#WATCHMOVIE HERE: Jon Hammond Funk Unit With Some Bad Hombres Specials On The Band in Nashville Tennessee Nissan NAMM Stage! Jon's archive https://archive.org/details/2PMKickOffNissanStageSummerNAMMShow Some Serious Bad Hombres!: Roland Barber - trombone, trumpet, sea shell Cord Martin - tenor saxophone Chuggy Carter - percussion Louis Flip Winfield - drums Lee Oskar - harmonica Joe Berger - guitar Jon Hammond - organ + bass 2PM EST Jon Hammond Funk Unit kicking it off on the Nissan Stage at Summer NAMM Show Nashville Music City Center Facebook Video https://www.facebook.com/jonhammondband/videos/1330048600357267/ http://www.jonhammondband.com #NAMMShow #SummerNAMM #NissanStage #suchanastylady #badhombres #putinspuppet #yourethepuppet #NOYOURETHEPUPPET #cantwaitforSNL #badhombre vs #badhombres #Unbeleivable Bad Hombre Joe Berger! *photo courtesy CNN Jon Hammond Funk Unit on Nissan Stage Nashville Music City Center Summer NAMM Show showcase: H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 23 Files download 5 Original Producer Jon Hammond Language English WALL OF LESLIE SPEAKER SOUND 2215 HIGH POWER 3300 WOOD VERSION 3300w Keyboard Products Super Leslie Jon Hammond 3 x LS-2215 Leslie's with Hammond Sk1 Organ - Jon Hammond: Leslie LS-2215 Info http://hammondorganco.com/products/leslie/ls2215/ Mono Solid State 200W RMS/300W Peak Preamp Stereo mini mixer Inputs 2x 1/4" TR keyboard inputs, auto sensing between passive/active 2x 1/4" TR instrument inputs, auto sensing between passive/active 2x 1/4" TR auxiliary inputs 2x 1/4" TRS effects return inputs 1x 1/4" TRS effects return / power amp input 1x XLR mic input 1x 1/4" mono mic input Outputs 1x 1/4" TRS stereo headphone output 2x 1/4" TR outputs 2x XLR outputs, each with ground 2x 1/4" TRS effect send outputs 1x 1/4" TRS effect send / slave amp output (send only provides right channel audio out to slave amp for stereo) Channels and Controls Instrument: Low, mid, high, volume Keyboard: Low, mid, high, volume Microphone: Low, mid, high, volume Auxiliary: Volume Phones: Volume Master: Low, mid, high, volume Tweeter 2x 4" mid to high frequency drivers Woofer 1x 15" low frequency driver 2x bass ports, front and rear My 1959 Hammond B3 organ with custom built Super Leslie Speaker by the late great Bill Beer of Keyboard Products - just to the right of the Leslie box & flight case is my well-traveled original Hammond XB-2 in the 'weekend warrior case', it was not lightweight and not designed for heavy travel - but with the help of lots of gaffer tape and stickers I went around the world with that organ numerous times - can't beat the mighty B3, but it won't fit in a taxi cab don't ya' know! - Jon Hammond *Note: It was a LONG weekend for the Weekend Warrior Case folks!: Very Special Concert in Suzuki Hall, First Time Koei Tanaka Harmonica In Duo with Jon Hammond B3mk2 Organ and High Power Leslie model 3300W and W stands for Wood! - Jon Hammond Jon Hammond at the Hammond Organ with Manji Suzuki President Founder of Suzuki Musical Instruments Corp. LTD in Hamamatsu Japan Jon's archive https://archive.org/details/JonHammondSuzukiWorldHeadquartersInHouseConcertJonHammondPt3of3 Suzuki Headquarters and factory concert special for President Founder Manji Suzuki with introduction by Waichiro 'Tachi' Tachikawa, Jon Hammond at the new B3mk2 organ with Koei Tanaka chromatic harmonica Views 1,345 #1345 Special Thanks Mr. H. Ono, Mr. M. Terada, Mr. S. Ohtaka, Mr. Y. Beniya, Tachi Tachikawa, President M. Suzuki and entire Suzuki Musical Instruments Team Suzuki Musical Instruments, B3mk2 Organ, Tachi Tachikawa, Hamamatsu, Headquarters, Jon Hammond, Local 802 Musicians Union Jon Hammond at the Hammond Organ - WALL OF LESLIE POWER and Stacked 122's with B3 Organ Wall of Sound, Leslie 2215, #LeslieSpeaker #HighPower #Hamamatsu #Suzuki #HammondOrgan #Musikmesse #NAMMShow Jon's archive https://archive.org/details/JonHammondTAKAonHammondCastNarita Usage Attribution-NonCommercial-NoDerivs Topics TAKA, Takamitsu Yashiro, Blue Groove Sessions, Harley Davidson, Fender Telecaster, Jon Hammond, HammondCast, Kamakura, Japan TAKA Blue Groove Sessions on HammondCast KYOU Radio interview with Jon Hammond in Narita Japan. Guitarist producer and Harley Daivdson chopper from Kamakura Views 82 #82 Youtube https://youtu.be/mzlEIFvJPV4 168 views #168 Interviews Sennheiser Jon Hammond Headphones Microphones Organ Accordion Music Archive NAMM Musikmesse http://jonhammondband.com/blog.html/interviews_sennheiser_jon_hammond_headphones_microphones_organ_accordion_music_archive_namm_musikmesse/ - Jon Hammond L to R Dr. Andreas Sennheiser, Jon Hammond, Daniel Sennheiser Parking lot of Sennheiser Headquarters in Wedemark Germany, Knut Benzner of NDR with 421 mic and Norbert Hilbich long-time Sennheiser man! Jon Hammond using Sennheiser e855 evolution microphone on interview with Tommy Denander and Mathias Melo in Hollywood Nashville Tennessee -- Jon Hammond interviewing legendary Roy Clark with Sennheiser evolution e855 microphone Jon's archive https://archive.org/details/RoyClarkTelevisionInterviewWithJonHammond Roy Clark Television Interview with Jon Hammond just before Roy appeared on the American Eagle Awards in Nashville Tennessee during Summer NAMM Show - Roy Clark an American Living Legend and long-time member of The Grand Ole Opry and The Country Music Hall of Fame - Roy's wiki https://en.wikipedia.org/wiki/Roy_Clark Roy Linwood Clark (born April 15, 1933) is an American country music musician and performer. He is best known for hosting Hee Haw, a nationally televised country variety show, from 1969 to 1992. Roy Clark has been an important and influential figure in country music, both as a performer and helping to popularize the