanks Lou! Here are some photos from just a few days taken by my long-time great girlfriend Jennifer and myself at his gig, R.I.P. Big Lou - Louis Colombo the greatest trumpet player bandleader baseball slugger and golfer ever! I used to go with Lou to the golf course where he had the snack concession in Yarmouth just to watch him drive balls in to outer space. I couldn't believe how far and hard he could hit the ball. Lou would put on black executioner gloves and hit the ball and it would disappear, just keep on sailing in to the sky like Lou's spirit must be now. His music and great memories will live on forever. Sincerely, Jon Hammond - Member AFM Local 802 and Local 6 Musicians Union *Note: Lou's band the other night at Roadhouse Cafe were so great, I'm so sorry cats: Nelson Foucht on trombone, F.L. "Woody" Brubaker piano and keyboard bass, Richard Iannuzzi drums and Gil DiBenedetto tenor saxophone and clarinet. Jon Hammond and Lou Colombo

**Note: Lou Colombo and my neighbor Leo Ball (R.I.P.) also a fine trumpet player member of Local 802 were born on the same day in Brockton MA

*Note: Lou called me on my cell phone when I was at the airport just about to fly out of Tampa TPA Airport, he told me he really dug my album that I had given him "NDR SESSIONS Projekt" my first record of mostly standards, it was inspired much by him actually. Lou was talking about the horn players on it, Lutz Buechner and Joe "Jo" Gallardo, he really dug them and he told me we were going to do something back up in the Cape for sure. I was very touched by his call and he had called me on my previous birthday last year, I got all choked up when he told me that. Thanks a million Lou! Jon's archive https://archive.org/details/LydiasTuneHeadPhoneLateRentJonHammondFunkUnitNissanStage Views 22 #22 Youtube https://youtu.be/qKjYrk0fOFw 61 views #61 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Lydia, Head Phone, Late Rent, Funk Band, Jon Hammond, Lee Oskar, Harmonica, Hammond Organ, Nashville, NAMM Show, Nissan First song: Lydia’s Tune - Jon Hammond Funk Unit on Nissan Stage Nashville https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Nashville Music City Center, front line: Lee Oskar harmonica, Joe Berger guitar, Cord Martin tenor, Roland Barber trombone, Jon Hammond organ, Rhythm section Chuggy Carter congas & percussion, Louis Flip WInfield drums -- Head Phone Late Rent Nissan Stage Jon Hammond Funk Unit Nashville Tennessee Nissan Stage Summer NAMM Show -- Head Phone Late Rent Nissan Stage Jon Hammond Funk Unit with special guest Lee Oskar, Roland Barber trombone, Cord Martin tenor saxophone, Chuggy Carter congas & percussion, Joe Berger guitar (TV Jones guitar and pickups), Louis Flip Winfield drums, Jon Hammond Sk1 Hammond organ and bass Greg Herreman productions manager, Michael Apodaca & Alex Moore audio / Sound Image Nashville, Tennessee - The NAMM Show Summer NAMM Show Nissan Stage - Jon Hammond Band — with Cord Martin, Lee Oskar, Joe Berger, Louis Flip Winfield, Roland Barber and Leslie J. Carter at The NAMM Show. - all compositions composed & published by JON HAMMOND International ASCAP #NAMMShow #SummerNAMM #FunkBand #HammondOrgan #Nissan #Nashville #NashvilleMusicCityCenter H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 25 Files download 5 Original Producer Jon Hammond Language English Jon's archive http://ia601507.us.archive.org/7/items/HeadPhoneStickWithSennheiser/Head%20Phone%20stick%20with%20Sennheiser.mp4 Sennheiser (headphones) Momentum series with tribute to Lutz Büchner on solo section: Head Phone stick with Sennheiser (headphones) Jon Hammond's 20th annual Musikmesse Session in Jazzkeller Hofheim - funky jazz with Giovanni Totò Gulino drums, Peter Klohmann tenor saxo, Joe Berger guitar, Jon Hammond at the Sk1 Hammond organ - Jon's keyboard stand by Bespeco Professional, Audio: Philipp, Konrad Neupert, Marvin Gans Jazzkeller Hofheim Team - special thanks Jeff Guilford / JJ guitars for operating the camera http://www.HammondCast.com Sennheiser HD 25-1 Vimeo https://vimeo.com/163154149 Youtube https://youtu.be/bWUOjMJx_Cg Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Head Phone, Sennheiser, Momentum Headphones, Funky Jazz, Musikmesse, Session, Hofheim am Taunus, Jazzkeller Hofheim, Bespeco Professional, #HammondOrgan #CNNiReport Suzuki "The Name You Know" - Kartoffel - Breakfast of Champions (and lunch and dinner)! Dankeschön Philipp for the Audio - and my favorite old Peavey Bass Amp! Hammond XK-5 aka Flexi-B Top Secret Organ Programmable Multi Contact Keys with MTW 1 Modeled Tone Wheel Generator Hammond Flexi-B Top Secret Organ with 9 contact keyboards! - Jon Hammond at musikmesse with Suzuki Musical Instruments Prototype Debut Jon's archive https://archive.org/details/MichaelFalkensteinAndJonHammondMusikmesse Time of Night, Jazzbo Collins, Docu Film, Jon Hammond, Horn & Hardart, #Jazzbo #Docu #Film #HammondOrgan

NAMM Show Carvin Pro Audio Sessions with Jon Hammond Joe Berger Chuggy Carter - October 22, 2016

#WATCHMOVIE HERE: NAMM Show Carvin Pro Audio Sessions with Jon Hammond Joe Berger Chuggy Carter Jon's archive https://archive.org/details/TheCarvinProAudioSessionsNAMMShow Views 110 #110 The Carvin Pro Audio Sessions Winter NAMM Show with Jon Hammond at the organ "White Onions" Joe Berger playing custom "Wildman" JJ Guitar with one Bill Lawrence pickup Gold hardware, Chuggy Carter / Leslie J. Carter percussion - special thanks Carson Kiesel and Carvin Pro Audio Team http://www.carvinguitars.com/ Hercules Folding Stands, JJ Guitars http://www.HammondCast.com/ ©JON HAMMOND International ASCAP — with Joe Berger and 8 others at The NAMM Show. H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 24 Files download 5 Original Producer Jon Hammond Language English Jon's archive https://archive.org/details/JonHammondJonHammond_NAMM.orgOralHistoryInterviewDate_January13_2011FullVersion_0 Views 144 #144 Youtube https://youtu.be/Faq_A58v4sE 275 views #275 Usage Attribution-NonCommercial-NoDerivs Topics NAMM Oral History, Musikmesse, Mini-B, NAMM, G37, G27, Leslie Speaker, Onions, Jazz, Blues, Musicians Union, Local 802, ASCAP, KYOU Radio, Anaheim, Frankfurt, B3 Organ, XB-2, Leslie Speaker Jon Hammond | NAMM.org Oral History Interview Date: January 13, 2011

namm.org/ library/ oral-history/ jon-hammond

Jon Hammond
Interview Date: January 13, 2011
Job Title: President and Founder
Company: Jon Hammond & Associates
accordions electric organs Hammond B-3 Hammond Organs Jazz Music Manufacturing Musicians

Jon Hammond


Jon Hammond has successfully created a career based on his musical talents and his passion for the music industry! As a musician Jon has performed with many legendary players and as a clinician and product artist he has introduced many innovative products to music stores and their customers over the last 30 plus years. Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Digital B3 Organ.

Subject Info Jon Hammond Interview Date: January 13, 2011 Job Title: President and Founder Jon Hammond & Associates Jon Hammond has successfully created a ... of his career, the Excelsior Accordion and the Digital B3Organ. (accordions, electric organs, Hammond B-3, Hammond Organs) 512KB MPEG4 download download 1 file MPEG4 download download 1 file TORRENT download download 45 Files download 4 Original Producer Jon Hammond Alex Hsieh NAMM Oral History https://www.namm.org/library/oral-history/alex-hsieh Alex Hsieh is the CEO of P.Mauriat Paris, a brass instrument maker in Taiwan that specializes in saxophones, trumpets and accessories. Their saxophone line of instruments are inspired by the late French orchestra leader Paul Mauriat (1925-2006) who was known in America for a series of pop recordings. Alex created the environment to ensure quality instruments were developed that could produce the sounds and tones used in Mr. Mauriat’s recordings. The results of these efforts have been a well-regarded product line and innovative models such as the PMST Saxophone and the Professional Bb Trumpet. Interview Date: January 24, 2014 Job Title: CEO Company: P.Mauriat Paris Tags: Taiwanese Music Industry Music Manufacturing Saxophones Music Accessories Trumpets Woodwinds Brass Instruments Band and Orchestra Jon's archive https://archive.org/details/JoeBergerNammOralHistoryInterviewUneditedLongVersionOfficial55 Youtube https://youtu.be/uFFMVHCkZ8w Joe Berger NAMM Oral History Interview Unedited Long Version Official 55 minutes 4 seconds by Jon Hammond Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics concert production, electric guitars, namm show, frankfurt musikmesse, joe berger, oral history, john entwistle, concert tours Joe Berger Interview Date: January 20, 2012 Job Title: Musician, Product Endorser - short version here also http://www.namm.org/library/oral-history/joe-berger Joe Berger knows sound! Joe has been mixing sound for over 30 years and he stopped counting at 35,000 bands! Also a virtuoso guitar player with his own definitive, unique playing style and "ear", Joe has jammed with the likes of John Entwistle and Jack Bruce. He has also been a fixture at music trade shows for decades as a guitar demonstrator, having set a record for most hours played at a single trade show. Tony Arambarri, Dan Del Fiorentino - NAMM Historians Categories: concert production electric guitars Guitars-Amps-Fretted Jon Hammond mixing consoles Musicians Musik Messe Frankfurt NAMM Show New York City NY product endorsers Run time 55 minutes 4 seconds Audio/Visual sound Jon's archive https://archive.org/details/JonHammondsMusikmesseWarmUpPartyJazzkeller Alpha Jon Hammond - http://hammondcast.tumblr.com Add to Calendar: Tuesday April 5, 2016 in the famous jazzkeller Frankfurt - Jon Hammond Band performs at 9PM Celebrating 30 Years, As Seen On Cable TV 32 Years Jon Hammond Show MNN TV Channel 1 and Streaming Worldwide FULL HIGH DEFINITION VERSION 29th Year! Jon Hammond's musikmesse Warm Up Party jazzkeller - Big Special Thanks to my good friend Saray Pastanesi for absolute Masterpiece Birthday & 29th musikmesse Chocolate Chocolate cake!! It was delicious, every morsel was consumed and enjoyed! Journal Frankfurt http://www.journal-frankfurt.de/journal_news/Kultur-9/My-home-away-from-home-Jon-Hammond-zum-27-Mal-auf-der-Musikmesse-18308.html MY HOME AWAY FROM HOME Jon Hammond zum 27. Mal auf der Musikmesse Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller ein. JOURNAL FRANKFURT: Was war für Sie zuerst da - die Frankfurter Musikmesse oder Auftritte im Jazzkeller? Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show -- Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind. Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden - wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren? Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses "lucky light on me", eine tolle Erfahrung. Seitdem nenne ich Frankfurt "My Good Luck City" und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine "Musikmesse Warm Up Party" dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht. Wie würden Sie Ihr persönliches Verhältnis zu Deutschland und Frankfurt beschrieben? Lassen Sie es mich so sagen: ich liebe Frankfurt und die Frankfurter waren immer gut zu mir in all den Jahren. Ich könnte ein ganzes Buch über die Zeit schreiben, in der ich in Bornheim wohnte und Nacht für Nacht in der alten Jazzkneipe in der Berliner Straße auftrat. Das war der Treffpunkt, wo auch die Musiker der HR Bigband hinkamen und es gab eine generöse Chefin in der kleinen Kneipe. Auch Regine Dobberschütz und Eugen Hahn im Jazzkeller waren wahre Jazzengel für mich, die mir so vieles ermöglichten in der Zeit. Wir konnten auch in den Studios von AFN Radio spielen, waren die einzigen Musiker, die das - mit einer Sondergenehmigung des US Militärs - durften. Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN "Profile TV "-Show "Sound Police". Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin. Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren? Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich "Swinging Funky Jazz and Blues" und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Giovanni Gulino, diesen tollen Schlagzeuger, der schon für fast alle Großen der Szene getrommelt hat. Ich liebe diese Jungs. Als Gitarrist ist mein alten Freund und Kollege Joe Berger dabei, den man auch als The Berger-Meister kennt. Auf diese Formation bin ich wirklich stolz. Werden Sie im Jazzkeller wieder eine Hammond Orgel spielen? Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten Härttest (lacht). Interview: Detlef Kinsler Jon's archive https://archive.org/details/2PMKickOffNissanStageSummerNAMMShow Some Serious Bad Hombres!: Roland Barber - trombone, trumpet, sea shell Cord Martin​ - tenor saxophone Chuggy Carter​ - percussion Louis Flip Winfield​ - drums Lee Oskar​ - harmonica Joe Berger​ - guitar Jon Hammond​ - organ + bass 2PM EST Jon Hammond Funk Unit kicking it off on the Nissan Stage at Summer NAMM Show Nashville Music City Center​ Facebook Video https://www.facebook.com/jonhammondband/videos/1330048600357267/ http://www.jonhammondband.com #NAMMShow #SummerNAMM #NissanStage #suchanastylady #badhombres #putinspuppet #yourethepuppet #NOYOURETHEPUPPET #cantwaitforSNL #badhombre vs #badhombres #Unbeleivable Bad Hombre Joe Berger! *photo courtesy CNN Jon Hammond Funk Unit on Nissan Stage Nashville Music City Center Summer NAMM Show showcase: H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 23 Files download 5 Original Producer Jon Hammond Language English WALL OF LESLIE SPEAKER SOUND 2215 HIGH POWER 3300 WOOD VERSION 3300w Keyboard Products Super Leslie Jon Hammond 3 x LS-2215 Leslie's with Hammond Sk1 Organ - Jon Hammond: Leslie LS-2215 Info http://hammondorganco.com/products/leslie/ls2215/ Mono Solid State 200W RMS/300W Peak Preamp Stereo mini mixer Inputs 2x 1/4" TR keyboard inputs, auto sensing between passive/active 2x 1/4" TR instrument inputs, auto sensing between passive/active 2x 1/4" TR auxiliary inputs 2x 1/4" TRS effects return inputs 1x 1/4" TRS effects return / power amp input 1x XLR mic input 1x 1/4" mono mic input Outputs 1x 1/4" TRS stereo headphone output 2x 1/4" TR outputs 2x XLR outputs, each with ground 2x 1/4" TRS effect send outputs 1x 1/4" TRS effect send / slave amp output (send only provides right channel audio out to slave amp for stereo) Channels and Controls Instrument: Low, mid, high, volume Keyboard: Low, mid, high, volume Microphone: Low, mid, high, volume Auxiliary: Volume Phones: Volume Master: Low, mid, high, volume Tweeter 2x 4" mid to high frequency drivers Woofer 1x 15" low frequency driver 2x bass ports, front and rear My 1959 Hammond B3 organ with custom built Super Leslie Speaker by the late great Bill Beer of Keyboard Products - just to the right of the Leslie box & flight case is my well-traveled original Hammond XB-2 in the 'weekend warrior case', it was not lightweight and not designed for heavy travel - but with the help of lots of gaffer tape and stickers I went around the world with that organ numerous times - can't beat the mighty B3, but it won't fit in a taxi cab don't ya' know! - Jon Hammond *Note: It was a LONG weekend for the Weekend Warrior Case folks!: Very Special Concert in Suzuki Hall, First Time Koei Tanaka Harmonica In Duo with Jon Hammond B3mk2 Organ and High Power Leslie model 3300W and W stands for Wood! - Jon Hammond Jon Hammond at the Hammond Organ with Manji Suzuki President Founder of Suzuki Musical Instruments Corp. LTD in Hamamatsu Japan Jon's archive https://archive.org/details/JonHammondSuzukiWorldHeadquartersInHouseConcertJonHammondPt3of3 Suzuki Headquarters and factory concert special for President Founder Manji Suzuki with introduction by Waichiro 'Tachi' Tachikawa, Jon Hammond at the new B3mk2 organ with Koei Tanaka chromatic harmonica Views 1,345 #1345 Special Thanks Mr. H. Ono, Mr. M. Terada, Mr. S. Ohtaka, Mr. Y. Beniya, Tachi Tachikawa, President M. Suzuki and entire Suzuki Musical Instruments Team Suzuki Musical Instruments, B3mk2 Organ, Tachi Tachikawa, Hamamatsu, Headquarters, Jon Hammond, Local 802 Musicians Union Jon Hammond at the Hammond Organ - WALL OF LESLIE POWER and Stacked 122's with B3 Organ Wall of Sound, Leslie 2215, #LeslieSpeaker #HighPower #Hamamatsu #Suzuki #HammondOrgan #Musikmesse #NAMMShow Jon's archive https://archive.org/details/JonHammondTAKAonHammondCastNarita Usage Attribution-NonCommercial-NoDerivs Topics TAKA, Takamitsu Yashiro, Blue Groove Sessions, Harley Davidson, Fender Telecaster, Jon Hammond, HammondCast, Kamakura, Japan TAKA Blue Groove Sessions on HammondCast KYOU Radio interview with Jon Hammond in Narita Japan. Guitarist producer and Harley Daivdson chopper from Kamakura Views 82 #82 Youtube https://youtu.be/mzlEIFvJPV4 168 views #168 Interviews Sennheiser Jon Hammond Headphones Microphones Organ Accordion Music Archive NAMM Musikmesse http://jonhammondband.com/blog.html/interviews_sennheiser_jon_hammond_headphones_microphones_organ_accordion_music_archive_namm_musikmesse/ - Jon Hammond L to R Dr. Andreas Sennheiser, Jon Hammond, Daniel Sennheiser I went back to Beantown a couple of years ago with Jennifer and visited Tony Germain at Berklee, he’s still teaching there - check it out: Return of The Student interview with Tony (40 years later!), LINK: https://youtu.be/TppXGPzVaK8 Bob Schleicher, I haven’t seen Bob for a few years either - I’ll have to go see him one of these times - I took this photo of Bob a few years back with his favorite personal B3 and tall boy: This was about 1978 when I was working with Lou Colombo down on the Cape at Wychmere Harbor Club - Harwich Port Sometimes Lou would bring Dick Johnson on the gig and scare the pants off of the 25 year old organ player! Dick Johnson accepting NEA award for Artie Shaw - Most Important Jazz Photos In Recent History by Jon Hammond and Film http://jonhammondband.com/blog.html/most_important_jazz_photos_in_recent_history_by_jon_hammond_and_film/ #WATCHMOVIE HERE: Most Important Jazz Photos In Recent History by Jon Hammond and Film Jon's archive https://archive.org/details/JonHammondJonHammondNEAJazzLegendsPhotoShoot_mostimportantJazzPhotosinHistory Views 1,021 #1021 Youtube https://youtu.be/sY-uPTPdnfY 329 views #329 All Images and Video Film Copyright Jon Hammond International ©JHINTL Usage Attribution-NonCommercial-NoDerivs Topics NEA Jazz Masters, Jon Hammond, Anita O'Day, Chico Hamilton, Horace Silver, Ron Carter, Dana Gioia, HammondCast, Hammond Cast, KYOURADIO, Local 802 Musicians Union From Jon Hammond Archive, Jon's pictures taken of surviving and then present (2004) NEA Jazz Master legends, many from this list including Horace Silver, Louis Bellson, Anita O'Day, Ron Carter, Cecil Taylor, Frank Foster, Benny Golson, Roy Haynes, Hank Jones and many more, enjoy! Jon Hammond​ *Official: http://www.HammondCast.com Carvin Pro Audio, NAMM Sessions, Jon Hammond, Chuggy Carter, Joe Berger, #NAMMShow #Carvin #Jazz #HammondOrgan