genre. Jon's archive https://archive.org/details/TrainSongMusikmesseWarmUpParty Views 269 #269 Youtube https://youtu.be/ibPxc0shd8Y 104 views #104 Jon Hammond original composition "Train Song" performed at Jon's annual musikmesse Warm Up Party in the world famousJazzkeller Frankfurt - Jon Hammond Band: Giovanni Totò Gulino drums, Peter Klohmann tenor saxophone, Joe Berger guitar, Jon Hammond Sk1 Hammond organ - special thanks to Frank Poehl for operating the camera - http://www.HammondCast.com/ ©JH INTL ASCAP Publishing JON HAMMOND International Producer Jon Hammond Language English Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Train, Song, Hammond organ, Warm Up Party, Jon Hammond, jazzkeller, Frankfurt, Jazz, musikmesse, Peter Klohmann, Giovanni Totò Gulino, Joe Berger, ASCAP Composer H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT Jon's archive https://archive.org/details/JonHammond_TributetoVictimsof9_11_JONHAMMONDBand Views 560 #560 Youtube https://youtu.be/OzRVyWFhkek 2,955 views #2955 TONY LAKATOS-tenor sax HEINZ LICHIUS-drums JOE BERGER-guitar JON HAMMOND-XB-2 Organ/Bass *at JAZZKELLER Frankfurt Special Thanks Eugen Hahn jazzkeller Get Back in The Groove composed by Jon Hammond ©JH INTL Jon Hammond International ASCAP Jon's archive https://archive.org/details/JonHammondJazzKneipeFrankfurtJonHammondBandFunkyHeadPhone Views 643 #643 Youtube https://youtu.be/uwm1evylatI 3,226 views #3226 Rare Footage from inside Jazz Kneipe Frankfurt! I played 207 gigs in the famous JAZZ KNEIPE Frankfurt at Berlinerstr. 70 until Regina the boss finally closed the doors and moved to Spain a few years ago, usually in Duo, sometimes as Trio but more often than not as Solo. This was a special occasion because my bandmates from California came over so I had them on the gig with addition of Sgt. Al Wittig of U.S. Air Force on tenor, James Preston of Sons of Champlin band drums, Barry Finnerty gtr., myself Jon Hammond at XB-2 Hammond organ. This was a very special place frequented by all the musicians after there gigs. A 5 hour gig until wee hours of the morning, Live Music 7 days a week in rotation with musicians like Piano George, Izio Gross, Wilson de Oliveira and members of HR Bigband. Regina introduced me to Tony Lakatos the Hungarian tenor saxophonist who I play with still today. The club was not large but it had a great atmosphere and was always a safe place to hang out until as late as 5AM. Sadly the Jazz Kneipe is still shuttered there on Berlinerstr. directly behind the Frankfurter Hof Hotel. All musicians tip their hat when they pass by. There's a lot of music in those walls! Jon Hammond Band original composition "Head Phone" with Atilla Zoller (RIP) in the house that night. ©)JHIntl. Jon Hammond International http://www.HammondCast.com Facebook video https://www.facebook.com/hammondcast/videos/10150741062342102/ Jon Hammond's Sennheiser evolution microphone Monophonic Recorder combo Headphone HD 25-1 Classic and Song Jon Hammond: Back to Mono with Sennheiser combo TASCAM product DR-10X Plug-on Micro Linear PCM Recorder for XLR Connection (flipped over): Monophonic High fidelity Folks! True Hi-fi Jon Hammond playing his 1968 Gibson Byrdland - owned since 18 years old Front and Back Jon Hammond's 1968 Gibson Byrdland Jon Hammond interviewing the great Roy Clark with Sennheiser evolution e855 microphone - Roy is a long-time Gibson Byrdland virtuoso! Jon Hammond 1965 Fender Bandmaster Blackface on the bench Jon's Bandmaster Fender Head paired with Bag End 15" coaxial speaker bottom Jon Hammond flanked by Sennheiser co-CEO's Dr. Andreas Sennheiser and Daniel Sennheiser foto by Christian Burkert: Sennheiser to open Soundscape Showroom in the Westfield World Trade Center http://www.nydailynews.com/new-york/manhattan/daniel-sennheiser-open-soundscape-showroom-nyc-article-1.2815943 - Jon Hammond "Daniel and Andreas Sennheiser who run the blossoming Sennheiser company, an audio business based in Germany. (CHRISTIAN BURKERT)" BY EBENEZER SAMUEL NEW YORK DAILY NEWS Monday, October 3, 2016, 2:47 PM "Daniel Sennheiser knows exactly what he's up against. Along with his brother Andreas, Daniel Sennheiser runs the blossoming Sennheiser company, a blossoming audio business based in Germany. But he's watched and admired New York City for a long time, come to appreciate the business challenges of the Big Apple. And along the way, Sennheiser says, he's come to view New York City as a pivotal battleground for any business ready to go global. "New York has been the beginning of a lot of things," Sennheiser says. "This is a melting pot, that has brought up so many things, brought up Broadway. New York is very fast-living. And that's positive in a sense that they're quick to pick up new trends and things. "But that also means you need to make a certain amount of noise." And now, it's time for Sennheiser to make some noise. In late October, the company will take up residence in the Big Apple, opening the Sennheiser Soundscape Showroom in the Westfield World Trade Center. It's a venue that will be filled with Sennheiser's unique products, but the focus isn't on selling. Instead, Sennheiser is focused on introducing New Yorkers to its distinctive audio, part of a first step in establishing the company as a sound powerhouse in a nation that's spent the last few years in the midst of a great headphone awakening. "We believe it's the right time for us to make a big splash to share our version of the future of audio with New York," says Andreas. It's an intriguing vision from a company that's long delivered high-quality sound but has consistently lacked the profile of the bigger names in the industry. Beats by Dre and Bose own the majority of U.S. mindshare, and both companies are highly visible, utilized by both celebrities and major sports franchises. Sennheiser has never had such presence, and that's mostly by choice. Look closely during your next NBA on TNT broadcast, and you may notice Sennheiser headsets on the play-by-play guys. But the company has historically done little marketing, preferring to let its devices shine on their own merits. The Soundscape Showroom isn't the start of some massive ad campaign, either. But it is part of a company-wide initiative to be more visible in the United States, to draw more notice to an underrated line of products. Just a few years ago, the company set up a small pop-up store on the East Side. With the Soundscape Showroom, it's going bigger, aiming to be a national presence. "It's to raise a little awareness. We're just not present enough," Daniel says, before talking proudly of Sennheiser's lore. "Sennheiser is the inventor of the hi-fi headphone. Not a lot of people know that." Indeed, few realize just how potent Sennheiser products truly are. It was Sennheiser that released the first pair of open headphones way back in 1968, and it's Sennheiser that's continued to chase perfect, pure sound throughout the last few decades. And it's Sennheiser that last year debuted the HE1 Orpheus, a handcrafted set of headphones powered by a massive amplifier built from marble and driven by gold-vaporized electrodes and platinum vaporized-diaphragms. It's a device that costs tens of thousands of dollars and is hardly for use with your iPad on the train - but it's a device that showcases Sennheiser's pursuit of high-level sound. "Sennheiser has been on the forefront of audio strategy for years," says Daniel. "We just added the sexy aesthetics after we did the sound." Sound remains the company's top priority, but in recent years, it's been pushing to match the more attractive headphones delivered by the likes of Beats and Bose. There's the Momentum line of headphones, a sharp-looking line of headphones with rugged leather bands that seem tailor made for the stylish Manhattanite. And just this summer, Sennheiser released the PXC 550, a noise-canceling Bluetooth pair of cans designed to go head-to-head with Bose's QuietComfort line, but with touch controls built onto the earcups. These products, says Daniel Sennheiser, are examples of Sennheiser's ability to adapt to culture, proof that the company's products truly can fit the New Yorker. The Sennheiser aesthetic is unique, and the Momentums are especially eye-catching units, as fashion-conscious as they come. The hope is that consumers enter the Soundscape Showroom and see these products, falling in love with a new brand of headphone. "The qualities (of Sennheiser headphones) are great — the material, the leather, the steal," Daniel says. "But you also have to have the opportunity to touch it. In our experience, audio is something you can't describe. You have to put it on your head. "Sennheiser is not a brand for everyone. I think we're a brand for people who are in the know, who are creative, who really look for special things. That's why I think a place like New York is the place to be." And that's precisely why Sennheiser is finally here, with the Soundscape Showroom as its first truly potent portal in the United States. The goal is to build from here, Andreas says, to finally aggressively cultivate the Sennheiser brand in the U.S. It won't be easy, not with Beats and Bose dominant. But Sennheiser arrives prepared. "We have a serious plan, but we're also nimble enough to adjust," says Daniel. "As Frank Sinatra said, 'If you can make it here, you can make it everywhere.'" Interviews Sennheiser Jon Hammond Headphones Microphones Organ Accordion Music Archive NAMM Musikmesse Facebook Video: https://www.facebook.com/jonhammondband/videos/1330048600357267/ Jon's archive http://ia601507.us.archive.org/7/items/HeadPhoneStickWithSennheiser/Head%20Phone%20stick%20with%20Sennheiser.mp4 Sennheiser (headphones) Momentum series with tribute to Lutz Büchner on solo section: Head Phone stick with Sennheiser (headphones) Jon Hammond's 20th annual Musikmesse Session in Jazzkeller Hofheim - funky jazz with Giovanni Totò Gulino drums, Peter Klohmann tenor saxo, Joe Berger guitar, Jon Hammond at the Sk1 Hammond organ - Jon's keyboard stand by Bespeco Professional, Audio: Philipp, Konrad Neupert, Marvin Gans Jazzkeller Hofheim Team - special thanks Jeff Guilford / JJ guitars for operating the camera http://www.HammondCast.com Sennheiser HD 25-1 NAMM Oral History Interview Jon Hammond by Dan Del Fiorentino and Tony Arambarri Jon's archive https://archive.org/details/JonHammondJonHammond_NAMM.orgOralHistoryInterviewDate_January13_2011FullVersion_0 Views 144 #144 Youtube https://youtu.be/Faq_A58v4sE 275 views #275 Usage Attribution-NonCommercial-NoDerivs Topics NAMM Oral History, Musikmesse, Mini-B, NAMM, G37, G27, Leslie Speaker, Onions, Jazz, Blues, Musicians Union, Local 802, ASCAP, KYOU Radio, Anaheim, Frankfurt, B3 Organ, XB-2, Leslie Speaker Jon Hammond | NAMM.org Oral History Interview Date: January 13, 2011
namm.org/ library/ oral-history/ jon-hammond
Interview Date: January 13, 2011
Job Title: President and Founder
Company: Jon Hammond & Associates
accordions electric organs Hammond B-3 Hammond Organs Jazz Music Manufacturing Musicians
Jon Hammond has successfully created a career based on his musical talents and his passion for the music industry! As a musician Jon has performed with many legendary players and as a clinician and product artist he has introduced many innovative products to music stores and their customers over the last 30 plus years. Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Digital B3 Organ.