Pocket Funk Photos Film Gallery Jon Hammond Band in jazzkeller - October 21, 2016

#WATCHMOVIE HERE: Pocket Funk Photos Film Gallery Jon Hammond Band in jazzkeller Jon's archive https://archive.org/details/2014PocketFunkPhotosJazzkellerParty Views 137 #137 Youtube https://youtu.be/IBWpFYwnMaU 69 views #69 Pocket Funk by Jon Hammond with photos by Andreas Meer the great Rock Photographer of Frankfurt - Jon's annual musikmesse Warm Up Party in the world famous Jazzkeller - almost complete take shot by Aurelia Natalini with camera direction by Tino Pavlis - Giovanni Totò Gulino drums, Peter Klohmann tenor saxophone, Joe Berger guitar, Jon Hammond at the Sk1 Hammond organ ©Jon Hammond International ASCAP http://www.jonhammondband.com/ - Jon Hammond Band Attribution-Noncommercial-No Derivative Works 3.0 Topics photographs, funky jazz, hammond organ, sk1, Jon Hammond, musikmesse, music party, chocolate cake, tenor saxophone, frankfurt, electric guitar, drums, ASCAP Composer, local 802, musicians union H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 30 Files download 5 Original Producer Jon Hammond Language English Jon's archive https://archive.org/details/6842260613 Views 156 #156 Youtube https://youtu.be/e3qMWeXdqkA 47 views #47 Youtube Jon Hammond Band XK5 Organ Debut introduction by "Gregg" Gregory Gronowski https://youtu.be/Zse4xuv6-eg 4,982 views #4982 Full High Definition Film: Jon Hammond Band at XK-5 Organ Debut with Introduction by "Gregg" Gregory Gronowski the late great Marketing and Sales Genius for Hammond Suzuki USA - *Note: Very very sadly soon after this piece was filmed in Nashville Gregg Gregory Gronowski passed away suddenly on August 19th of 2016 - Remembering Gregg Grownoski folks, R.I.P. Gregg! - Jon Hammond - Hammond Organ USA Party SoundCheck Nashville: Kayleigh Moyer drums, Chuggy Carter congas percussion, Joe Berger guitar, Jon Hammond at the new XK-5 organ - Summer NAMM 2016 fifth Sound Soul Summit Hammond Organ USA co-sponsored by Keyboard magazine and Soundcheck LLC, Nashville - Event: "the first public showing of Hammond’s new XK5 organ and Heritage Series expanded systems, which represent the cutting edge of technology applied to recreating the precise touch, feel, and sound of the classic Hammond B-3. #NAMMShow #SummerNAMM #HammondOrgan Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Video by Lori, Late Rent (Music), Jon Hammond Show, MNN TV, #HammondOrgan ASCAP Composer, Musicians Union, Local 802, Local 6, Public Access TV, 32nd year Yes that's Andy Warhol on The Jon Hammond Show folks! #AndyWarhol Jon Hammond Show Preview 06/13 MNN TV Ch 1 - Original Music, Travel and Soft News - beginning with Jon Hammond classic theme song Late Rent with video by Lori *Note: Every frame is heavily embedded with i.d. information and copyright protected ©JON HAMMOND International - next Bernard Purdie plays Jon Hammond's original Pocket Funk with Jon Hammond Band with Koei Tanaka harmonica, Joe Berger guitar, Alex Budman tenor, Bernard Purdie drums, Jon Hammond at the Sk1 Hammond organ onstage at NAMM Anaheim CA. Next Hoodman and then Scott Cooper flies in vintage NAB movie production. Next Jon Hammond's composition Lydia's Tune played in Hamburg Germany with the NDR Horns - Michael Leuschner trumpet, Fiete Felsch alto, Lutz Büchner tenor, Heinz Lichius drums, Joe Berger guitar, Jon Hammond organ and covering bass. Outtake to Jon's theme song Late Rent with images of Jon Hammond Show moments, now in 32nd year on New York Cable every Friday night late (Sat. morning) 1:30AM on MNN TV Channel 1 http://www.HammondCast.com H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 36 Files download 5 Original Producer Jon Hammond Language English New York NY -- Joe Berger doing an Apple Logic Pro X - Apple Tutorial at The Beacon School - Hmm...I don't know what happened to Mark Via, Joe Berger and I came and played a session with his kids at The Beacon School and never heard back again from him. I hope he's OK - maybe I should check with Richard Carter and see if any signs of life around Fifth Ave. pehaps? - Jon Hammond — with Mark Via, Khaya Lee, Joe Berger and The Beacon School at The Beacon School. Jon's archive http://ia601401.us.archive.org/26/items/AusterJazzHeadPhoneNDRHornsFunkyHeinz/Auster%20Jazz%20Head%20Phone%20NDR%20Horns%20Funky%20Heinz.m4v Views 97 #97 Youtube https://youtu.be/I71VSKh61kk 284 views #284 Auster Jazz Head Phone NDR Horns Funky Heinz - 3 + 3 Jon Hammond Band Live in Auster Bar Hamburg with funky Heinz Lichius drums, NDR Horns: Michael Leuschner trumpet, Lutz Büchner tenor sax, Fiete Felsch alto sax, Joe Berger guitar, Jon Hammond organ + bass -http://www.HammondCast.com/ Note: Joe Berger is playing Futhark Guitars -Jon Hammond - Hammond organ made by Suzuki Musical Instruments - special thanks to our friend and excellent drummer Nicolai Ditsch for operating the camera! & Auster Bar Team Frank Blume & Torsten Wendt H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Funky Jazz, Hamburg, Auster Bar, NDR Horns, Jon Hammond, Sk1, Organ, Trumpet, Saxophones, Guitar, drums, Head Phone, ASCAP Composer Producer Jon Hammond Language English Mourning Lutz Büchner - Trauer um Lutz Büchner Jon's archive https://archive.org/details/PocketFunkWithNDRHornsAusterJazz Thoughts about Lutz from Jon Hammond LINK: https://www.facebook.com/notes/jon-hammond/mourning-lutz-b%C3%BCchner/10156648708165287 Saturday, March 12, 2016: Folks, I am really in shock from hearing news of the unexpected and very sad death of my good friend Lutz Büchner! I really didn’t want to say it on the internet after receiving the horrible news in communications with our mutual good friend and fellow musician / bandmate Heinz Lichius. This is so hard to get my head around and accept it but I know it’s true that Lutz suffered a fatal heart attack while on tour in Tokyo Japan with his beloved NDR-bigband with Peter Erskine on the band - I can see Lutz’ smile and hear his voice and music in my mind like it was yesterday - and we spoke and played together so many times. So now I see the news releases are already out on the news FEEDS from the NDR, Hamburger Abendblatt etc. and a few too-early mentions on the Facebook, so I know it’s time to write a few words for those of you who might not know of Lutz Büchner, as follows: As Joe Gallardo the great trombonist and long-time colleague of Lutz’ said in email to me last night: “As you well know, Lutz was first of all a great human being and secondly, he was a masterful player. Lutz was my brother. We will all miss him.” - The very first time I met Lutz was in 1995 on a rainy night in Hamburg Eimsbüttel at the Thursday night weekly jazz session in Jazzclub Birdland - I had heard him the week before and pushed my Hammond organ on the wheels through the rain to the club and got there real early, Hr. Reichert the owner opened up the club and I was telling Mr. Reichert I came the week before but didn’t get to play so “early bird gets the worm...and maybe I’ll get to play with Lutz Büchner!” - well we did it and by good luck my friend Joris Dudli the great drummer was there - it was magic from the first hit. That’s where it started, I was living in Hamburg to play music and write tunes - like so many musicians following in the footsteps of The Beatles, by invitation of my sponsor Knut Benzner journalist moderator on the NDR. From then on together with main man Heinz Lichius drums who I had met just before when Heinz came over to meet me one afternoon - Heinz had recommended to check out Lutz, one of the finest rising musicians on the Hamburg scene. We had a lot of great times together on the bandstand and off from that time on - we played in Hamburg and his hometown of Bremen - turned out to be that Lutz was a real life jazz angel who saved my life at least twice, one time involving bringing me to the hospital / krankenhaus and translating to me what they were about to do to me - we escaped out the side door and the doctor came to our gig that night! I met Lutz’ Mom and Dad beautiful people when they came to hear us play in Bremen at Studio club April 7, 1998 - and most recently our last gigs together with my favorite musicians Michael Leuschner, (Heinz Lichius of course) “Fiete” Ernst-Friedrich Fiete Felsch NDR horn section brothers along with Joe Berger guitar, probably best gig of my life - Lutz was so happy to have found his love with his wife Bettina and he was always crazy about his son Asmus and his step daughters by Bettina, the happiest I have ever seen him, he glowed in the dark he had that much joy! -- Back in 2005 I had an idea, I said to my long-time girlfriend Jennifer: Lutz is one of the greatest saxophonists I ever heard, I want to feature him on a CD release, he could be making a great record every day! I couldn’t believe that he didn’t have any feature albums out at that point - so I discussed it with Knut Benzner and we all co-produced a recording session for this purpose in the famous Studio 1 at NDR, the NDR SESSIONS Projekt was born, with the addition of “Joe G” / Joe Gallardo on trombone and Heinz Lichius and myself, Rudolf Grosser at the controls big SSL console, we started playing in the morning and I played through the magic bass amp belonging to Lucas Lindholm - the boys took one long coffee break and other than that we recorded tunes all day long - I am so grateful that I’ll always have this recording date together with Lutz, of course later on Lutz came out with more records - but this one for me is my special keepsake that went down with the blessings of NDR with the help of Knut Benzner and Axel Dürr. So many stories I can tell you, but most importantly everybody loved Lutz, I know there are a lot of tears flowing now around Hamburg and Bremen, my heart goes out to Lutz’ Family, Friends and Musicians music brothers and sisters! The 2nd to the last time we played together, I hadn’t seen Lutz for a while and he told me about a real miracle of survival when he was driving on the autobahn with Bettina and the kinder all his happy Family in the car, I think there was ice on the road - a car slammed in to the back of his car demolishing the car, but Lutz’ horns were in the trunk - they all got crushed but it saved his Family! They were all shaken up but OK - the lucky star was shining over them, and even though Lutz is not with us physically anymore, his lucky star will always be shining - he was competely dedicated to the NDR-bigband family of musicians and his own Family - always a huge inspiration to me as a person and master musician, rest in peace my very special good friend Lutz Büchner - my deepest and most sincere condolences go out to Lutz’ Mom and Dad and Bettina and his son Asmus and step children by Bettina - all the folks who know and love Lutz, sincerely, Jon Hammond Jon's archive https://archive.org/details/JonHammondDonaldMeadeImpromptuJazzStoriesatJENConferenceAtlanta Views 111 #111 Youtube https://youtu.be/pF3Rl3H-u1k 67 views #67 Usage Attribution-NonCommercial-NoDerivs Topics Jazz Griot, Donald Meade, JEN Atlanta, Historian, Impromptu, Education, Chitlin Circuit Atlanta GA -- Jazz Historian Donald Meade here at the Jazz Education Network conference 2013 telling some wonderful jazz stories, and actually explains how the Chitlin Circuit got it's name! This was totally impromptu at a table including Jon Hammond, Javon Jackson, Joe Chambers, and Martin W. Mueller from The New School for Contemporary & Jazz Music - listening to Jazz Griot Award Recipient Donald Meade tell these fascinating stories in his engaging style, enjoy folks! Jon Hammond http://hammondcast.wordpress.com/2013/01/08/us-army-blues-pershings-own-precious-lord-take-my-hand-at-jen-2013-atlanta-jons-journal-january-8-2013/ Jazz Griot, Donald Meade, JEN Atlanta, Historian, Impromptu, Education, Chitlin Circuit H.264 download download 1 file OGG VIDEO download download 1 file QUICKTIME download download 1 file TORRENT download download 20 Files download 4 Original Producer Jon Hammond Donald Meade Jazz Griot December 8, 1928 - May 22, 2015 Meade, born December 8, 1928 in Joliet Illinois, was raised in Joliet and later in the Watertown area of East Moline during the time when jazz was coming of age. Meade speaks fondly of growing up musically in the time of Duke Ellington. Nat Cole. Pat Patrick. Louis Armstrong. Clark Terry- and many other pioneers and innovators of the day. He has been a lifelong friend and confidant to many of the jazz legends and innovators, and has traveled extensively with jazz giants such as Ed Thigpen. Ray Brown. Oscar Peterson. Milt Jackson. Cedar Walton, the Heath Brothers. Art Farmer, and Ella Fitzgerald to name a few. "At one time jazz was the popular music" he says. A friend and mentor to many, as well as a great jazz historian, Donald “Papa” Meade passed away on May 22, 2015. Donald's spirit and dreams live on through those friends, mentees and the recipients of the Donald Meade Griot Award. -- RIP my friend Ron Polte - manager of Quicksilver, Ace of Cups, Wild West Fest - Jon Hammond (my band opened for Copperhead on one of the very few live gigs they played in 1972 at The Longbranch Saloon) Tam Junction and Piatti Mill Valley Restaurant - Breakfast with Ron, rest in peace Ron Polte - Jon Hammond : Photo: Nick Gravenites and Julius Karpen at Ron's Memorial recently - Jon Hammond *Note: We had a lot of fun in the old days at 759 Harrison Street San Francisco when we shared rehearsal space with The Quicksilver Messenger Service at Bruce Hatch's San Francisco Radical Laboratories aka SF Rad Lab in years 1968 / 1969 (not to be confused with radiation lab folks! I am still in touch with QSM guitarist Gary Duncan, sending my condolences Gary! - JH Jon's archive https://archive.org/details/WhiteOnions2012MusikmesseWarmUpPartyJonHammondBand Views 599 #599 Youtube https://youtu.be/Erm1jEvuN0Y 213 views #213 Jon Hammond's Annual Musikmesse Warm Up Party in Jazzkeller Frankfurt "White Onions" by Jon Hammond, special guest Lee Oskar harmonica, Tony Lakatos tenor saxophone, Giovanni Gulino drums, Joe Berger guitar, Jon Hammond at Sk1 Hammond organ / bass special thanks Thomas Eich TecAmp - 2 x 12" Neodymium Speakers with TecAmp power amp on my organ http://www.jonhammondband.com H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 30 Files download 4 Original musikmesse warm up party jazzkeller frankfurt hammond sk1 lee oskar tony lakatos funky jazz blues shuffle Run time 11 minutes 19 seconds Producer Jon Hammond Audio/Visual sound by Jon Hammond Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics musikmesse warm up party, jazzkeller frankfurt, hammond sk1, lee oskar, tony lakatos, funky, jazz, blues, shuffle Jon's archive https://archive.org/details/JonHammondsMusikmesseWarmUpPartyJazzkeller Youtube https://youtu.be/nRIMY20BFaU 29th Year! Jon Hammond's musikmesse Warm Up Party jazzkeller - Big Special Thanks to my good friend Saray Pastanesi​ for absolute Masterpiece Birthday & 29th musikmesse​ Chocolate Chocolate cake​!! It was delicious, every morsel was consumed and enjoyed!!! Jon Hammond​ / Jon Hammond Band​ http://www.jonhammondband.com/blog.html/dienstag_144_rock__pop__jazz_journal_frankfurt_im_aktuellen_journalkalender/ DIENSTAG, 14.4. ROCK | POP | JAZZ Journal Frankfurt im aktuellen Journal Frankfurt​ Journalkalender 1 JAZZ/BLUES/FOLK Jon Hammond & Band Wer zählt noch mit ... Mal ernsthaft: der Mann, der so heißt wie sein Instrument, ist zum 29. Mal zur Musikmesse „Warm Up Party”. 21:00, Ffm: Jazzkeller​, Kleine Bockenheimer Straße 18a Facebook https://www.facebook.com/events/955188417848638/ Jon Hammond - organ Joe Berger - guitar Peter Klohmann - saxophone Giovanni Gulino - drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ "Classic Hammond Sound...In A Suitcase!" The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound - 100% organic - Jon Hammond Organ Group​ Vimeo https://vimeo.com/125675321 Jazzkeller Jon Hammond Band - Pocket Funk Photos Film Gallery Jazz Photo Gallery, Frankfurt, #Jazzkeller #Musikmesse #NAMMShow #HammondOrgan

Jon Hammond Funk Unit With Some Bad Hombres Specials On The Band in Nashville Tennessee Nissan NAMM Stage! - October 20, 2016

#WATCHMOVIE HERE: Jon Hammond Funk Unit With Some Bad Hombres Specials On The Band in Nashville Tennessee Nissan NAMM Stage! Jon's archive https://archive.org/details/2PMKickOffNissanStageSummerNAMMShow Some Serious Bad Hombres!: Roland Barber - trombone, trumpet, sea shell Cord Martin​ - tenor saxophone Chuggy Carter​ - percussion Louis Flip Winfield​ - drums Lee Oskar​ - harmonica Joe Berger​ - guitar Jon Hammond​ - organ + bass 2PM EST Jon Hammond Funk Unit kicking it off on the Nissan Stage at Summer NAMM Show Nashville Music City Center​ Facebook Video https://www.facebook.com/jonhammondband/videos/1330048600357267/ http://www.jonhammondband.com #NAMMShow #SummerNAMM #NissanStage #suchanastylady #badhombres #putinspuppet #yourethepuppet #NOYOURETHEPUPPET #cantwaitforSNL #badhombre vs #badhombres #Unbeleivable Bad Hombre Joe Berger! *photo courtesy CNN Jon Hammond Funk Unit on Nissan Stage Nashville Music City Center Summer NAMM Show showcase: H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 23 Files download 5 Original Producer Jon Hammond Language English WALL OF LESLIE SPEAKER SOUND 2215 HIGH POWER 3300 WOOD VERSION 3300w Keyboard Products Super Leslie Jon Hammond 3 x LS-2215 Leslie's with Hammond Sk1 Organ - Jon Hammond: Leslie LS-2215 Info http://hammondorganco.com/products/leslie/ls2215/ Mono Solid State 200W RMS/300W Peak Preamp Stereo mini mixer Inputs 2x 1/4" TR keyboard inputs, auto sensing between passive/active 2x 1/4" TR instrument inputs, auto sensing between passive/active 2x 1/4" TR auxiliary inputs 2x 1/4" TRS effects return inputs 1x 1/4" TRS effects return / power amp input 1x XLR mic input 1x 1/4" mono mic input Outputs 1x 1/4" TRS stereo headphone output 2x 1/4" TR outputs 2x XLR outputs, each with ground 2x 1/4" TRS effect send outputs 1x 1/4" TRS effect send / slave amp output (send only provides right channel audio out to slave amp for stereo) Channels and Controls Instrument: Low, mid, high, volume Keyboard: Low, mid, high, volume Microphone: Low, mid, high, volume Auxiliary: Volume Phones: Volume Master: Low, mid, high, volume Tweeter 2x 4" mid to high frequency drivers Woofer 1x 15" low frequency driver 2x bass ports, front and rear My 1959 Hammond B3 organ with custom built Super Leslie Speaker by the late great Bill Beer of Keyboard Products - just to the right of the Leslie box & flight case is my well-traveled original Hammond XB-2 in the 'weekend warrior case', it was not lightweight and not designed for heavy travel - but with the help of lots of gaffer tape and stickers I went around the world with that organ numerous times - can't beat the mighty B3, but it won't fit in a taxi cab don't ya' know! - Jon Hammond *Note: It was a LONG weekend for the Weekend Warrior Case folks!: Very Special Concert in Suzuki Hall, First Time Koei Tanaka Harmonica In Duo with Jon Hammond B3mk2 Organ and High Power Leslie model 3300W and W stands for Wood! - Jon Hammond Jon Hammond at the Hammond Organ with Manji Suzuki President Founder of Suzuki Musical Instruments Corp. LTD in Hamamatsu Japan Jon's archive https://archive.org/details/JonHammondSuzukiWorldHeadquartersInHouseConcertJonHammondPt3of3 Suzuki Headquarters and factory concert special for President Founder Manji Suzuki with introduction by Waichiro 'Tachi' Tachikawa, Jon Hammond at the new B3mk2 organ with Koei Tanaka chromatic harmonica Views 1,345 #1345 Special Thanks Mr. H. Ono, Mr. M. Terada, Mr. S. Ohtaka, Mr. Y. Beniya, Tachi Tachikawa, President M. Suzuki and entire Suzuki Musical Instruments Team Suzuki Musical Instruments, B3mk2 Organ, Tachi Tachikawa, Hamamatsu, Headquarters, Jon Hammond, Local 802 Musicians Union Jon Hammond at the Hammond Organ - WALL OF LESLIE POWER and Stacked 122's with B3 Organ Wall of Sound, Leslie 2215, #LeslieSpeaker #HighPower #Hamamatsu #Suzuki #HammondOrgan #Musikmesse #NAMMShow Jon's archive https://archive.org/details/JonHammondTAKAonHammondCastNarita Usage Attribution-NonCommercial-NoDerivs Topics TAKA, Takamitsu Yashiro, Blue Groove Sessions, Harley Davidson, Fender Telecaster, Jon Hammond, HammondCast, Kamakura, Japan TAKA Blue Groove Sessions on HammondCast KYOU Radio interview with Jon Hammond in Narita Japan. Guitarist producer and Harley Daivdson chopper from Kamakura Views 82 #82 Youtube https://youtu.be/mzlEIFvJPV4 168 views #168 Interviews Sennheiser Jon Hammond Headphones Microphones Organ Accordion Music Archive NAMM Musikmesse http://jonhammondband.com/blog.html/interviews_sennheiser_jon_hammond_headphones_microphones_organ_accordion_music_archive_namm_musikmesse/ - Jon Hammond L to R Dr. Andreas Sennheiser, Jon Hammond, Daniel Sennheiser Parking lot of Sennheiser Headquarters in Wedemark Germany, Knut Benzner of NDR with 421 mic and Norbert Hilbich long-time Sennheiser man! Jon Hammond using Sennheiser e855 evolution microphone on interview with Tommy Denander and Mathias Melo in Hollywood Nashville Tennessee -- Jon Hammond interviewing legendary Roy Clark with Sennheiser evolution e855 microphone Jon's archive https://archive.org/details/RoyClarkTelevisionInterviewWithJonHammond Roy Clark Television Interview with Jon Hammond just before Roy appeared on the American Eagle Awards in Nashville Tennessee during Summer NAMM Show - Roy Clark an American Living Legend and long-time member of The Grand Ole Opry and The Country Music Hall of Fame - Roy's wiki https://en.wikipedia.org/wiki/Roy_Clark Roy Linwood Clark (born April 15, 1933) is an American country music musician and performer. He is best known for hosting Hee Haw, a nationally televised country variety show, from 1969 to 1992. Roy Clark has been an important and influential figure in country music, both as a performer and helping to popularize the genre. Jon's archive https://archive.org/details/TrainSongMusikmesseWarmUpParty Views 269 #269 Youtube https://youtu.be/ibPxc0shd8Y 104 views #104 Jon Hammond original composition "Train Song" performed at Jon's annual musikmesse Warm Up Party in the world famousJazzkeller Frankfurt - Jon Hammond Band: Giovanni Totò Gulino drums, Peter Klohmann tenor saxophone, Joe Berger guitar, Jon Hammond Sk1 Hammond organ - special thanks to Frank Poehl for operating the camera - http://www.HammondCast.com/ ©JH INTL ASCAP Publishing JON HAMMOND International Producer Jon Hammond Language English Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Train, Song, Hammond organ, Warm Up Party, Jon Hammond, jazzkeller, Frankfurt, Jazz, musikmesse, Peter Klohmann, Giovanni Totò Gulino, Joe Berger, ASCAP Composer H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT Jon's archive https://archive.org/details/JonHammond_TributetoVictimsof9_11_JONHAMMONDBand Views 560 #560 Youtube https://youtu.be/OzRVyWFhkek 2,955 views #2955 TONY LAKATOS-tenor sax HEINZ LICHIUS-drums JOE BERGER-guitar JON HAMMOND-XB-2 Organ/Bass *at JAZZKELLER Frankfurt Special Thanks Eugen Hahn jazzkeller Get Back in The Groove composed by Jon Hammond ©JH INTL Jon Hammond International ASCAP Jon's archive https://archive.org/details/JonHammondJazzKneipeFrankfurtJonHammondBandFunkyHeadPhone Views 643 #643 Youtube https://youtu.be/uwm1evylatI 3,226 views #3226 Rare Footage from inside Jazz Kneipe Frankfurt! I played 207 gigs in the famous JAZZ KNEIPE Frankfurt at Berlinerstr. 70 until Regina the boss finally closed the doors and moved to Spain a few years ago, usually in Duo, sometimes as Trio but more often than not as Solo. This was a special occasion because my bandmates from California came over so I had them on the gig with addition of Sgt. Al Wittig of U.S. Air Force on tenor, James Preston of Sons of Champlin band drums, Barry Finnerty gtr., myself Jon Hammond at XB-2 Hammond organ. This was a very special place frequented by all the musicians after there gigs. A 5 hour gig until wee hours of the morning, Live Music 7 days a week in rotation with musicians like Piano George, Izio Gross, Wilson de Oliveira and members of HR Bigband. Regina introduced me to Tony Lakatos the Hungarian tenor saxophonist who I play with still today. The club was not large but it had a great atmosphere and was always a safe place to hang out until as late as 5AM. Sadly the Jazz Kneipe is still shuttered there on Berlinerstr. directly behind the Frankfurter Hof Hotel. All musicians tip their hat when they pass by. There's a lot of music in those walls! Jon Hammond Band original composition "Head Phone" with Atilla Zoller (RIP) in the house that night. ©)JHIntl. Jon Hammond International http://www.HammondCast.com Facebook video https://www.facebook.com/hammondcast/videos/10150741062342102/ Jon Hammond's Sennheiser evolution microphone Monophonic Recorder combo Headphone HD 25-1 Classic and Song Jon Hammond: Back to Mono with Sennheiser combo TASCAM product DR-10X Plug-on Micro Linear PCM Recorder for XLR Connection (flipped over): Monophonic High fidelity Folks! True Hi-fi Jon Hammond playing his 1968 Gibson Byrdland - owned since 18 years old Front and Back Jon Hammond's 1968 Gibson Byrdland Jon Hammond interviewing the great Roy Clark with Sennheiser evolution e855 microphone - Roy is a long-time Gibson Byrdland virtuoso! Jon Hammond 1965 Fender Bandmaster Blackface on the bench Jon's Bandmaster Fender Head paired with Bag End 15" coaxial speaker bottom Jon Hammond flanked by Sennheiser co-CEO's Dr. Andreas Sennheiser and Daniel Sennheiser foto by Christian Burkert: Sennheiser to open Soundscape Showroom in the Westfield World Trade Center http://www.nydailynews.com/new-york/manhattan/daniel-sennheiser-open-soundscape-showroom-nyc-article-1.2815943 - Jon Hammond "Daniel and Andreas Sennheiser who run the blossoming Sennheiser company, an audio business based in Germany. (CHRISTIAN BURKERT)" BY EBENEZER SAMUEL NEW YORK DAILY NEWS Monday, October 3, 2016, 2:47 PM "Daniel Sennheiser knows exactly what he's up against. Along with his brother Andreas, Daniel Sennheiser runs the blossoming Sennheiser company, a blossoming audio business based in Germany. But he's watched and admired New York City for a long time, come to appreciate the business challenges of the Big Apple. And along the way, Sennheiser says, he's come to view New York City as a pivotal battleground for any business ready to go global. "New York has been the beginning of a lot of things," Sennheiser says. "This is a melting pot, that has brought up so many things, brought up Broadway. New York is very fast-living. And that's positive in a sense that they're quick to pick up new trends and things. "But that also means you need to make a certain amount of noise." And now, it's time for Sennheiser to make some noise. In late October, the company will take up residence in the Big Apple, opening the Sennheiser Soundscape Showroom in the Westfield World Trade Center. It's a venue that will be filled with Sennheiser's unique products, but the focus isn't on selling. Instead, Sennheiser is focused on introducing New Yorkers to its distinctive audio, part of a first step in establishing the company as a sound powerhouse in a nation that's spent the last few years in the midst of a great headphone awakening. "We believe it's the right time for us to make a big splash to share our version of the future of audio with New York," says Andreas. It's an intriguing vision from a company that's long delivered high-quality sound but has consistently lacked the profile of the bigger names in the industry. Beats by Dre and Bose own the majority of U.S. mindshare, and both companies are highly visible, utilized by both celebrities and major sports franchises. Sennheiser has never had such presence, and that's mostly by choice. Look closely during your next NBA on TNT broadcast, and you may notice Sennheiser headsets on the play-by-play guys. But the company has historically done little marketing, preferring to let its devices shine on their own merits. The Soundscape Showroom isn't the start of some massive ad campaign, either. But it is part of a company-wide initiative to be more visible in the United States, to draw more notice to an underrated line of products. Just a few years ago, the company set up a small pop-up store on the East Side. With the Soundscape Showroom, it's going bigger, aiming to be a national presence. "It's to raise a little awareness. We're just not present enough," Daniel says, before talking proudly of Sennheiser's lore. "Sennheiser is the inventor of the hi-fi headphone. Not a lot of people know that." Indeed, few realize just how potent Sennheiser products truly are. It was Sennheiser that released the first pair of open headphones way back in 1968, and it's Sennheiser that's continued to chase perfect, pure sound throughout the last few decades. And it's Sennheiser that last year debuted the HE1 Orpheus, a handcrafted set of headphones powered by a massive amplifier built from marble and driven by gold-vaporized electrodes and platinum vaporized-diaphragms. It's a device that costs tens of thousands of dollars and is hardly for use with your iPad on the train - but it's a device that showcases Sennheiser's pursuit of high-level sound. "Sennheiser has been on the forefront of audio strategy for years," says Daniel. "We just added the sexy aesthetics after we did the sound." Sound remains the company's top priority, but in recent years, it's been pushing to match the more attractive headphones delivered by the likes of Beats and Bose. There's the Momentum line of headphones, a sharp-looking line of headphones with rugged leather bands that seem tailor made for the stylish Manhattanite. And just this summer, Sennheiser released the PXC 550, a noise-canceling Bluetooth pair of cans designed to go head-to-head with Bose's QuietComfort line, but with touch controls built onto the earcups. These products, says Daniel Sennheiser, are examples of Sennheiser's ability to adapt to culture, proof that the company's products truly can fit the New Yorker. The Sennheiser aesthetic is unique, and the Momentums are especially eye-catching units, as fashion-conscious as they come. The hope is that consumers enter the Soundscape Showroom and see these products, falling in love with a new brand of headphone. "The qualities (of Sennheiser headphones) are great — the material, the leather, the steal," Daniel says. "But you also have to have the opportunity to touch it. In our experience, audio is something you can't describe. You have to put it on your head. "Sennheiser is not a brand for everyone. I think we're a brand for people who are in the know, who are creative, who really look for special things. That's why I think a place like New York is the place to be." And that's precisely why Sennheiser is finally here, with the Soundscape Showroom as its first truly potent portal in the United States. The goal is to build from here, Andreas says, to finally aggressively cultivate the Sennheiser brand in the U.S. It won't be easy, not with Beats and Bose dominant. But Sennheiser arrives prepared. "We have a serious plan, but we're also nimble enough to adjust," says Daniel. "As Frank Sinatra said, 'If you can make it here, you can make it everywhere.'" Interviews Sennheiser Jon Hammond Headphones Microphones Organ Accordion Music Archive NAMM Musikmesse Facebook Video: https://www.facebook.com/jonhammondband/videos/1330048600357267/ Jon's archive http://ia601507.us.archive.org/7/items/HeadPhoneStickWithSennheiser/Head%20Phone%20stick%20with%20Sennheiser.mp4 Sennheiser (headphones) Momentum series with tribute to Lutz Büchner on solo section: Head Phone stick with Sennheiser (headphones) Jon Hammond's 20th annual Musikmesse Session in Jazzkeller Hofheim - funky jazz with Giovanni Totò Gulino drums, Peter Klohmann tenor saxo, Joe Berger guitar, Jon Hammond at the Sk1 Hammond organ - Jon's keyboard stand by Bespeco Professional, Audio: Philipp, Konrad Neupert, Marvin Gans Jazzkeller Hofheim Team - special thanks Jeff Guilford / JJ guitars for operating the camera http://www.HammondCast.com Sennheiser HD 25-1 NAMM Oral History Interview Jon Hammond by Dan Del Fiorentino and Tony Arambarri Jon's archive https://archive.org/details/JonHammondJonHammond_NAMM.orgOralHistoryInterviewDate_January13_2011FullVersion_0 Views 144 #144 Youtube https://youtu.be/Faq_A58v4sE 275 views #275 Usage Attribution-NonCommercial-NoDerivs Topics NAMM Oral History, Musikmesse, Mini-B, NAMM, G37, G27, Leslie Speaker, Onions, Jazz, Blues, Musicians Union, Local 802, ASCAP, KYOU Radio, Anaheim, Frankfurt, B3 Organ, XB-2, Leslie Speaker Jon Hammond | NAMM.org Oral History Interview Date: January 13, 2011