Subject Info Jon Hammond Interview Date: January 13, 2011 Job Title: President and Founder Jon Hammond & Associates Jon Hammond has successfully created a ... of his career, the Excelsior Accordion and the Digital B3Organ. (accordions, electric organs, Hammond B-3, Hammond Organs) 512KB MPEG4 download download 1 file MPEG4 download download 1 file TORRENT download "Interview: Co-CEO Dr Andreas Sennheiser" credit: PSN Europe http://www.psneurope.com/interview-co-ceo-dr-andreas-sennheiser/ "Dr Andreas Sennheiser took over the running of his family business with his brother Daniel in May of 2013. In the three years since, the company has released some notable technology – but there have been some serious changes at the company along the way. In an wide-ranging and candid interview, Dave Robinson discovers what the young co-CEO thinks about the $50k Orpheus headphones, the restructuring of the company, the fiercely competitive marketplace and what gets him out of bed in a morning… Let’s begin with AMBEO, your 3D, immersive audio concept. Dr Andreas Sennheiser: At CES, we launched something we’ve been working on for the last 5-7 years: algorithms for ‘immersive audio’. When we started research, we thought it was going to be relevant: it was a gut feeling that what exists wasn’t good enough. While we did research on these algorithms, we didn’t know where it was going to go, but with big content providers such as Universal and Red Bull Media embarking in 360-degree video and immersive audio recordings in the last 12-18 months, suddenly a huge new world has opened up for us. So, we’ve started to compile all the technology into distinct solutions for recording, mixing, processing, playing back. And that’s what we showed with the AMBEO brand at CES [and NAMM and PL+S]. It’s the starting point of something we will develop with our customers. We really are positioning ourselves to take advantage of whatever 3D format emerges, a format with a higher emotional impact. Many artists have said to us, the only way to really connect with the audience the way they want to is to play live – but if they had a format that captured that, so that users at home could listen to it in a way similar to actually being there, then they would have a higher engagement with the listeners. That’s when we got serious about bringing AMBEO to the market. At NAMM you demonstrated a surround-style ‘tetra mic’, with its ‘virtual miking technique’ software, which could change the way things are recorded… The interesting thing about this is that we have to combine different technologies in order to make the immersive experience perfect; to integrate different technologies to make the transition from reality to virtual reality seamless. With third party involvement? By presenting it in its initial stage, it’s an invitation to our customers to think ahead, whether that’s a possible approach for them, how they would use it, and to find new applications for it. It’s all software based at the moment – we have a virtualisation algorithm, an upmix algorithm – we don’t really have a hardware decoder at this point, but if we see a stronger need, we can go in that direction, too. Let’s talk about Orpheus, the HE 1, the ‘world’s most expensive headphone’. The HE 1 for us is a product, a statement, and an indication of our innovation culture, to a certain extent. We could have said, we still have the Orpheus from 1991, it’s still considered the best headphone in the world, why do something better? But part of our culture is to not be happy with anything that exists now, regardless of whether we invented it or not. About 10 years ago, we decided it was the time for the world to experience the next level. On one hand, it’s beyond common sense. But, on the other, by being so intensively on the limits of physics, we learn so much for other applications. You make it sound like the Space Programme… Yes, exactly, and this pushes the entire Sennheiser culture into new ways. Think about the effect this has at the company when a group of people bring out a flagship that will be there for another couple of decades. That has a huge motivational impact on the other employees; at the same time, it tells the industry that what exists is not good enough for Sennheiser, so we will push it forward. I’ve heard the HE 1s. They make sound ‘visceral’, I would suggest. People have ‘seen’ things, heard things which they haven’t heard before, or been able to describe. Do you think they are worth $50,000? [Immediately] Absolutely. No doubt. What sort of reaction have you had to them? A product like this is dividing: people who rave about it, others who say, Is it worth the money? But to me, it’s not the point: it’s about buying into an exclusivity which sets you apart, in a positive way, from the masses. It’s connoisseurship. From the feedback we’ve got, most of the customers who are interested in the HE 1 are audiophiles who say, Audio is my life. The original Orpheus had a run of some 300 units. When HE 1 ships later this year, will that be limited to 300 too? We are not planning any limitation this time: but it is limited by the price and the capacity – making one per day – and the level of customisation. We have significant requests for customised versions. You mean I can have them in pink? Someone wants it in solid jade instead of marble, for instance. The exclusivity includes the concept of a one-off product, as long as the sound properties are not affected. How many do you think you’ll be making? We have more than 50 ordered. I don’t believe it’s going to stop at 100 or 200. I personally believe that it’s something that’s going to be with you for life, and we will offer servicing on it so it will be with you as long as you want to enjoy it. Turning to the other end of the market, consumer headphones: it’s an increasingly aggressive and crowded marketplace. What is Sennheiser doing there? We’re trying to be more focused on specific target groups. With the Momentum line, for example, we are targeting a specific type of personality, people who have a certain style and way of expressing themselves. We’re not just looking at price points and shelf space, and that will set us apart from just having X metres of headphone hangers. You put into place a ‘selective distribution’ model a couple of years ago – other makes have done that too… It ensures that the brand is represented in the appropriate way. If [our models] were at a cash-and-carry checkout for five pounds [six euros], it would just damage the brand. You can’t credibly have a product like that and the HE 1. Are you worried that brands like Beats are changing the market? It’s not necessarily a concern – it is, rather, keeping us on our toes. That increasingly competitive environment was beneficial in two ways: one, it grew the market; two, it forced us to think what Sennheiser is all about, what is at our core, what is our heritage. We’re the only ones to have the 1968 invention of the open-back HD 414 headphone; we’re the only one that has the innovation culture and heritage. How can we use that to be more relevant and have a higher value for the customer? So, with the success of the Momentum line, the higher end HD 800 line, the professional headphones – the HD 25 still being