namm.org/ library/ oral-history/ jon-hammond

Jon Hammond
Interview Date: January 13, 2011
Job Title: President and Founder
Company: Jon Hammond & Associates
accordions electric organs Hammond B-3 Hammond Organs Jazz Music Manufacturing Musicians

Jon Hammond


Jon Hammond has successfully created a career based on his musical talents and his passion for the music industry! As a musician Jon has performed with many legendary players and as a clinician and product artist he has introduced many innovative products to music stores and their customers over the last 30 plus years. Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Digital B3 Organ.

Subject Info Jon Hammond Interview Date: January 13, 2011 Job Title: President and Founder Jon Hammond & Associates Jon Hammond has successfully created a ... of his career, the Excelsior Accordion and the Digital B3Organ. (accordions, electric organs, Hammond B-3, Hammond Organs) 512KB MPEG4 download download 1 file MPEG4 download download 1 file TORRENT download "Interview: Co-CEO Dr Andreas Sennheiser" credit: PSN Europe http://www.psneurope.com/interview-co-ceo-dr-andreas-sennheiser/ "Dr Andreas Sennheiser took over the running of his family business with his brother Daniel in May of 2013. In the three years since, the company has released some notable technology – but there have been some serious changes at the company along the way. In an wide-ranging and candid interview, Dave Robinson discovers what the young co-CEO thinks about the $50k Orpheus headphones, the restructuring of the company, the fiercely competitive marketplace and what gets him out of bed in a morning… Let’s begin with AMBEO, your 3D, immersive audio concept. Dr Andreas Sennheiser: At CES, we launched something we’ve been working on for the last 5-7 years: algorithms for ‘immersive audio’. When we started research, we thought it was going to be relevant: it was a gut feeling that what exists wasn’t good enough. While we did research on these algorithms, we didn’t know where it was going to go, but with big content providers such as Universal and Red Bull Media embarking in 360-degree video and immersive audio recordings in the last 12-18 months, suddenly a huge new world has opened up for us. So, we’ve started to compile all the technology into distinct solutions for recording, mixing, processing, playing back. And that’s what we showed with the AMBEO brand at CES [and NAMM and PL+S]. It’s the starting point of something we will develop with our customers. We really are positioning ourselves to take advantage of whatever 3D format emerges, a format with a higher emotional impact. Many artists have said to us, the only way to really connect with the audience the way they want to is to play live – but if they had a format that captured that, so that users at home could listen to it in a way similar to actually being there, then they would have a higher engagement with the listeners. That’s when we got serious about bringing AMBEO to the market. At NAMM you demonstrated a surround-style ‘tetra mic’, with its ‘virtual miking technique’ software, which could change the way things are recorded… The interesting thing about this is that we have to combine different technologies in order to make the immersive experience perfect; to integrate different technologies to make the transition from reality to virtual reality seamless. With third party involvement? By presenting it in its initial stage, it’s an invitation to our customers to think ahead, whether that’s a possible approach for them, how they would use it, and to find new applications for it. It’s all software based at the moment – we have a virtualisation algorithm, an upmix algorithm – we don’t really have a hardware decoder at this point, but if we see a stronger need, we can go in that direction, too. Let’s talk about Orpheus, the HE 1, the ‘world’s most expensive headphone’. The HE 1 for us is a product, a statement, and an indication of our innovation culture, to a certain extent. We could have said, we still have the Orpheus from 1991, it’s still considered the best headphone in the world, why do something better? But part of our culture is to not be happy with anything that exists now, regardless of whether we invented it or not. About 10 years ago, we decided it was the time for the world to experience the next level. On one hand, it’s beyond common sense. But, on the other, by being so intensively on the limits of physics, we learn so much for other applications. You make it sound like the Space Programme… Yes, exactly, and this pushes the entire Sennheiser culture into new ways. Think about the effect this has at the company when a group of people bring out a flagship that will be there for another couple of decades. That has a huge motivational impact on the other employees; at the same time, it tells the industry that what exists is not good enough for Sennheiser, so we will push it forward. I’ve heard the HE 1s. They make sound ‘visceral’, I would suggest. People have ‘seen’ things, heard things which they haven’t heard before, or been able to describe. Do you think they are worth $50,000? [Immediately] Absolutely. No doubt. What sort of reaction have you had to them? A product like this is dividing: people who rave about it, others who say, Is it worth the money? But to me, it’s not the point: it’s about buying into an exclusivity which sets you apart, in a positive way, from the masses. It’s connoisseurship. From the feedback we’ve got, most of the customers who are interested in the HE 1 are audiophiles who say, Audio is my life. The original Orpheus had a run of some 300 units. When HE 1 ships later this year, will that be limited to 300 too? We are not planning any limitation this time: but it is limited by the price and the capacity – making one per day – and the level of customisation. We have significant requests for customised versions. You mean I can have them in pink? Someone wants it in solid jade instead of marble, for instance. The exclusivity includes the concept of a one-off product, as long as the sound properties are not affected. How many do you think you’ll be making? We have more than 50 ordered. I don’t believe it’s going to stop at 100 or 200. I personally believe that it’s something that’s going to be with you for life, and we will offer servicing on it so it will be with you as long as you want to enjoy it. Turning to the other end of the market, consumer headphones: it’s an increasingly aggressive and crowded marketplace. What is Sennheiser doing there? We’re trying to be more focused on specific target groups. With the Momentum line, for example, we are targeting a specific type of personality, people who have a certain style and way of expressing themselves. We’re not just looking at price points and shelf space, and that will set us apart from just having X metres of headphone hangers. You put into place a ‘selective distribution’ model a couple of years ago – other makes have done that too… It ensures that the brand is represented in the appropriate way. If [our models] were at a cash-and-carry checkout for five pounds [six euros], it would just damage the brand. You can’t credibly have a product like that and the HE 1. Are you worried that brands like Beats are changing the market? It’s not necessarily a concern – it is, rather, keeping us on our toes. That increasingly competitive environment was beneficial in two ways: one, it grew the market; two, it forced us to think what Sennheiser is all about, what is at our core, what is our heritage. We’re the only ones to have the 1968 invention of the open-back HD 414 headphone; we’re the only one that has the innovation culture and heritage. How can we use that to be more relevant and have a higher value for the customer? So, with the success of the Momentum line, the higher end HD 800 line, the professional headphones – the HD 25 still being an icon – this process has been healthy for us because it gave us a stronger sense of identity which we are able to communicate. How successful has the D9000 digital wireless system been? It’s a huge success, especially in the last year where the ‘Digital Dividend’ [spectrum sell-off] in Japan gave us extra demand and business. Digital 9000 is successful beyond our initial imagination for a simple reason: we positioned and developed it as a system to be used on stage for singers and touring, because it was so flexible. But the corporate world has discovered it, because of its high-level encryption and flexibility in use. We saw a lot of companies adopt it, such as a major American retail chain. There’s a huge market there. Since you and your brother Daniel became joint CEOs three years ago, you’ve restructured the company. I get the impression, some of that has been easy, and some of it has been hard. Is that correct? We went from a territorial approach to a sales channel approach. In Europe, there’s no borders for commerce. Consumer is one part, professional is another, and so on. In a reorganisation like that, you always have a working assumption. Sometimes you assume, sometimes you just hope for the best. The reorganisation was a great success, especially with the feedback we got from our customers. Did everything work out like we planned? With a change of that magnitude, we discovered things we had to fine-tune. That was a learning experience. For us it was more important to go in the direction that makes sense for the future rather than stay with something we know but might not be any longer relevant. Some of your ideas were quite radical: staff had to look at their roles within the company and say, this is what I do, and this is what I want to do… You are spot on. We had hundreds of people in new roles, so there was an element of change management. …Which can be difficult. Absolutely! And I have empathy with people who are uncertain for a period, who have to find their role and it’s not all clear from Day One. But part of our culture is to go through changes with our employees, and that means everyone can design their future and their fate, which brings the downside of uncertainty with it. But some people don’t want to do that. Yes, but it’s part of our nature to involve people in their own destiny rather than giving them 100% certainty but no influence. The impression I got from the staff video, made for the company’s 70th anniversary last year, is that your employees are pleased to be a part of the Sennheiser phenomenon. The smiles from the people in the factory were natural, not forced. The passion and commitment, the joy of what we do is everywhere at Sennheiser. And that’s really part of my personal motivation. Seeing people committed to that extent gives me a reason to go forward. Do you ever feel the burden of the family legacy, though? When you wake up, do you ever think, [in panicked voice] ‘Oh God, I’m running Sennheiser!’…? [Smiling broadly] With great responsibility comes a certain weight. You have to think about what is good for the company, the customers, the employees. There are moments of doubt and pressure, but all-in-all, what makes me so confident of getting up in the morning is that I’m not alone here, there are 2,700 people who are highly committed and enjoy what they do. It’s not on my shoulders, it’s on 2,700 pairs of shoulders making their own destiny. With that in my mind, it’s easy to get up and assume that responsibility. Good answer! What do you think you still need to do at the company? Become quicker, more nimble to reacting to customer feedback. Sennheiser seems to think about what it’s going to do, thinks some more, and then makes its move. It took you ages to adopt Dante, for instance. That approach can be positive – but negative too. If 80% of our decisions are well-thought through and strategically directed, that’s exactly what we need. In hindsight, we could have taken some decisions earlier. On the other hand, ‘German engineering and thinking’ takes time. What our next challenge will be, is to preserve the thoroughness of where we want to go, but add an element of ‘start-up’ activity. A start-up culture with 70 years of experience, if you will. If we can do that, then we will be even quicker when supplying the customers with what they want. Last question: the factory is on fire – you run in and grab three items. What are they? First, the photo of my grandfather [Fritz Sennheiser, who started the company]. Second, the Emmy Award. [In 2013, Sennheiser was awarded the Philo T. Farnsworth Award, presented to a company whose “contributions over time have significantly impacted television technology and engineering”.] Third, my trolley, which holds all the stuff I use for daily work… But which one product do you put on that trolley? The D9000. Not a classic microphone or headphone? D9000 is a statement of innovation, and is ‘classic’ at the same time. It’s one of a kind. It’s an icon. It shows all the competency that’s in this company. www.sennheiser.com Sennheiser Wiki https://en.wikipedia.org/wiki/Sennheiser Sennheiser electronic GmbH & Co. KG (/ˈsɛnhaɪzər/; branded Sennheiser) is a private German audio company specializing in the design and production of a wide range of both consumer and high fidelity products, including microphones, headphones, telephony accessories, and avionics headsets for consumer, professional, and business applications. ndustry Audio electronics Founded 1945 (as Labor W) Headquarters Wedemark, Hanover, Lower Saxony, Germany Key people Fritz Sennheiser, founder Daniel Sennheiser, CEO and Chairman of the Board Products Audio electronics for consumer, professional, and business uses Owner Sennheiser family Number of employees 2,183 as of 2011 The company was founded in 1945, just a few weeks after the end of World War II, by Fritz Sennheiser (1912–2010)[2][3] and seven fellow engineers of the University of Hannover in a laboratory called Laboratorium Wennebostel (shortened, "Lab W"). The laboratory was named after the village of Wennebostel in the municipality of Wedemark to where it had been moved due to the war. Its first product was a voltmeter.[1] Lab W began building microphones in 1946 with the DM1, and began developing them in 1947 with the DM2. By 1955, the company had 250 employees, and had begun production of many products including but not limited to: geophysical equipment, the Noise-Compensated microphone (DM4), microphone transformers, mixers, and miniature magnetic headphones. Labor W was renamed 'Sennheiser electronic' in 1958.[citation needed] In 1968, Sennheiser released the world's first open headphones.[4] The introduction of open headphones affected the headphone market as they were able to produce a more natural sound that many users preferred.[5] Sennheiser was transformed into a limited partnership (KG) in 1973. In 1980, the company entered the aviation market, supplying Lufthansa with headsets.[6][7] The company began producing modern wireless microphones in 1982, the same year when founder Fritz Sennheiser handed the management of the company over to his son, Jörg Sennheiser. In 1987, Sennheiser was awarded at the 59th Academy Awards for its MKH 816 shotgun microphone. Also in 1991, Georg Neumann GmbH, Berlin, which builds studio microphones, became a part of Sennheiser.[8][9] In 1996, Sennheiser received an Emmy Award for its advancements in RF wireless technology.[10] Also in 1996, Sennheiser became a private limited company (GmbH and Co. KG). Since then, Sennheiser has maintained its tradition of high quality audio technology, and still maintains those high standards today. Professor Dr. Fritz Sennheiser died in 2010. On July 1, 2013, Daniel Sennheiser and Andreas Sennheiser were promoted to the position of CEO responsible for Sennheiser electronic GmbH & Co. KG.[11] In October 2013, Sennheiser received the prestigious Philo T. Farnsworth Award at the 65th Primetime Emmy®Engineering Awards in Hollywood.[12] In May 2014, Sennheiser founded a new competence center for innovative streaming solutions, Sennheiser Streaming Technology GmbH (SST). Locations Sennheiser is headquartered in the municipality of Wedemark, Germany (near Hannover). Jon's archive https://archive.org/details/Hammondcast202TheJonHammondShowAudioFromJonsRadioShow Views 493 #493 Youtube https://youtu.be/aJzR5uizk6Y 122 views #122 HammondCast 202 The Jon Hammond Show audio from Jon Hammond's radio program special retrospective with audio from a recording he made while on the house band led by Lou Colombo at The Wychmere Harbor Club in Harwich Port Cape Cod MA in 1978. Jon made the recording with his Nakamichi 550 tape deck, it is a remarkable recording of the Lou Colombo Band which played nightly for luminaries such as Speaker of The House Tip O'Neill for all his private parties and the Kennedy Clan. Visuals from Jon Hammond Show long-running cable access TV program in New York City personally shot by Mr. Hammond with Video by LORI special graphics and FX. Kick back and enjoy! http://www.HammondCast.com For full audio of HammondCast 202: AUDIO: http://www.archive.org/details/JonHammondHammondCast202KYOURadio HammondCast 202 KYOU Radio special edition with part 2 of recording from Wychmere Harbor Club when Jon played B3 organ on the Lou Colombo Band, the house band at Wychmere Harbor Club in Harwich Port Cape Cod MA. First backing up a feature dance duo with cha cha and then Emily waltz, Saturday Night Fever followed by the chaser 'California Here I Come', then Summertime, Hello Dolly medley, Bossa nova medley Watch What Happens in to Wave and then a cooking "In The Mood" taking it home with Jon's "Lydia's Tune" and some of Sidewinder - ©JH INTL Music Tags: Jon Hammond Show, Lou Colombo, Wychmere Harbor Club, B3 organ, Tip O'neill, Kennedy clan, cape cod, private club Run time 14 minutes 58 seconds Producer Jon Hammond Audio/Visual sound H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 38 Files download 4 Original by Jon Hammond Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Jon Hammond Show, Lou Colombo, Wychmere Harbor Club, B3 organ, Tip O'neill, Kennedy clan, cape cod, private club Folks, something told me I had better get on down to see my main man Lou Colombo last week in Fort Myers FL, I played on Lou's band for 2.5 years in Cape Cod at the Wychmere Harbor Club and Thompson's Clam Bar in Harwich Port MA. It was an important time of my life and career and he was always very generous to me, kept me on my toes throwing tunes at me in all keys the music never stopped once we hit. I just saw Lou a few days ago in Fort Myers FL at the gig he was playing at his Daughter Sherri's restaurant and hub Marc Neeley - Roadhouse Cafe, he was at the top of his game, playing great as ever and looking like a million dollars. I am deeply saddened to receive terrible tragic news this morning from Lou's fine trombonist Nelson E. Foucht that Lou was tragically killed last night just 4 blocks from Roadhouse Cafe coming home from the gig. My deepest condolences to the Colombo Family, Lou's Wife Noel, daughters Lori, Sherri, David all his 6 kids, extended Family of friends and musicians. I am totally blown away, thankful that I had the opportunity to know him and play with him nightly back in the 70's and then to see and hear him again at the end of his life, thanks Lou! Here are some photos from just a few days taken by my long-time great girlfriend Jennifer and myself at his gig, R.I.P. Big Lou - Louis Colombo the greatest trumpet player bandleader baseball slugger and golfer ever! I used to go with Lou to the golf course where he had the snack concession in Yarmouth just to watch him drive balls in to outer space. I couldn't believe how far and hard he could hit the ball. Lou would put on black executioner gloves and hit the ball and it would disappear, just keep on sailing in to the sky like Lou's spirit must be now. His music and great memories will live on forever. Sincerely, Jon Hammond - Member AFM Local 802 and Local 6 Musicians Union *Note: Lou's band the other night at Roadhouse Cafe were so great, I'm so sorry cats: Nelson Foucht on trombone, F.L. "Woody" Brubaker piano and keyboard bass, Richard Iannuzzi drums and Gil DiBenedetto tenor saxophone and clarinet. Jon Hammond and Lou Colombo

**Note: Lou Colombo and my neighbor Leo Ball (R.I.P.) also a fine trumpet player member of Local 802 were born on the same day in Brockton MA

*Note: Lou called me on my cell phone when I was at the airport just about to fly out of Tampa TPA Airport, he told me he really dug my album that I had given him "NDR SESSIONS Projekt" my first record of mostly standards, it was inspired much by him actually. Lou was talking about the horn players on it, Lutz Buechner and Joe "Jo" Gallardo, he really dug them and he told me we were going to do something back up in the Cape for sure. I was very touched by his call and he had called me on my previous birthday last year, I got all choked up when he told me that. Thanks a million Lou! Jon Hammond http://www.archive.org/details/JonHammondLouColomboMoviebyJonHammond Lou Colombo and Jon Hammond - 02/23/2012

1978 Photo of Lou Colombo Band with Jon Hammond on B3 organ House Band at private club Wychmere Harbor Club in Harwich Port Cape Cod MA L to R: Frank Shea drums, Lou Colombo trumpet, Jack Pena guitar, Jon Hammond B3 organ

http://4.bp.blogspot.com/-6u1OBR1FKdc/T1HCKZcfI8I/AAAAAAAAJRM/IDEr3QUSqDM/s1600/IMG_3605.JPG">http://4.bp.blogspot.com/-6u1OBR1FKdc/T1HCKZcfI8I/AAAAAAAAJRM/IDEr3QUSqDM/s40

Behind The Beat LATE RENT Jon @HammondCast courtesy of Steven @srose14 Funky Jazz #suchanastywoman #badhombres Sonny Stitt @bernardpurdie - October 20, 2016

HammondCast MEDIA Behind The Beat LATE RENT Jon @HammondCast courtesy of Steven @srose14 Funky Jazz #suchanastywoman #badhombres Sonny Stitt @bernardpurdie Jon Hammond ‏@HammondCast 23m23 minutes ago WALL OF LESLIE SPEAKER SOUND 2215 HIGH POWER 3300 WOOD #suchanastywoman #hammondorgan Suzuki Musical Instrument Jon @HammondCast Koei Tanaka #WATCHMOVIE HERE: Cooking IN The Jazzkeller Hofheim Jon's archive https://archive.org/details/CookingAtJazzkellerHofheim Views 21 #21 Youtube https://youtu.be/bWUOjMJx_Cg 24 views #24 Jon Hammond cooks up some nice white spargel! Dinner with very special friends at Chan Mei Leng's Selera Malaysian Restaurant Frankfurt! Jennifer Schiele & Michael Falkenstein with their baby daughter Leslie sleeping (unseen), Joe Berger, Bert Gerecht and Hot Wire Bass Team, Jon Hammond Jon Hammond Band in Jazzkeller Hofheim musikmesse-Session WALL OF LESLIE SPEAKER SOUND 2215 HIGH POWER 3300 WOOD VERSION 3300w Keyboard Products Super Leslie Jon Hammond 3 x 2215 Leslie's with Hammond Sk1 Organ - Jon Hammond: My 1959 Hammond B3 organ with custom built Super Leslie Speaker by the late great Bill Beer of Keyboard Products - just to the right of the Leslie box & flight case is my well-traveled original Hammond XB-2 in the 'weekend warrior case', it was not lightweight and not designed for heavy travel - but with the help of lots of gaffer tape and stickers I went around the world with that organ numerous times - can't beat the mighty B3, but it won't fit in a taxi cab don't ya' know! - Jon Hammond *Note: It was a LONG weekend for the Weekend Warrior Case folks!: Very Special Concert in Suzuki Hall, First Time Koei Tanaka Harmonica In Duo with Jon Hammond B3mk2 Organ and High Power Leslie model 3300W and W stands for Wood! - Jon Hammond Jon Hammond at the Hammond Organ with Manji Suzuki President Founder of Suzuki Musical Instruments Corp. LTD in Hamamatsu Japan Jon's archive https://archive.org/details/JonHammondSuzukiWorldHeadquartersInHouseConcertJonHammondPt3of3 Suzuki Headquarters and factory concert special for President Founder Manji Suzuki with introduction by Waichiro 'Tachi' Tachikawa, Jon Hammond at the new B3mk2 organ with Koei Tanaka chromatic harmonica Views 1,345 #1345 Special Thanks Mr. H. Ono, Mr. M. Terada, Mr. S. Ohtaka, Mr. Y. Beniya, Tachi Tachikawa, President M. Suzuki and entire Suzuki Musical Instruments Team Suzuki Musical Instruments, B3mk2 Organ, Tachi Tachikawa, Hamamatsu, Headquarters, Jon Hammond, Local 802 Musicians Union Jon Hammond at the Hammond Organ - WALL OF LESLIE POWER and Stacked 122's with B3 Organ Behind The Beat, Late Rent, Jon Hammond, Funky Jazz, #LateRent #suchanastywoman #badhombres #HammondOrgan

WALL OF LESLIE SPEAKER SOUND 2215 HIGH POWER 3300 WOOD VERSION 3300w Keyboard Products Super Leslie Jon Hammond - October 19, 2016

WALL OF LESLIE SPEAKER SOUND 2215 HIGH POWER 3300 WOOD VERSION 3300w Keyboard Products Super Leslie Jon Hammond 3 x 2215 Leslie's with Hammond Sk1 Organ - Jon Hammond: My 1959 Hammond B3 organ with custom built Super Leslie Speaker by the late great Bill Beer of Keyboard Products - just to the right of the Leslie box & flight case is my well-traveled original Hammond XB-2 in the 'weekend warrior case', it was not lightweight and not designed for heavy travel - but with the help of lots of gaffer tape and stickers I went around the world with that organ numerous times - can't beat the mighty B3, but it won't fit in a taxi cab don't ya' know! - Jon Hammond *Note: It was a LONG weekend for the Weekend Warrior Case folks!: Very Special Concert in Suzuki Hall, First Time Koei Tanaka Harmonica In Duo with Jon Hammond B3mk2 Organ and High Power Leslie model 3300W and W stands for Wood! - Jon Hammond #WATCHMOVIE HERE: WALL OF LESLIE SPEAKER SOUND 2215 HIGH POWER 3300 WOOD VERSION 3300w Keyboard Products Super Leslie Jon Hammond Jon Hammond at the Hammond Organ with Manji Suzuki President Founder of Suzuki Musical Instruments Corp. LTD in Hamamatsu Japan Jon's archive https://archive.org/details/JonHammondSuzukiWorldHeadquartersInHouseConcertJonHammondPt3of3 Suzuki Headquarters and factory concert special for President Founder Manji Suzuki with introduction by Waichiro 'Tachi' Tachikawa, Jon Hammond at the new B3mk2 organ with Koei Tanaka chromatic harmonica Views 1,345 #1345 Special Thanks Mr. H. Ono, Mr. M. Terada, Mr. S. Ohtaka, Mr. Y. Beniya, Tachi Tachikawa, President M. Suzuki and entire Suzuki Musical Instruments Team Suzuki Musical Instruments, B3mk2 Organ, Tachi Tachikawa, Hamamatsu, Headquarters, Jon Hammond, Local 802 Musicians Union Jon Hammond at the Hammond Organ - WALL OF LESLIE POWER and Stacked 122's with B3 Organ Wall of Sound, Leslie 2215, #LeslieSpeaker #HighPower #Hamamatsu #Suzuki #HammondOrgan #Musikmesse #NAMMShow

Cooking IN The Jazzkeller Hofheim - October 19, 2016

#WATCHMOVIE HERE: Cooking IN The Jazzkeller Hofheim Jon's archive https://archive.org/details/CookingAtJazzkellerHofheim Views 21 #21 Youtube https://youtu.be/bWUOjMJx_Cg 24 views #24 Jon Hammond cooks up some nice white spargel! Dinner with very special friends at Chan Mei Leng's Selera Malaysian Restaurant Frankfurt! Jennifer Schiele & Michael Falkenstein with their baby daughter Leslie sleeping (unseen), Joe Berger, Bert Gerecht and Hot Wire Bass Team, Jon Hammond Jon Hammond Band in Jazzkeller Hofheim musikmesse-Session Joe Berger! Jon Hammond at the organ! Jon Hammond Band 20th consecutive year Cooking at Jazzkeller Hofheim - Jon Hammond's musikmesse-Session with Giovanni Totò Gulino, Peter Klohmann, Joe Berger, Jon Hammond at the Sk1 Hammond organ - Jon's keyboard stand by Bespeco Professional, Audio: Philipp, Konrad Neupert, Marvin Gans Jazzkeller Hofheim Team - special thanks Jeff Guilford / JJ Guitars for operating the camera http://www.HammondCast.com/ Cooking, Kartoffel, Jazzkeller Hofheim, Musikmesse Session, Fast Shuffle, Blues, Jazz, #HammondOrgan H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 30 Files download 5 Original Producer Jon Hammond Language English Jon Hammond's Sennheiser evolution microphone Monophonic Recorder combo Headphone HD 25-1 Classic and Song Jon Hammond: Back to Mono with Sennheiser combo TASCAM product DR-10X Plug-on Micro Linear PCM Recorder for XLR Connection (flipped over): Monophonic High fidelity Folks! True Hi-fi Jon Hammond playing his 1968 Gibson Byrdland - owned since 18 years old Front and Back Jon Hammond's 1968 Gibson Byrdland Jon Hammond interviewing the great Roy Clark with Sennheiser evolution e855 microphone - Roy is a long-time Gibson Byrdland virtuoso! Jon Hammond 1965 Fender Bandmaster Blackface on the bench Jon's Bandmaster Fender Head paired with Bag End 15" coaxial speaker bottom Jon Hammond flanked by Sennheiser co-CEO's Dr. Andreas Sennheiser and Daniel Sennheiser Jon's archive https://archive.org/details/JonHammondThemeSongMusikmessesessionJazzkellerHofheim Attribution-Noncommercial-No Derivative Works 3.0 Topics #HammondOrgan #Musikmesse2015 #Hofheim #Jazz #Blues #ThemeSong Jon Hammond #ASCAPExpo Composer Jon Hammond Theme Song "LATE RENT" musikmessesession Jazzkeller Hofheim Peter Klohmann ts Giovanni Totó Gulino d Joe Berger g Jon Hammond o ©JON HAMMOND International ASCAP http://www.HammondCast.com Producer Jon Hammond Language English Jon Hammond Band Facebook https://www.facebook.com/jonhammondband/videos/vb.133709526657853/1065573226804807/?type=3&theater Youtube https://youtu.be/LGOmssWAKfA CNN iReport http://ireport.cnn.com/docs/DOC-1245397 Jon's archive https://archive.org/details/JonHammondBandThemeSongLateRent Attribution-Noncommercial-No Derivative Works 3.0 NAMM Show, Late Rent, Theme Song, Jon Hammond Band, B3 Organ, Hammond Organ Company, Suzuki Musical Instruments, JON HAMMOND International, ASCAP Composer, Jon Hammond Show, Cable Access Jon Hammond Band very special performance on first ever Hammond night in Hilton Hotel Lobby Winter NAMM Show "Sound Soul Summit" Jon Hammond Show theme song "Late Rent" with Donny Baldwin drums (from Jefferson Starship & Lydia Pense & Cold Blood), Alex Budman tenor saxophone, Joe Berger guitar, Jon Hammond New B-3 Portable organ Sound mix by Denny Mack http://www.namm.org/thenammshow/2014/concerts-performances/jon-hammond-band The NAMM Show spcl. thanks Hammond Suzuki Musical Instruments, Photos by Lawrence Gay Alex Budman ts Joe Berger g Donny Baldwin d Jon Hammond o Jon's archive https://archive.org/details/THESOUNDSOULSUMMITAllStarJamJonHammondBernardPurdieFatbackDrums Youtube http://youtu.be/pKgU2J5EopE Full High Def Youtube http://youtu.be/7TApELTO1XI "Head Phone" Composed by Jon Hammond ©JON HAMMOND International ASCAP - from Jon Hammond's album "Late Rent" Ham-Berger-Friz Records "Head Phone" - Jon Hammond Band THE SOUND SOUL SUMMIT All-Star Jam Video Movie of Jon's Band Featuring Bernard "Pretty" Purdie, Alex Budman, Joe Berger, Koei Tanaka, Jon Hammond Organ Group — also with appearances by Stephen Fortner, Scott May, Joe Berger, Koei Tanaka and Jon Hammond at NAMM Anaheim Convention Center Hilton Anaheim Lobby Special Program on 80th Anniversary of Hammond Organ USA - Front of House / FOH Mix by Brian English - Denny Mack Audio - announcement - Stephen Fortner - Editor Keyboard Magazine Jon Hammond Organ Group *Note: "Head Phone" composed by Jon Hammond ©JON HAMMOND Intl. ASCAP recorded with Bernard Purdie originally on Jon's album Late Rent in year of 1989 - Big Special Thanks to Jay Dittamo for standin' in the cuff for Bernard, thanks Jay! special thanks to Scott May and Gregg Gregory Gronowski - Hammond Suzuki Musical Instruments Team Mr. M. Terada, Shuji Suzuki, Yu Beniya, Shigeyuki Ohtaka, Jeff Guilford JJ Guitars UK — with Joe Berger, Alex Budman, Stephen Fortner, Jay Dittamo, Bernard Purdie, Denny Mack and Koei Tanaka at Hilton Anaheim Bandstand photograph of Bernard Purdie by Jon Hammond just before hitting ©JON HAMMOND International ©Copyright Notice: These Photos of Jon Hammond Band are copyrighted and embedded with i.d. information - Photographer Lawrence Gay and Jon Hammond Band must be credited and linked back if shared or used or you will certainly hear from us - enjoy, from The Winter NAMM Show http://www.jonhammondband.com/ Joe Berger in the string section at Jazzkeller Hofheim and Jon Hammond at the Sk1 Hammond Organ, Jon's annual musikmesse-Session Jazzkeller Hofheim, Musikmesse Session, Cooking with Jon, #Musikmesse #NAMMShow #Hofheim #HammondOrgan