an icon – this process has been healthy for us because it gave us a stronger sense of identity which we are able to communicate. How successful has the D9000 digital wireless system been? It’s a huge success, especially in the last year where the ‘Digital Dividend’ [spectrum sell-off] in Japan gave us extra demand and business. Digital 9000 is successful beyond our initial imagination for a simple reason: we positioned and developed it as a system to be used on stage for singers and touring, because it was so flexible. But the corporate world has discovered it, because of its high-level encryption and flexibility in use. We saw a lot of companies adopt it, such as a major American retail chain. There’s a huge market there. Since you and your brother Daniel became joint CEOs three years ago, you’ve restructured the company. I get the impression, some of that has been easy, and some of it has been hard. Is that correct? We went from a territorial approach to a sales channel approach. In Europe, there’s no borders for commerce. Consumer is one part, professional is another, and so on. In a reorganisation like that, you always have a working assumption. Sometimes you assume, sometimes you just hope for the best. The reorganisation was a great success, especially with the feedback we got from our customers. Did everything work out like we planned? With a change of that magnitude, we discovered things we had to fine-tune. That was a learning experience. For us it was more important to go in the direction that makes sense for the future rather than stay with something we know but might not be any longer relevant. Some of your ideas were quite radical: staff had to look at their roles within the company and say, this is what I do, and this is what I want to do… You are spot on. We had hundreds of people in new roles, so there was an element of change management. …Which can be difficult. Absolutely! And I have empathy with people who are uncertain for a period, who have to find their role and it’s not all clear from Day One. But part of our culture is to go through changes with our employees, and that means everyone can design their future and their fate, which brings the downside of uncertainty with it. But some people don’t want to do that. Yes, but it’s part of our nature to involve people in their own destiny rather than giving them 100% certainty but no influence. The impression I got from the staff video, made for the company’s 70th anniversary last year, is that your employees are pleased to be a part of the Sennheiser phenomenon. The smiles from the people in the factory were natural, not forced. The passion and commitment, the joy of what we do is everywhere at Sennheiser. And that’s really part of my personal motivation. Seeing people committed to that extent gives me a reason to go forward. Do you ever feel the burden of the family legacy, though? When you wake up, do you ever think, [in panicked voice] ‘Oh God, I’m running Sennheiser!’…? [Smiling broadly] With great responsibility comes a certain weight. You have to think about what is good for the company, the customers, the employees. There are moments of doubt and pressure, but all-in-all, what makes me so confident of getting up in the morning is that I’m not alone here, there are 2,700 people who are highly committed and enjoy what they do. It’s not on my shoulders, it’s on 2,700 pairs of shoulders making their own destiny. With that in my mind, it’s easy to get up and assume that responsibility. Good answer! What do you think you still need to do at the company? Become quicker, more nimble to reacting to customer feedback. Sennheiser seems to think about what it’s going to do, thinks some more, and then makes its move. It took you ages to adopt Dante, for instance. That approach can be positive – but negative too. If 80% of our decisions are well-thought through and strategically directed, that’s exactly what we need. In hindsight, we could have taken some decisions earlier. On the other hand, ‘German engineering and thinking’ takes time. What our next challenge will be, is to preserve the thoroughness of where we want to go, but add an element of ‘start-up’ activity. A start-up culture with 70 years of experience, if you will. If we can do that, then we will be even quicker when supplying the customers with what they want. Last question: the factory is on fire – you run in and grab three items. What are they? First, the photo of my grandfather [Fritz Sennheiser, who started the company]. Second, the Emmy Award. [In 2013, Sennheiser was awarded the Philo T. Farnsworth Award, presented to a company whose “contributions over time have significantly impacted television technology and engineering”.] Third, my trolley, which holds all the stuff I use for daily work… But which one product do you put on that trolley? The D9000. Not a classic microphone or headphone? D9000 is a statement of innovation, and is ‘classic’ at the same time. It’s one of a kind. It’s an icon. It shows all the competency that’s in this company. www.sennheiser.com Sennheiser Wiki https://en.wikipedia.org/wiki/Sennheiser Sennheiser electronic GmbH & Co. KG (/ˈsɛnhaɪzər/; branded Sennheiser) is a private German audio company specializing in the design and production of a wide range of both consumer and high fidelity products, including microphones, headphones, telephony accessories, and avionics headsets for consumer, professional, and business applications. ndustry Audio electronics Founded 1945 (as Labor W) Headquarters Wedemark, Hanover, Lower Saxony, Germany Key people Fritz Sennheiser, founder Daniel Sennheiser, CEO and Chairman of the Board Products Audio electronics for consumer, professional, and business uses Owner Sennheiser family Number of employees 2,183 as of 2011 The company was founded in 1945, just a few weeks after the end of World War II, by Fritz Sennheiser (1912–2010) and seven fellow engineers of the University of Hannover in a laboratory called Laboratorium Wennebostel (shortened, "Lab W"). The laboratory was named after the village of Wennebostel in the municipality of Wedemark to where it had been moved due to the war. Its first product was a voltmeter. Lab W began building microphones in 1946 with the DM1, and began developing them in 1947 with the DM2. By 1955, the company had 250 employees, and had begun production of many products including but not limited to: geophysical equipment, the Noise-Compensated microphone (DM4), microphone transformers, mixers, and miniature magnetic headphones. Labor W was renamed 'Sennheiser electronic' in 1958. In 1968, Sennheiser released the world's first open headphones. The introduction of open headphones affected the headphone market as they were able to produce a more natural sound that many users preferred. Sennheiser was transformed into a limited partnership (KG) in 1973. In 1980, the company entered the aviation market, supplying Lufthansa with headsets. The company began producing modern wireless microphones in 1982, the same year when founder Fritz Sennheiser handed the management of the company over to his son, Jörg Sennheiser. In 1987, Sennheiser was awarded at the 59th Academy Awards for its MKH 816 shotgun microphone. Also in 1991, Georg Neumann GmbH, Berlin, which