Funk Feature LUTZ BÜCHNER Greatly Missed, Here In Landhaus Walter Donwtown Bluesclub Jon Hammond Band - October 18, 2016

#WATCHMOVIE HERE: Funk Feature LUTZ BÜCHNER Greatly Missed, Here In Landhaus Walter Donwtown Bluesclub Jon Hammond Band "Thing in C minor" by Jon Hammond with Funky Heinz Lichius drums, Lutz Büchner tenor sax, Joe Berger guitar, Jon Hammond organ + bass Youtube https://youtu.be/9tejMFgyMXc 9,510 views #9510 L to R Lutz Büchner, Joe Berger, Heinz Lichius, Jon Hammond JON HAMMOND UND JOE BERGER UND BAND in DOWNTOWN BLUESCLUB Hamburg Germany Website: www.jonhammondband.com Jon Hammond is one of the premier B3 PLAYERS in the world. Jon has played professionally since age 12. Beginning as a solo accordionist, he later played Hammond B3 organ in a number of important San Francisco bands. His all original group HADES opened shows for Tower of Power, Quicksilver Messenger Service and Michael Bloomfield. Moving East he attended Berklee College of Music and played venues as diverse as Boston's "Combat Zone" in the striptease clubs during the '70's and the exclusive Wychmere Harbor Club in Cape Cod, where he was house organist and developed a lasting friendship with House Speaker Tip O'Neill . He also toured the Northeast and Canada with the successful show revue "Easy Living", and continued his appearances at nightclubs in Boston and New York. Subsequently Hammond lived and traveled in Europe, where he has an enthusiastic following. Jon Hammond : Hammond Orgel /Bass Joe Berger (ex John Entwistle/The Who): Guitar Heinz Lichius: Drums Lutz Büchner: Saxofon Jon's archive https://archive.org/details/NoXCessBaggageBluesDankeschonLufthansaAndNDR Views 33 #33 Youtube https://youtu.be/orpLWd66-Hw 136 views #136 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics baggage, blues, hammond organ, shuffle, jon hammond, lufthansa, ndr horns, projekt, sessions, travel, musician, ascap composer, musicians union, local 802 Jon Hammond flies with Gator Cases and Briggs & Riley - floats and flies! Jon Hammond Band special dedication to Lufthansa and NDR "No X-Cess Baggage Blues" live performance of track from NDR SESSIONS Projekt album featuring the NDR Horns: Michael Leuschner trumpet, Lutz Büchner tenor saxophone, Fiete Felsch alto saxophone, Heinz Lichius drums, Joe Berger guitar, Jon Hammond organ + bass - concert in Auster Bar Auster Jazz Series - special thanks Nicolai Ditsch for operating the camera - the incredible NDR Musicians and Knut Benzner & Jazz Redaktion Team, Lufthansa Technik Hamburg, Apple iTunes https://itunes.apple.com/us/album/ndr-sessions-projekt/id154024761 Ham-Berger-Friz Records ©JH INTL ASCAP - Filmed in High Definition Live at Auster Bar Hamburg Eimsbüttel courtesy of Frank Blume & Torsten Wendt Auster Bar Team H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 30 Files download 5 Original Challah Hat lady with Sheila Anderson WBGO! L to R Richard Clements piano, Mike Camoia tenor, Jon Hammond organ, Bob Cunningham bass - early birds session Local 802 NYC Fits in this Gig Bag! - Jon Hammond Jon's archive https://archive.org/details/JonHammondTAKAonHammondCastNarita Mourning Lutz Büchner - Trauer um Lutz Büchner Jon's archive https://archive.org/details/PocketFunkWithNDRHornsAusterJazz Thoughts about Lutz from Jon Hammond LINK: https://www.facebook.com/notes/jon-hammond/mourning-lutz-b%C3%BCchner/10156648708165287 Saturday, March 12, 2016: Folks, I am really in shock from hearing news of the unexpected and very sad death of my good friend Lutz Büchner! I really didn’t want to say it on the internet after receiving the horrible news in communications with our mutual good friend and fellow musician / bandmate Heinz Lichius. This is so hard to get my head around and accept it but I know it’s true that Lutz suffered a fatal heart attack while on tour in Tokyo Japan with his beloved NDR-bigband with Peter Erskine on the band - I can see Lutz’ smile and hear his voice and music in my mind like it was yesterday - and we spoke and played together so many times. So now I see the news releases are already out on the news FEEDS from the NDR, Hamburger Abendblatt etc. and a few too-early mentions on the Facebook, so I know it’s time to write a few words for those of you who might not know of Lutz Büchner, as follows: As Joe Gallardo the great trombonist and long-time colleague of Lutz’ said in email to me last night: “As you well know, Lutz was first of all a great human being and secondly, he was a masterful player. Lutz was my brother. We will all miss him.” - The very first time I met Lutz was in 1995 on a rainy night in Hamburg Eimsbüttel at the Thursday night weekly jazz session in Jazzclub Birdland - I had heard him the week before and pushed my Hammond organ on the wheels through the rain to the club and got there real early, Hr. Reichert the owner opened up the club and I was telling Mr. Reichert I came the week before but didn’t get to play so “early bird gets the worm...and maybe I’ll get to play with Lutz Büchner!” - well we did it and by good luck my friend Joris Dudli the great drummer was there - it was magic from the first hit. That’s where it started, I was living in Hamburg to play music and write tunes - like so many musicians following in the footsteps of The Beatles, by invitation of my sponsor Knut Benzner journalist moderator on the NDR. From then on together with main man Heinz Lichius drums who I had met just before when Heinz came over to meet me one afternoon - Heinz had recommended to check out Lutz, one of the finest rising musicians on the Hamburg scene. We had a lot of great times together on the bandstand and off from that time on - we played in Hamburg and his hometown of Bremen - turned out to be that Lutz was a real life jazz angel who saved my life at least twice, one time involving bringing me to the hospital / krankenhaus and translating to me what they were about to do to me - we escaped out the side door and the doctor came to our gig that night! I met Lutz’ Mom and Dad beautiful people when they came to hear us play in Bremen at Studio club April 7, 1998 - and most recently our last gigs together with my favorite musicians Michael Leuschner, (Heinz Lichius of course) “Fiete” Ernst-Friedrich Fiete Felsch NDR horn section brothers along with Joe Berger guitar, probably best gig of my life - Lutz was so happy to have found his love with his wife Bettina and he was always crazy about his son Asmus and his step daughters by Bettina, the happiest I have ever seen him, he glowed in the dark he had that much joy! -- Back in 2005 I had an idea, I said to my long-time girlfriend Jennifer: Lutz is one of the greatest saxophonists I ever heard, I want to feature him on a CD release, he could be making a great record every day! I couldn’t believe that he didn’t have any feature albums out at that point - so I discussed it with Knut Benzner and we all co-produced a recording session for this purpose in the famous Studio 1 at NDR, the NDR SESSIONS Projekt was born, with the addition of “Joe G” / Joe Gallardo on trombone and Heinz Lichius and myself, Rudolf Grosser at the controls big SSL console, we started playing in the morning and I played through the magic bass amp belonging to Lucas Lindholm - the boys took one long coffee break and other than that we recorded tunes all day long - I am so grateful that I’ll always have this recording date together with Lutz, of course later on Lutz came out with more records - but this one for me is my special keepsake that went down with the blessings of NDR with the help of Knut Benzner and Axel Dürr. So many stories I can tell you, but most importantly everybody loved Lutz, I know there are a lot of tears flowing now around Hamburg and Bremen, my heart goes out to Lutz’ Family, Friends and Musicians music brothers and sisters! The 2nd to the last time we played together, I hadn’t seen Lutz for a while and he told me about a real miracle of survival when he was driving on the autobahn with Bettina and the kinder all his happy Family in the car, I think there was ice on the road - a car slammed in to the back of his car demolishing the car, but Lutz’ horns were in the trunk - they all got crushed but it saved his Family! They were all shaken up but OK - the lucky star was shining over them, and even though Lutz is not with us physically anymore, his lucky star will always be shining - he was competely dedicated to the NDR-bigband family of musicians and his own Family - always a huge inspiration to me as a person and master musician, rest in peace my very special good friend Lutz Büchner - my deepest and most sincere condolences go out to Lutz’ Mom and Dad and Bettina and his son Asmus and step children by Bettina - all the folks who know and love Lutz, sincerely, Jon Hammond Jon's archive https://archive.org/details/6842260613 Views 156 #156 Youtube https://youtu.be/e3qMWeXdqkA 47 views #47 Youtube Jon Hammond Band XK5 Organ Debut introduction by "Gregg" Gregory Gronowski https://youtu.be/Zse4xuv6-eg 4,982 views #4982 Full High Definition Film: Jon Hammond Band at XK-5 Organ Debut with Introduction by "Gregg" Gregory Gronowski the late great Marketing and Sales Genius for Hammond Suzuki USA - *Note: Very very sadly soon after this piece was filmed in Nashville Gregg Gregory Gronowski passed away suddenly on August 19th of 2016 - Remembering Gregg Grownoski folks, R.I.P. Gregg! - Jon Hammond - Hammond Organ USA Party SoundCheck Nashville: Kayleigh Moyer drums, Chuggy Carter congas percussion, Joe Berger guitar, Jon Hammond at the new XK-5 organ - Summer NAMM 2016 fifth Sound Soul Summit Hammond Organ USA co-sponsored by Keyboard magazine and Soundcheck LLC, Nashville - Event: "the first public showing of Hammond’s new XK5 organ and Heritage Series expanded systems, which represent the cutting edge of technology applied to recreating the precise touch, feel, and sound of the classic Hammond B-3. #NAMMShow #SummerNAMM #HammondOrgan Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Video by Lori, Late Rent (Music), Jon Hammond Show, MNN TV, #HammondOrgan ASCAP Composer, Musicians Union, Local 802, Local 6, Public Access TV, 32nd year Yes that's Andy Warhol on The Jon Hammond Show folks! #AndyWarhol Jon Hammond Show Preview 06/13 MNN TV Ch 1 - Original Music, Travel and Soft News - beginning with Jon Hammond classic theme song Late Rent with video by Lori *Note: Every frame is heavily embedded with i.d. information and copyright protected ©JON HAMMOND International - next Bernard Purdie plays Jon Hammond's original Pocket Funk with Jon Hammond Band with Koei Tanaka harmonica, Joe Berger guitar, Alex Budman tenor, Bernard Purdie drums, Jon Hammond at the Sk1 Hammond organ onstage at NAMM Anaheim CA. Next Hoodman and then Scott Cooper flies in vintage NAB movie production. Next Jon Hammond's composition Lydia's Tune played in Hamburg Germany with the NDR Horns - Michael Leuschner trumpet, Fiete Felsch alto, Lutz Büchner tenor, Heinz Lichius drums, Joe Berger guitar, Jon Hammond organ and covering bass. Outtake to Jon's theme song Late Rent with images of Jon Hammond Show moments, now in 32nd year on New York Cable every Friday night late (Sat. morning) 1:30AM on MNN TV Channel 1 http://www.HammondCast.com H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 36 Files download 5 Original Producer Jon Hammond Language English New York NY -- Joe Berger doing an Apple Logic Pro X - Apple Tutorial at The Beacon School - Hmm...I don't know what happened to Mark Via, Joe Berger and I came and played a session with his kids at The Beacon School and never heard back again from him. I hope he's OK - maybe I should check with Richard Carter and see if any signs of life around Fifth Ave. pehaps? - Jon Hammond — with Mark Via, Khaya Lee, Joe Berger and The Beacon School at The Beacon School. Jon's archive https://archive.org/details/BehindTheBeatBTBASCAPAudioPortraitLateRentJonHammondShow Views 57 #57 Youtube https://youtu.be/63ErHjQcRGU 32 views #32 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics MNN TV, #ASCAPEXPO, Jon Hammond, Public Access, Melody, Hammond Organ, Sk1, B3, Accordion, Musicians Union, Local 6, Local 802 Jon Hammond with ASCAP's Seth Saltzman - Protect Your Music! - ASCAP I Create Music Expo Hollywood CA Jon Hammond in concert Behind the Beat with Landesjugendjazzorchester Mecklenburg-Vorpommern in Zeughaus Wismar Hillary took the Trump Chump to the Shed last night! No doubt about it: Jon Hammond television interview with the great Roy Clark in Nashville! Jon Hammond: Late Rent by Steve Rosenfeld Jon Hammond says "the fingers are the singers.’" The latest CD from this exceptional and soulful Hammond organist is the proof. "Late Rent" draws on decades of great recording sessions and top live performances to showcase his own playing and many top jazz and funk artists. It shows why the Hammond organ is one of the most enduring electric instruments and why Hammond is one of its best players. Late Rent Label: Ham-Berger-Friz Records Genre: Jazz All Jon Hammond profiles… The Late Rent Story Jon Hammond waited half his life to make this CD – starting with being an underground TV host. Swingin’ Funky Jazz & Blues Jon Hammond describes his style of music and how he learned to play it. Two Hot Tracks Jon Hammond recalls one of his first songs – from age 15 – and a great Sunday session. Sonny’s Advice A little advice on melody from a great sax player went a long way. http://behindthebeat.com/2004/12/jon-hammond-late-rent/ H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 28 Files download 5 Original Producer Jon Hammond Audio/Visual sound, color Language English Jon's archive https://archive.org/details/JonHammondBand2ndSetAfterBirthdayCakeBreak Views 45 #45 Youtube https://youtu.be/o2--TIC-frk 24 views #24 Usage Attribution-Noncommercial-No Derivative Works 3.0 Jazzkeller, Frankfurt, Musikmesse, Warm Up Party, Hammond Organ, Jon Hammond Band, Jazz, Blues Note from Jon Hammond Video: Tino Pavlis​ https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736 Best Party of The Year! Jon Hammond’s annual musikmesse​ Warm Up Party in Jazzkeller​ Tuesday April 5th 2016 celebrating 30 years Jon Hammond​ – organ Joe Berger​ – guitar Peter Klohmann​ – saxophone Giovanni Totò Gulino​ – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic - Jon's birthday cake by Saray Pastanesi​ Jon Hammond Band​ H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 23 Files download 5 Original Producer Jon Hammond Language English Bringing Back Sony Tape Recorder Audio Transfer Project Jon Hammond rock band Hades 1971 recordings Archive at CHRS Radio Clinic at California Historical Radio Society, Elmo disassembles Jon Hammond's TC-366 tape deck on the bench from Kozo Ohsone Sony Tape Recorder Division to play back 40 year old archive recording Berkeley El Cerrito based band HADES recorded live at Provo Park in Berkeley and at rehearsal garage on Carlson Blvd. Richmond recorded on a TC-366 sound on sound reel to reel tape deck, here is the machine on the bench with Elmo:

Elmo discussing remedy for glazed pinch roller with radio engineer Art Lieberman:

AMPEX 354 Tape Deck in KRE dubbing studio:

CHRS President Steve Kushman at the GATES Audio Board transferring from Analog to Digital:

Sony TC-366 project machine:

http://www.archive.org/details/HammondCast_19_1 Jon Hammond with Joe Lamond President CEO of NAMM Jon Hammond onstage at Landhaus Walter Downtown Bluesclub Funk Feature, Lutz Büchner, Greatly Missed, #TenorSax #Downtown #BluesClub #HammondOrgan #Headphone

Cruising With Jon Hammond Shooting The Bridges - October 16, 2016

#WATCHMOVIE HERE: Cruising With Jon Hammond Shooting The Bridges Jon's archive https://archive.org/details/CruisingWithJonHammondShootingTheBridges Youtube https://youtu.be/va1nZK5JFR4 Vimeo https://vimeo.com/187586562 Facebook video https://www.facebook.com/jonhammondband/videos/1431024293593030/ Marin County Line on the Golden Gate Bridge Northbound lane from San Francisco Very popular to walk across the Golden Gate Bridge! Robin Williams Bridge Rainbow Entrance! Richmond Bridge and 101 North Split at Larkspur Landing It's raining finally! - Lower Deck Richmond Bridge aka Richmond San Rafael Bridge - Shooting The Bridges with Jon Hammond to HammondCast Show on the radio http://www.HammondCast #GoldenGateBridge #RichmondSanRafael #Radio #JonHammond #HammondOrgan Music Travel Soft News *Note: Finally some rain in San Francisco Bay Area! Enjoy the music and the view - Jon Hammond Lawrence Fredson 2 of the 3 giant bridges that make up the Bay Area, San Francisco - Marin County / Golden Gate Bridge -and Richmond Bridge Dashcam, San Francisco Bay Area, Radio broadcasting, Rain, Hammond organ, Blues music, Jazz music, Golden Gate Bridge H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 37 Files download 5 Original Producer Jon Hammond Language English Jon's archive https://archive.org/details/TheMoscowConcertsLydiasTuneByJonHammond Views 47 #47 Youtube https://youtu.be/4t4AIMAK5pw 22 views #22 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Moscow Concerts, #JonHammond #IgorButman #HammondOrgan #Lydia #BossaNova #ASCAP Moscow Russia -- "Lydia's Tune" by Jon Hammond - Jon Hammond Trio: Eduard Zizak​ drums, Igor Butman tenor saxophone, Jon Hammond​ organ http://www.HammondCast.com ©JON HAMMOND International - Member ASCAP, AFM Local 6, Associated Musicians of Greater New York, Local 802 AFM H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 24 Files download 5 Original Producer Jon Hammond Language English Jon's archive https://archive.org/details/Hammondcast202TheJonHammondShowAudioFromJonsRadioShow Views 493 #493 Youtube https://youtu.be/aJzR5uizk6Y 122 views #122 HammondCast 202 The Jon Hammond Show audio from Jon Hammond's radio program special retrospective with audio from a recording he made while on the house band led by Lou Colombo at The Wychmere Harbor Club in Harwich Port Cape Cod MA in 1978. Jon made the recording with his Nakamichi 550 tape deck, it is a remarkable recording of the Lou Colombo Band which played nightly for luminaries such as Speaker of The House Tip O'Neill for all his private parties and the Kennedy Clan. Visuals from Jon Hammond Show long-running cable access TV program in New York City personally shot by Mr. Hammond with Video by LORI special graphics and FX. Kick back and enjoy! http://www.HammondCast.com For full audio of HammondCast 202: AUDIO: http://www.archive.org/details/JonHammondHammondCast202KYOURadio HammondCast 202 KYOU Radio special edition with part 2 of recording from Wychmere Harbor Club when Jon played B3 organ on the Lou Colombo Band, the house band at Wychmere Harbor Club in Harwich Port Cape Cod MA. First backing up a feature dance duo with cha cha and then Emily waltz, Saturday Night Fever followed by the chaser 'California Here I Come', then Summertime, Hello Dolly medley, Bossa nova medley Watch What Happens in to Wave and then a cooking "In The Mood" taking it home with Jon's "Lydia's Tune" and some of Sidewinder - ©JH INTL Music Tags: Jon Hammond Show, Lou Colombo, Wychmere Harbor Club, B3 organ, Tip O'neill, Kennedy clan, cape cod, private club Run time 14 minutes 58 seconds Producer Jon Hammond Audio/Visual sound H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 38 Files download 4 Original by Jon Hammond Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Jon Hammond Show, Lou Colombo, Wychmere Harbor Club, B3 organ, Tip O'neill, Kennedy clan, cape cod, private club Folks, something told me I had better get on down to see my main man Lou Colombo last week in Fort Myers FL, I played on Lou's band for 2.5 years in Cape Cod at the Wychmere Harbor Club and Thompson's Clam Bar in Harwich Port MA. It was an important time of my life and career and he was always very generous to me, kept me on my toes throwing tunes at me in all keys the music never stopped once we hit. I just saw Lou a few days ago in Fort Myers FL at the gig he was playing at his Daughter Sherri's restaurant and hub Marc Neeley - Roadhouse Cafe, he was at the top of his game, playing great as ever and looking like a million dollars. I am deeply saddened to receive terrible tragic news this morning from Lou's fine trombonist Nelson E. Foucht that Lou was tragically killed last night just 4 blocks from Roadhouse Cafe coming home from the gig. My deepest condolences to the Colombo Family, Lou's Wife Noel, daughters Lori, Sherri, David all his 6 kids, extended Family of friends and musicians. I am totally blown away, thankful that I had the opportunity to know him and play with him nightly back in the 70's and then to see and hear him again at the end of his life, thanks Lou! Here are some photos from just a few days taken by my long-time great girlfriend Jennifer and myself at his gig, R.I.P. Big Lou - Louis Colombo the greatest trumpet player bandleader baseball slugger and golfer ever! I used to go with Lou to the golf course where he had the snack concession in Yarmouth just to watch him drive balls in to outer space. I couldn't believe how far and hard he could hit the ball. Lou would put on black executioner gloves and hit the ball and it would disappear, just keep on sailing in to the sky like Lou's spirit must be now. His music and great memories will live on forever. Sincerely, Jon Hammond - Member AFM Local 802 and Local 6 Musicians Union *Note: Lou's band the other night at Roadhouse Cafe were so great, I'm so sorry cats: Nelson Foucht on trombone, F.L. "Woody" Brubaker piano and keyboard bass, Richard Iannuzzi drums and Gil DiBenedetto tenor saxophone and clarinet. Jon Hammond and Lou Colombo

**Note: Lou Colombo and my neighbor Leo Ball (R.I.P.) also a fine trumpet player member of Local 802 were born on the same day in Brockton MA

*Note: Lou called me on my cell phone when I was at the airport just about to fly out of Tampa TPA Airport, he told me he really dug my album that I had given him "NDR SESSIONS Projekt" my first record of mostly standards, it was inspired much by him actually. Lou was talking about the horn players on it, Lutz Buechner and Joe "Jo" Gallardo, he really dug them and he told me we were going to do something back up in the Cape for sure. I was very touched by his call and he had called me on my previous birthday last year, I got all choked up when he told me that. Thanks a million Lou! Jon Hammond http://www.archive.org/details/JonHammondLouColomboMoviebyJonHammond Lou Colombo and Jon Hammond - 02/23/2012

1978 Photo of Lou Colombo Band with Jon Hammond on B3 organ House Band at private club Wychmere Harbor Club in Harwich Port Cape Cod MA L to R: Frank Shea drums, Lou Colombo trumpet, Jack Pena guitar, Jon Hammond B3 organ

http://www.youtube.com/watch?v=JkqBaFIAXn4 Jon's archive https://archive.org/details/CafeKLEMMFlashbackGigForHansRomanovNowTheCafeCrumble Youtube http://youtu.be/1CD4XABvE4Y CNN iReport http://ireport.cnn.com/docs/DOC-1194867 Vimeo http://vimeo.com/113770094 Dailymotion http://www.dailymotion.com/video/x2bvkdp_cafe-klemm-flashback-gig-for-hans-romanov-now-the-cafe-crumble_music Jon Hammond Band Facebook https://www.facebook.com/video.php?v=948891765139621 Frankfurt Bockenheim -- Jon Hammond Flashback Gig for Hans Romanov in the Café KLEMM now called Café Crumble Kiesstraße 41 60486 Frankfurt am Main, Germany - Jon Hammond Band featuring some fine tenor saxophone playing by Harry Petersen, Heiko Himmighoffen drums / schlagzeug - Jon Hammond at the organ & bass through a Marshall Amp courtesy of a friend of Hans - special thanks dankeschön Stefan Klemm and Hans Romanov http://www.HammondCast.com/ - Jon Hammond Band — with Jon Hammond, Harry Petersen, Heiko Himmighoffen and Hans Romanov at Café Crumble. Flashback: Jam with Hary Lin & Joe Berger! Jon Hammond at Frankfurt musikmesse — with Joe Berger and Hary Lin Jon's archive https://archive.org/details/JonHammondAndFriendsJazzSpotSwing Youtube http://youtu.be/x6a8MHYESqc Jon Hammond and Friends drop in to Taipei night spot JAZZ SPOT SWING organ lounge, Jon at Mr. Nobuki Kuwahara's Hammond Sk2 organ with house musicians - Kenichi Toyoda piano - special thanks to Nico, Shannon, Letitia - Superlux Taiwan, P. Mauriat Europe Pmauriat Albest Team! http://www.HammondCast.com/ - Jazz Spot Swing Vimeo http://vimeo.com/110027287 CNN iReport http://ireport.cnn.com/docs/DOC-1182889 Jon Hammond Band Facebook https://www.facebook.com/video.php?v=924772564218208 Jon's archive https://archive.org/details/LateRentJonHammondThemeSong2014 Jon Hammond theme song Late Rent on the occasion of 28th annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt and Jon's birthday with Peter Klohmann tenor saxophone, Giovanni Totò Gulino drums, Joe Berger guitar and Jon Hammond at the Sk1 Hammond organ - Late Rent is the theme song for Jon's long-running cable TV show in New York City The Jon Hammond Show and HammondCast radio program http://www.HammondCast.com - special thanks to Frank Poehl for operating the camera - Jon Hammond Band Jon's archive https://archive.org/details/LateRentJonHammondThemeSong2014 Jon Hammond theme song Late Rent on the occasion of 28th annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt and Jon's birthday with Peter Klohmann tenor saxophone, Giovanni Totò Gulino drums, Joe Berger guitar and Jon Hammond at the Sk1 Hammond organ - Late Rent is the theme song for Jon's long-running cable TV show in New York City The Jon Hammond Show and HammondCast radio program http://www.HammondCast.com - special thanks to Frank Poehl for operating the camera - Jon Hammond Band Youtube http://youtu.be/5shPL3IOYlU Dashcam, San Francisco Bay Area, Radio broadcasting, #GoldenGateBridge #RichmondBridge #Dashcam #HammondOrgan

Musik Rotthoff Beatles Bought Guitars Here - In Store Playing from Jon Hammond and Joe Berger - October 16, 2016