builds studio microphones, became a part of Sennheiser. In 1996, Sennheiser received an Emmy Award for its advancements in RF wireless technology. Also in 1996, Sennheiser became a private limited company (GmbH and Co. KG). Since then, Sennheiser has maintained its tradition of high quality audio technology, and still maintains those high standards today. Professor Dr. Fritz Sennheiser died in 2010. On July 1, 2013, Daniel Sennheiser and Andreas Sennheiser were promoted to the position of CEO responsible for Sennheiser electronic GmbH & Co. KG. In October 2013, Sennheiser received the prestigious Philo T. Farnsworth Award at the 65th Primetime Emmy®Engineering Awards in Hollywood. In May 2014, Sennheiser founded a new competence center for innovative streaming solutions, Sennheiser Streaming Technology GmbH (SST). Locations Sennheiser is headquartered in the municipality of Wedemark, Germany (near Hannover). Jon's archive https://archive.org/details/Hammondcast202TheJonHammondShowAudioFromJonsRadioShow Views 493 #493 Youtube https://youtu.be/aJzR5uizk6Y 122 views #122 HammondCast 202 The Jon Hammond Show audio from Jon Hammond's radio program special retrospective with audio from a recording he made while on the house band led by Lou Colombo at The Wychmere Harbor Club in Harwich Port Cape Cod MA in 1978. Jon made the recording with his Nakamichi 550 tape deck, it is a remarkable recording of the Lou Colombo Band which played nightly for luminaries such as Speaker of The House Tip O'Neill for all his private parties and the Kennedy Clan. Visuals from Jon Hammond Show long-running cable access TV program in New York City personally shot by Mr. Hammond with Video by LORI special graphics and FX. Kick back and enjoy! http://www.HammondCast.com For full audio of HammondCast 202: AUDIO: http://www.archive.org/details/JonHammondHammondCast202KYOURadio HammondCast 202 KYOU Radio special edition with part 2 of recording from Wychmere Harbor Club when Jon played B3 organ on the Lou Colombo Band, the house band at Wychmere Harbor Club in Harwich Port Cape Cod MA. First backing up a feature dance duo with cha cha and then Emily waltz, Saturday Night Fever followed by the chaser 'California Here I Come', then Summertime, Hello Dolly medley, Bossa nova medley Watch What Happens in to Wave and then a cooking "In The Mood" taking it home with Jon's "Lydia's Tune" and some of Sidewinder - Â©JH INTL Music Tags: Jon Hammond Show, Lou Colombo, Wychmere Harbor Club, B3 organ, Tip O'neill, Kennedy clan, cape cod, private club Run time 14 minutes 58 seconds Producer Jon Hammond Audio/Visual sound H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 38 Files download 4 Original by Jon Hammond Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Jon Hammond Show, Lou Colombo, Wychmere Harbor Club, B3 organ, Tip O'neill, Kennedy clan, cape cod, private club Folks, something told me I had better get on down to see my main man Lou Colombo last week in Fort Myers FL, I played on Lou's band for 2.5 years in Cape Cod at the Wychmere Harbor Club and Thompson's Clam Bar in Harwich Port MA. It was an important time of my life and career and he was always very generous to me, kept me on my toes throwing tunes at me in all keys the music never stopped once we hit. I just saw Lou a few days ago in Fort Myers FL at the gig he was playing at his Daughter Sherri's restaurant and hub Marc Neeley - Roadhouse Cafe, he was at the top of his game, playing great as ever and looking like a million dollars. I am deeply saddened to receive terrible tragic news this morning from Lou's fine trombonist Nelson E. Foucht that Lou was tragically killed last night just 4 blocks from Roadhouse Cafe coming home from the gig. My deepest condolences to the Colombo Family, Lou's Wife Noel, daughters Lori, Sherri, David all his 6 kids, extended Family of friends and musicians. I am totally blown away, thankful that I had the opportunity to know him and play with him nightly back in the 70's and then to see and hear him again at the end of his life, thanks Lou! Here are some photos from just a few days taken by my long-time great girlfriend Jennifer and myself at his gig, R.I.P. Big Lou - Louis Colombo the greatest trumpet player bandleader baseball slugger and golfer ever! I used to go with Lou to the golf course where he had the snack concession in Yarmouth just to watch him drive balls in to outer space. I couldn't believe how far and hard he could hit the ball. Lou would put on black executioner gloves and hit the ball and it would disappear, just keep on sailing in to the sky like Lou's spirit must be now. His music and great memories will live on forever. Sincerely, Jon Hammond - Member AFM Local 802 and Local 6 Musicians Union *Note: Lou's band the other night at Roadhouse Cafe were so great, I'm so sorry cats: Nelson Foucht on trombone, F.L. "Woody" Brubaker piano and keyboard bass, Richard Iannuzzi drums and Gil DiBenedetto tenor saxophone and clarinet. Jon Hammond and Lou Colombo
**Note: Lou Colombo and my neighbor Leo Ball (R.I.P.) also a fine trumpet player member of Local 802 were born on the same day in Brockton MA
*Note: Lou called me on my cell phone when I was at the airport just about to fly out of Tampa TPA Airport, he told me he really dug my album that I had given him "NDR SESSIONS Projekt" my first record of mostly standards, it was inspired much by him actually. Lou was talking about the horn players on it, Lutz Buechner and Joe "Jo" Gallardo, he really dug them and he told me we were going to do something back up in the Cape for sure. I was very touched by his call and he had called me on my previous birthday last year, I got all choked up when he told me that. Thanks a million Lou! Jon Hammond http://www.archive.org/details/JonHammondLouColomboMoviebyJonHammond Lou Colombo and Jon Hammond - 02/23/2012
1978 Photo of Lou Colombo Band with Jon Hammond on B3 organ House Band at private club Wychmere Harbor Club in Harwich Port Cape Cod MA L to R: Frank Shea drums, Lou Colombo trumpet, Jack Pena guitar, Jon Hammond B3 organ
Funk Feature LUTZ BÜCHNER Greatly Missed, Here In Landhaus Walter Donwtown Bluesclub Jon Hammond Band
October 18, 2016