#WATCHMOVIE HERE: Musik Rotthoff Beatles Bought Guitars Here - In Store Playing from Jon Hammond and Joe Berger Jon's archive https://archive.org/details/LegendaryHamburgMusikRotthoff1 Views 138 #138 Youtube https://youtu.be/DzFN8BAJpgw 53 views #53 Jon Hammond and Joe Berger In-store performance in the legendary Hamburg music shop 'Musik Rotthoff' - world-renowned for having sold The Beatles their most famous guitars and musical equipment and also supplied the equipment for The Star Club, Top Ten Club and still going strong as a supplier of both new and rare vintage instruments, amplification, sound reinforcement, lighting and all accessories - located in St. Pauli Hamburg Germany http://www.musik-rotthoff.de/ - Joe Berger is playing Futhark Guitars - Jon Hammond is playing Hammond Sk1 organ made by Suzuki Musical Instruments - special thanks to Hr. Claus-Dieter Rotthoff and his sonMaik Rotthoff - JH — with Jon Hammond, Joe Berger and Maik Rotthoff inSt. Pauli. The Father Son: Maik Rotthoff and Claus-Dieter Rotthoff - Claus' father sold Paul McCartney his famous Höfner 'Beatle Bass' and other gear for The Beatles - keeping the legacy going in St. Pauli Hamburg! - Jon Hammond L to R Claus-Dieter Rotthoff, Joe Berger, Jon Hammond - in-store Musik Rotthoff Musik Rotthoff, Musical Instruments, The Beatles, St. Pauli, Hamburg, Legendary Music Store, Blues, Hammond Organ, In Store, HD 720p H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 17 Files download 5 Original Producer Jon Hammond Language English Jon's archive https://archive.org/details/JonHammondJAZZBEAUXSCOTTMUNIWNEWHammondCast Views 612 #612 Youtube https://youtu.be/7W1zinL5iCQ 4,257 views #4257 Priceless film inside WNEW 1130AM New York with 2 Radio Legends: Al JAZZBEAUX COLLINS and SCOTT MUNI on JON HAMMOND'S HammondCast: Hear Scott Muni tell Jazzbeaux about his days at "WABeatlesC" on the date commemorating when the Beatles first hit the shores of USA! As previously broadcast on Jon's TV show The Jon Hammond Show (24th year) and HammondCast on CBS' KYCY/KYOU 1550AM San Francisco California. Enjoy! *Official site: http://www.HammondCast.com c)2006 Usage Attribution-NonCommercial-NoDerivs Topics WNEW, Jazzbeaux, Scott Muni, HammondCast, BEATLES, WABeatlesC 512KB MPEG4 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 16 Files download 5 Original Producer Jon Hammond Scott Muni wiki https://en.wikipedia.org/wiki/Scott_Muni Scott Muni (May 10, 1930 – September 28, 2004, aged 74) was an American disc jockey, who worked at the heyday of the AM Top 40 format and then was a pioneer of FM progressive rock radio. Rolling Stone magazine termed him "legendary" Born Donald Allen Muñoz in Wichita, Kansas, Muni grew up in New Orleans. He joined the United States Marine Corps and began broadcasting there in 1950, reading "Dear John" letters over Radio Guam. After leaving the Corps and having considered acting as a career, he began working as a disc jockey; in 1953 he began working at WSMB in New Orleans. His mentor was Marshall Pearce. In 1955 he began broadcasting at station WAKR in Akron, Ohio, and after that worked in Kankakee, Illinois. Views 96 #96 Youtube https://youtu.be/mN36dsQEFPo 149 views #149 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Meckelnburg Vorpommern, Landesjugendjazzorchester, NDR Archive, Big Band, Michael Leuschner, Heinz Lichius, Camera, Zeughaus Wismar, Landesmusikrat, Jon Hammond, #HammondOrgan #Jazz #Wismar download 1 file H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT Organ Meets Bigband in The Zeughaus Wismar - Camera: Heinz Lichius Am 30.07.2015 ist das Landesjugendjazzorchester Mecklenburg-Vorpommern (LaJazzO MV) mit seinem diesjährigen Solisten Jon Hammond in der Hansestadt Wismar zu Gast. https://www.facebook.com/events/1625578051045838/ Nachdem sich in den vergangenen Jahren das LaJazzO MV mit den in der Big Band vorkommenden Instrumenten musikalisch auseinandersetzte, wird in 2015 die Jazzorgel musikalisch thematisiert werden. Unter dem Titel "Organ meets Big Band" wird dieses sehr traditionsreiche Instrument der Jazzgeschichte in den Mittelpunkt der Konzertreihe im folgenden Jahr gestellt. Als Jazzinstrument wurde es von Fats Waller in den 30er Jahren eingeführt und hatte seine Hochzeit in den 50er Jahren durch seine Vertreter wie Jimmy Smith. Der international renommierte New Yorker Jazzorganist Jon Hammond wird zusammen mit dem LaJazzO MV unter der Leitung von Michael Leuschner den besonderen Charme dieses Instrumentes wieder zum Leben erwecken. Im Programm sind unter anderem Titel von Jimmy Smith, arrangiert von Steve Grey - eine Leihgabe aus dem Archiv der NDR-Bigband. Jon Hammond studierte in den siebziger Jahren am Berklee College of Music und am City College San Francisco. Konzertreisen führten ihn quer durch die Vereinigten Staaten und Kanada. In seiner eigenen 'Jon Hammond Show' spielte er mit Musikern wie Dizzy Gillespie, Paul Butterfield, Jaco Pastorius, John Entwistle, Sammy Davis Jr., Percy Sledge und vielen anderen. Auch in Europa fand und findet seine Musik unverändert viele Anhänger. Die Medien berichten wiederholt von einem unverwechselbaren und prägenden Sound. Jon Hammond hat u.a. auf der 20. Frankfurter Musikmesse mitgewirkt und tritt vornehmlich in Hamburg auf. "The Jon Hammond Show" is a funky, swinging Jazz instrumental revue, featuring notable international soloists and reflecting the influences of Miles Davis, The Crusaders and Jimmy Smith. Programm: "Organ meets Bigband" Leitung: Michael Leuschner Donnerstag, d. 30.07.2015, 19:00 Zeughaus Wismar with Elli Soosz, Jan Rolle, Daniel Be, Leon Saleh, Gabriel Rosenbach, Michael Leuschner, Heinz Lichius, Matthis Rasche, Hörni Thorun, Paul Gramkow, Marie Birkholz, Jan Boge, Ole Si, Elisabeth Guericke, Nane Schüßler, Henning Schiewer, Noah Jens, Oliver Herlitzka, Anne-Katrin Meyer and Al Tobias at Zeughaus Wismar Producer Jon Hammond Language German Jon's archive https://archive.org/details/6842260423 AFM Local 6 Member Jon Hammond https://afm6.org/member-profile/jon-hammond-wheres-the-gig/ JON HAMMOND: “WHERE’S THE GIG?” - Alex Walsh Jon Hammond is a musician, composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows. “Every time I see a musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.” THE EARLY YEARS Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.” Jon played his first gig at a senior citizens luncheon when he was eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.” In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got to open for his band, Copperhead.” Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.” Jon in the early 70s Jon moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it yourself.” When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.” LATE RENT In 1981 Jon took a trip to Paris where he broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings, including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”. The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New York with his band Jon Hammond and the Late Rent Session Men. Jon Hammond Band Onstage at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond In 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.” LIVING ABROAD Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion. He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100 expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.” In the early 90s, when his New York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.” Jon stayed at a friend’s house and played a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.” Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show anywhere. PRESENT DAY In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line was ‘Hello, Hello, Hello! Wake up or go back to sleep…’” Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.” Jon has released four CDs For more info visit www.jonhammondband.com Jon's archive https://archive.org/details/JonHammondCakeFlowersandLateRent25YearsMusikmesseWarmUpPartyinJazzkeller Youtube http://youtu.be/hozrJpHvV-4 Jon Hammond Band Facebook https://www.facebook.com/video.php?v=1011779378850859&pnref=story Dankeschön / Thanks for the flowers Musikmesse Team! and all my friends who came out for this very special evening - Jon Hammond Chocolate on Chocolate Cake at Jon Hammond's annual musikmesse Warm Up Party in jazzkeller Frankfurt with Jon Hammond Band and special guests for this special occasion celebrating 25 years in Musikmesse. Special acknowledgement of Wilhelm P. "Charly" Hosenseidl R.I.P. who was the Director of musikmesse years 1989-2008 now Directed by Wolfgang Luecke, special thanks to Messe Frankfurt Projekt and Presse Team! Jon Hammond Band: Joe Berger guitar Tony Lakatos tenor saxophone Giovanni Totò Gulino drums Jon Hammond - XB-2 Hammond Organ - special thanks Hiromitsu Ono Chief Engineer Suzuki Musical Instruments designed my instrument which took me all around the world many times "Late Rent" Jon Hammond theme song for Jon Hammond Show MNNTV and HammondCast Show KYOU Radio San Francisco CBS Radio Network Thanks Joe Lamond President CEO NAMM, TecAmp Jürgen Kunze and Thomas Eich - Puma Combo bass amp powering Jon Hammond's organ Dankeschoen to Yücel Atiker, Tino Pavlis, Poehl, Bernie Capicchiano, Michael Falkenstein Hammond Suzuki Deutschland, Peggy Behling, Christine Vogel Messe Frankfurt, Saray Pastanesı Baeckerei & Konditorei for Chocolate on Chocolate 25 Years Musikmesse Celebration Cake - Mainzer Landstrasse 131, 60327 Frankfurt am Main, Eugen Hahn Jazzkeller Frankfurt Team Kleine Bockenheimerstr. 18a Frankfurt http://www.HammondCast.com/ Journal Frankfurt Article by Detlef Kinsler, LINK: http://journal-frankfurt.de/funkyjazz Musik Rotthoff, Beatles Bought Guitars, In Store Performance, Jon Hammond Band, #Rotthoff #Beatles #HammondOrgan

Public Access TV Show Preview 1022 Jon Hammond Show Music Travel Soft News - October 15, 2016

#WATCHMOVIE HERE: Public Access TV Show Preview 1022 Jon Hammond Show Music Travel Soft News Jon's archive https://archive.org/details/PublicAccessTVShowPreview1022JonHammondShowMusicTravelSoftNews Youtube https://youtu.be/YCKEAEe-xjA Musikmesse Warm Up Party - 30th year! - Jon Hammond Bernie in the house from Bernies Music Land Australia! - Jon Hammond - jazzkeller Frankfurt Massive chocolate chocolate cake for Jon Hammond's 30th year musikmesse Warm Up Party / combo Jon's birthday from best bakery in Frankfurt Saray Pastanesi - great party again! Public Access TV Show Preview 1022 Jon Hammond Show Music Travel Soft News - first segment: High Definition Movie: Get Back in The Groove - Jon Hammond​'s annual musikmesse​ Warm Up Party - Jazzkeller​ http://www.kyouradio.org/blog.html/jon_hammond_tribute_to_victims_of_911_get_back_in_the_groove/ - Jon Hammond Band​: Giovanni Totò Gulino drums Peter Klohmann tenor sax Joe Berger guitar Jon Hammond Sk1 Hammond organ + bass powered by Markbass amp Second segment: First song: Lydia’s Tune - Jon Hammond Funk Unit on Nissan Stage Nashville https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Nashville Music City Center, front line: Lee Oskar harmonica, Joe Berger guitar, Cord Martin tenor, Roland Barber trombone, Jon Hammond organ, Rhythm section Chuggy Carter congas & percussion, Louis Flip WInfield drums -- Head Phone Late Rent Nissan Stage Jon Hammond Funk Unit Nashville Tennessee Nissan Stage Summer NAMM Show -- Head Phone Late Rent Nissan Stage Jon Hammond Funk Unit with special guest Lee Oskar, Roland Barber trombone, Cord Martin tenor saxophone, Chuggy Carter congas & percussion, Joe Berger guitar (TV Jones guitar and pickups), Louis Flip Winfield drums, Jon Hammond Sk1 Hammond organ and bass Greg Herreman productions manager, Michael Apodaca & Alex Moore audio / Sound Image Nashville, Tennessee - The NAMM Show Summer NAMM Show Nissan Stage - Jon Hammond Band — with Cord Martin, Lee Oskar, Joe Berger, Louis Flip Winfield, Roland Barber and Leslie J. Carter at The NAMM Show. - all compositions composed & published by JON HAMMOND International ASCAP #NAMMShow #SummerNAMM #FunkBand #HammondOrgan #Nissan #Nashville #NashvilleMusicCityCenter H.264 download download 1 file MPEG4 download download 1 file TORRENT download download 35 Files download 5 Original Producer Jon Hammond Language English Jon's archive https://archive.org/details/MarshallStaxSpinsJonHamondBandOnKALX90.7FM Youtube https://youtu.be/HOLGBg5TORU Marshall Stax host of "Next Big Thing" program spins "Pocket Funk" by Jon Hammond Band on KALX 90.7 FM - Musicians: Lutz Büchner saxophone, Ernst-Friedrich Fiete Felsch saxophone, Michael Leuschner trumpet, Joe Berger guitar, Heinz Lichius drums, Jon Hammond organ http://www.HammondCast.com/ Hosted by Marshall Stax. Every Monday night from 6 pm to 7 pm http://kalx.berkeley.edu/ AUDIO: Jon's archive http://kyouradio.org/music-15.html "Head Phone" with Marc Baum on tenor sax, recorded at Victor Owens' DIGISONIC STUDIOS in Berkeley California, "Canonball '99...one more time!" from "Hammond's Bolero" album with introduction by Corey James of Red Jazz on KYOU Radio San Francisco. HammondCast 8 goes from Moscow Russia to Harlem with special guests Igor Butman (sax), Eduard Zizak (drums) Jon Hammond (organ) live at Le Club in Moscow Russia. *Photo in Showmans Lounge circa 1990, Jon Hammond at the B3 organ with Cindy Blackman (now Cindy Blackman Santana) Wallace Roney, Gary Bartz, Charlie Epps In Harlem at Showmans Lounge the legendary organ lounge on 125th St. with Cindy Blackman (drums, Wallace Roney (trumpet), Gary Bartz (sax), Charlie Epps (guitar) & Percy France announcing. The mystery continues...who is the 'child' who's not a child anymore? I checked with Lawrence Ferlinghetti and he thought it was Sylvia Beach Whitman daughter of the late great George Whitman and now manager of Shakespeare and Company shop in St. Michel Paris - but the folks at Shakespeare and Company say no that's not Sylvia - one of my best photos! I shot it with my (then new) Nikon F3 with motor, my first trip to Europe - Jon Hammond *anybody who knows or knows who the (then) child is give me a shout - JH ©JON HAMMOND International *Note: George Whitman was the founder of Shakespeare and Company book shop at Ground Zero Paris across the street from the famous Notre Dame https://en.wikipedia.org/wiki/George_Whitman George Whitman (December 12, 1913 – December 14, 2011) was the proprietor of the Shakespeare and Company bookstore in Paris, which continues to be a popular tourist attraction.[1][2] He was a contemporary of such Beat poets as Jack Kerouac and Allen Ginsberg. Whitman was born in East Orange, New Jersey, United States, and while he was still an infant the family moved to Salem, Massachusetts.[3][4] In 2006 Whitman was awarded the "Officier de l’Ordre des Arts et des Lettres" medal by the French government for his contribution to the arts over the previous fifty years. Born December 12, 1913 East Orange, New Jersey, United States Died December 14, 2011 (aged 98) Paris, France Occupation Proprietor Children Sylvia Beach Whitman Whitman founded his bookstore in 1951 and named it Le Mistral, then later named it after Sylvia Beach's earlier Paris bookstore "Shakespeare and Company".[6] His shop, located at 37 rue de la Bûcherie in Paris, was opened in August 1951 (two years before a sister bookshop City Lights was opened in San Francisco by Lawrence Ferlinghetti) by George Whitman with an inheritance from his aunt. He called the shop "Le Mistral" after his first French girlfriend. From the very first night he allowed travellers, young writers, poets and artists to lodge in exchange for a hand in cleaning the shop, building shelves and selling books. Sylvia Beach, whose famous shop was on 12, rue de l'Odéon, was still in Paris and came to Le Mistral to see the writers of the new generation, whom Anaïs Nin called Xerox artists,[citation needed] read aloud their new work. Whitman modeled his shop after Sylvia Beach's and, in 1958 while dining with George, she publicly announced that she was handing the name to him for his bookshop.[7] As it was the only free English-language lending library in Paris, the Beats who arrived at the Beat Hotel on rue Git-le-Coeur quickly found their way to the small bookshop and made a place for themselves there. In 1962, Sylvia Beach died, willing to Whitman a good deal of her private books and the rights to the name Shakespeare and Company. In 1964, Le Mistral was renamed Shakespeare and Company. Location: NAMM Sheraton Park Hotel at the Anaheim Resort Acoustic Stage Jon Hammond Funk Unit Event Date: Thursday, January 21, 2016 - 9:00pm to 9:40pm Genre: Rock Website: http://www.jonhammondband.com Facebook: http://www.facebook.com/jonhammondband Add to Calendar https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit-0 Artist Info Jon Jon Hammond Organ / Organist Leader Joe Joe Berger guitar / guitarist #TheNAMMShow #HammondOrgan #NAMM #Sheraton - The NAMM Show Event Date: Thursday, January 21, 2016 - 9:00pm to 9:40pm Add to Calendar Jon's archive https://archive.org/details/TinosHammondOrgan80thAnniversaryFilmDocumentaryTrailer Jon's archive https://archive.org/details/OrganMeetsBigbandInRostockKlostergartenLaJazzOMVAndFullLandesjugendjazzorchester Youtube https://youtu.be/qbEi22pr_5E CNN iReport http://ireport.cnn.com/docs/DOC-1264040 Facebook Video: https://www.facebook.com/jonhammondband/videos/vb.133709526657853/1109081885787274/?type=3&theater by Jon Hammond Published August 14, 2015 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Landesjugendjazzorchester, LaJazzO MV, Organ Meets Bigband, Late Rent, Rostock, Baltic Sea, Michael Leuschner, #NDRJazz #HammondOrgan Steve Gray, Landesjugendorchester Mecklenburg Vorpommern (FULL HIGH DEFINITION VERSION) Jazz Movie: "Organ Meets Bigband" in Rostock Klostergarten LaJazzO MV and full Landesjugendjazzorchester on the Baltic Sea, live very special concert - Leader Michael Leuschner's concept here realized on a perfect evening - big thank you to Hr. Leuschner, the great young musicians of LaJazzO MV Landesjugendorchester Mecklenburg Vorpommern and projekt leaders, NDR archive arrangements by the late great Steve Gray - watch these young musicians, they are the future folks! Sincerely, Jon Hammond http://www.HammondCast.com Producer Jon Hammond Language English Jon's archive https://archive.org/details/FunkyJamesPrestonThrowbackSmileysJonHammondBandGig Youtube https://youtu.be/pdHLRcwsODg Funky James Preston drums on Smiley's Schooner Saloon Jon Hammond Band gig Jon Hammond - organ Barry Finnerty - guitar Bennett Friedman - tenor James Preston - drums http://www.HammondCast.com/ Smiley's Schooner Saloon Bolinas CA - West Marin County - AFM Local 6 — with James Preston, Barry Finnerty, Jon Hammond Band, Bennett Friedman and Jon Hammond Organ Group at Smiley's Schooner Saloon. Keith Emerson and Koei Tanaka at the New B3 Portable Organ - Jon Hammond Public Access TV, Jon Hammond Show, #Music #Travel #NAMM #jazzkeller #Musikmesse #HammondOrgan

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