#WATCHMOVIE HERE: Funk Feature LUTZ BÜCHNER Greatly Missed, Here In Landhaus Walter Donwtown Bluesclub Jon Hammond Band "Thing in C minor" by Jon Hammond with Funky Heinz Lichius drums, Lutz Büchner tenor sax, Joe Berger guitar, Jon Hammond organ + bass Youtube https://youtu.be/9tejMFgyMXc 9,510 views #9510 L to R Lutz Büchner, Joe Berger, Heinz Lichius, Jon Hammond JON HAMMOND UND JOE BERGER UND BAND in DOWNTOWN BLUESCLUB Hamburg Germany Website: www.jonhammondband.com Jon Hammond is one of the premier B3 PLAYERS in the world. Jon has played professionally since age 12. Beginning as a solo accordionist, he later played Hammond B3 organ in a number of important San Francisco bands. His all original group HADES opened shows for Tower of Power, Quicksilver Messenger Service and Michael Bloomfield. Moving East he attended Berklee College of Music and played venues as diverse as Boston's "Combat Zone" in the striptease clubs during the '70's and the exclusive Wychmere Harbor Club in Cape Cod, where he was house organist and developed a lasting friendship with House Speaker Tip O'Neill . He also toured the Northeast and Canada with the successful show revue "Easy Living", and continued his appearances at nightclubs in Boston and New York. Subsequently Hammond lived and traveled in Europe, where he has an enthusiastic following. Jon Hammond : Hammond Orgel /Bass Joe Berger (ex John Entwistle/The Who): Guitar Heinz Lichius: Drums Lutz Büchner: Saxofon Jon's archive https://archive.org/details/NoXCessBaggageBluesDankeschonLufthansaAndNDR Views 33 #33 Youtube https://youtu.be/orpLWd66-Hw 136 views #136 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics baggage, blues, hammond organ, shuffle, jon hammond, lufthansa, ndr horns, projekt, sessions, travel, musician, ascap composer, musicians union, local 802 Jon Hammond flies with Gator Cases and Briggs & Riley - floats and flies! Jon Hammond Band special dedication to Lufthansa and NDR "No X-Cess Baggage Blues" live performance of track from NDR SESSIONS Projekt album featuring the NDR Horns: Michael Leuschner trumpet, Lutz Büchner tenor saxophone, Fiete Felsch alto saxophone, Heinz Lichius drums, Joe Berger guitar, Jon Hammond organ + bass - concert in Auster Bar Auster Jazz Series - special thanks Nicolai Ditsch for operating the camera - the incredible NDR Musicians and Knut Benzner & Jazz Redaktion Team, Lufthansa Technik Hamburg, Apple iTunes https://itunes.apple.com/us/album/ndr-sessions-projekt/id154024761 Ham-Berger-Friz Records ©JH INTL ASCAP - Filmed in High Definition Live at Auster Bar Hamburg Eimsbüttel courtesy of Frank Blume & Torsten Wendt Auster Bar Team H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 30 Files download 5 Original Challah Hat lady with Sheila Anderson WBGO! L to R Richard Clements piano, Mike Camoia tenor, Jon Hammond organ, Bob Cunningham bass - early birds session Local 802 NYC Fits in this Gig Bag! - Jon Hammond Jon's archive https://archive.org/details/JonHammondTAKAonHammondCastNarita Mourning Lutz Büchner - Trauer um Lutz Büchner Jon's archive https://archive.org/details/PocketFunkWithNDRHornsAusterJazz Thoughts about Lutz from Jon Hammond LINK: https://www.facebook.com/notes/jon-hammond/mourning-lutz-b%C3%BCchner/10156648708165287 Saturday, March 12, 2016: Folks, I am really in shock from hearing news of the unexpected and very sad death of my good friend Lutz Büchner! I really didn’t want to say it on the internet after receiving the horrible news in communications with our mutual good friend and fellow musician / bandmate Heinz Lichius. This is so hard to get my head around and accept it but I know it’s true that Lutz suffered a fatal heart attack while on tour in Tokyo Japan with his beloved NDR-bigband with Peter Erskine on the band - I can see Lutz’ smile and hear his voice and music in my mind like it was yesterday - and we spoke and played together so many times. So now I see the news releases are already out on the news FEEDS from the NDR, Hamburger Abendblatt etc. and a few too-early mentions on the Facebook, so I know it’s time to write a few words for those of you who might not know of Lutz Büchner, as follows: As Joe Gallardo the great trombonist and long-time colleague of Lutz’ said in email to me last night: “As you well know, Lutz was first of all a great human being and secondly, he was a masterful player. Lutz was my brother. We will all miss him.” - The very first time I met Lutz was in 1995 on a rainy night in Hamburg Eimsbüttel at the Thursday night weekly jazz session in Jazzclub Birdland - I had heard him the week before and pushed my Hammond organ on the wheels through the rain to the club and got there real early, Hr. Reichert the owner opened up the club and I was telling Mr. Reichert I came the week before but didn’t get to play so “early bird gets the worm...and maybe I’ll get to play with Lutz Büchner!” - well we did it and by good luck my friend Joris Dudli the great drummer was there - it was magic from the first hit. That’s where it started, I was living in Hamburg to play music and write tunes - like so many musicians following in the footsteps of The Beatles, by invitation of my sponsor Knut Benzner journalist moderator on the NDR. From then on together with main man Heinz Lichius drums who I had met just before when Heinz came over to meet me one afternoon - Heinz had recommended to check out Lutz, one of the finest rising musicians on the Hamburg scene. We had a lot of great times together on the bandstand and off from that time on - we played in Hamburg and his hometown of Bremen - turned out to be that Lutz was a real life jazz angel who saved my life at least twice, one time involving bringing me to the hospital / krankenhaus and translating to me what they were about to do to me - we escaped out the side door and the doctor came to our gig that night! I met Lutz’ Mom and Dad beautiful people when they came to hear us play in Bremen at Studio club April 7, 1998 - and most recently our last gigs together with my favorite musicians Michael Leuschner, (Heinz Lichius of course) “Fiete” Ernst-Friedrich Fiete Felsch NDR horn section brothers along with Joe Berger guitar, probably best gig of my life - Lutz was so happy to have found his love with his wife Bettina and he was always crazy about his son Asmus and his step daughters by Bettina, the happiest I have ever seen him, he glowed in the dark he had that much joy! -- Back in 2005 I had an idea, I said to my long-time girlfriend Jennifer: Lutz is one of the greatest saxophonists I ever heard, I want to feature him on a CD release, he could be making a great record every day! I couldn’t believe that he didn’t have any feature albums out at that point - so I discussed it with Knut Benzner and we all co-produced a recording session for this purpose in the famous Studio 1 at NDR, the NDR SESSIONS Projekt was born, with the addition of “Joe G” / Joe Gallardo on trombone and Heinz Lichius and myself, Rudolf Grosser at the controls big SSL console, we started playing in the morning and I played through the magic bass amp belonging to Lucas Lindholm - the boys took one long coffee break and other than that we recorded tunes all day long - I am so grateful that I’ll always have this recording date together with Lutz, of course later on Lutz came out with more records - but this one for me is my special keepsake that went down with the blessings of NDR with the help of Knut Benzner and Axel Dürr. So many stories I can tell you, but most importantly everybody loved Lutz, I know there are a lot of tears flowing now around Hamburg and Bremen, my heart goes out to Lutz’ Family, Friends and Musicians music brothers and sisters! The 2nd to the last time we played together, I hadn’t seen Lutz for a while and he told me about a real miracle of survival when he was driving on the autobahn with Bettina and the kinder all his happy Family in the car, I think there was ice on the road - a car slammed in to the back of his car demolishing the car, but Lutz’ horns were in the trunk - they all got crushed but it saved his Family! They were all shaken up but OK - the lucky star was shining over them, and even though Lutz is not with us physically anymore, his lucky star will always be shining - he was competely dedicated to the NDR-bigband family of musicians and his own Family - always a huge inspiration to me as a person and master musician, rest in peace my very special good friend Lutz Büchner - my deepest and most sincere condolences go out to Lutz’ Mom and Dad and Bettina and his son Asmus and step children by Bettina - all the folks who know and love Lutz, sincerely, Jon Hammond Jon's archive https://archive.org/details/6842260613 Views 156 #156 Youtube https://youtu.be/e3qMWeXdqkA 47 views #47 Youtube Jon Hammond Band XK5 Organ Debut introduction by "Gregg" Gregory Gronowski https://youtu.be/Zse4xuv6-eg 4,982 views #4982 Full High Definition Film: Jon Hammond Band at XK-5 Organ Debut with Introduction by "Gregg" Gregory Gronowski the late great Marketing and Sales Genius for Hammond Suzuki USA - *Note: Very very sadly soon after this piece was filmed in Nashville Gregg Gregory Gronowski passed away suddenly on August 19th of 2016 - Remembering Gregg Grownoski folks, R.I.P. Gregg! - Jon Hammond - Hammond Organ USA Party SoundCheck Nashville: Kayleigh Moyer drums, Chuggy Carter congas percussion, Joe Berger guitar, Jon Hammond at the new XK-5 organ - Summer NAMM 2016 fifth Sound Soul Summit Hammond Organ USA co-sponsored by Keyboard magazine and Soundcheck LLC, Nashville - Event: "the first public showing of Hammond’s new XK5 organ and Heritage Series expanded systems, which represent the cutting edge of technology applied to recreating the precise touch, feel, and sound of the classic Hammond B-3. #NAMMShow #SummerNAMM #HammondOrgan Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Video by Lori, Late Rent (Music), Jon Hammond Show, MNN TV, #HammondOrgan ASCAP Composer, Musicians Union, Local 802, Local 6, Public Access TV, 32nd year Yes that's Andy Warhol on The Jon Hammond Show folks! #AndyWarhol Jon Hammond Show Preview 06/13 MNN TV Ch 1 - Original Music, Travel and Soft News - beginning with Jon Hammond classic theme song Late Rent with video by Lori *Note: Every frame is heavily embedded with i.d. information and copyright protected ©JON HAMMOND International - next Bernard Purdie plays Jon Hammond's original Pocket Funk with Jon Hammond Band with Koei Tanaka harmonica, Joe Berger guitar, Alex Budman tenor, Bernard Purdie drums, Jon Hammond at the Sk1 Hammond organ onstage at NAMM Anaheim CA. Next Hoodman and then Scott Cooper flies in vintage NAB movie production. Next Jon Hammond's composition Lydia's Tune played in Hamburg Germany with the NDR Horns - Michael Leuschner trumpet, Fiete Felsch alto, Lutz Büchner tenor, Heinz Lichius drums, Joe Berger guitar, Jon Hammond organ and covering bass. Outtake to Jon's theme song Late Rent with images of Jon Hammond Show moments, now in 32nd year on New York Cable every Friday night late (Sat. morning) 1:30AM on MNN TV Channel 1 http://www.HammondCast.com H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 36 Files download 5 Original Producer Jon Hammond Language English New York NY -- Joe Berger doing an Apple Logic Pro X - Apple Tutorial at The Beacon School - Hmm...I don't know what happened to Mark Via, Joe Berger and I came and played a session with his kids at The Beacon School and never heard back again from him. I hope he's OK - maybe I should check with Richard Carter and see if any signs of life around Fifth Ave. pehaps? - Jon Hammond — with Mark Via, Khaya Lee, Joe Berger and The Beacon School at The Beacon School. Jon's archive https://archive.org/details/BehindTheBeatBTBASCAPAudioPortraitLateRentJonHammondShow Views 57 #57 Youtube https://youtu.be/63ErHjQcRGU 32 views #32 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics MNN TV, #ASCAPEXPO, Jon Hammond, Public Access, Melody, Hammond Organ, Sk1, B3, Accordion, Musicians Union, Local 6, Local 802 Jon Hammond with ASCAP's Seth Saltzman - Protect Your Music! - ASCAP I Create Music Expo Hollywood CA Jon Hammond in concert Behind the Beat with Landesjugendjazzorchester Mecklenburg-Vorpommern in Zeughaus Wismar Hillary took the Trump Chump to the Shed last night! No doubt about it: Jon Hammond television interview with the great Roy Clark in Nashville! Jon Hammond: Late Rent by Steve Rosenfeld Jon Hammond says "the fingers are the singers.’" The latest CD from this exceptional and soulful Hammond organist is the proof. "Late Rent" draws on decades of great recording sessions and top live performances to showcase his own playing and many top jazz and funk artists. It shows why the Hammond organ is one of the most enduring electric instruments and why Hammond is one of its best players. Late Rent Label: Ham-Berger-Friz Records Genre: Jazz All Jon Hammond profiles… The Late Rent Story Jon Hammond waited half his life to make this CD – starting with being an underground TV host. Swingin’ Funky Jazz & Blues Jon Hammond describes his style of music and how he learned to play it. Two Hot Tracks Jon Hammond recalls one of his first songs – from age 15 – and a great Sunday session. Sonny’s Advice A little advice on melody from a great sax player went a long way. http://behindthebeat.com/2004/12/jon-hammond-late-rent/ H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 28 Files download 5 Original Producer Jon Hammond Audio/Visual sound, color Language English Jon's archive https://archive.org/details/JonHammondBand2ndSetAfterBirthdayCakeBreak Views 45 #45 Youtube https://youtu.be/o2--TIC-frk 24 views #24 Usage Attribution-Noncommercial-No Derivative Works 3.0 Jazzkeller, Frankfurt, Musikmesse, Warm Up Party, Hammond Organ, Jon Hammond Band, Jazz, Blues Note from Jon Hammond Video: Tino Pavlis https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736 Best Party of The Year! Jon Hammond’s annual musikmesse Warm Up Party in Jazzkeller Tuesday April 5th 2016 celebrating 30 years Jon Hammond – organ Joe Berger – guitar Peter Klohmann – saxophone Giovanni Totò Gulino – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic - Jon's birthday cake by Saray Pastanesi Jon Hammond Band H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 23 Files download 5 Original Producer Jon Hammond Language English Bringing Back Sony Tape Recorder Audio Transfer Project Jon Hammond rock band Hades 1971 recordings Archive at CHRS Radio Clinic at California Historical Radio Society, Elmo disassembles Jon Hammond's TC-366 tape deck on the bench from Kozo Ohsone Sony Tape Recorder Division to play back 40 year old archive recording Berkeley El Cerrito based band HADES recorded live at Provo Park in Berkeley and at rehearsal garage on Carlson Blvd. Richmond recorded on a TC-366 sound on sound reel to reel tape deck, here is the machine on the bench with Elmo:
Elmo discussing remedy for glazed pinch roller with radio engineer Art Lieberman:
AMPEX 354 Tape Deck in KRE dubbing studio:
CHRS President Steve Kushman at the GATES Audio Board transferring from Analog to Digital:
Sony TC-366 project machine:
http://www.archive.org/details/HammondCast_19_1 Jon Hammond with Joe Lamond President CEO of NAMM Jon Hammond onstage at Landhaus Walter Downtown Bluesclub Funk Feature, Lutz Büchner, Greatly Missed, #TenorSax #Downtown #BluesClub #HammondOrgan #Headphone
Musik Rotthoff Beatles Bought Guitars Here - In Store Playing from Jon Hammond and Joe Berger
October 16, 2016
#WATCHMOVIE HERE: Musik Rotthoff Beatles Bought Guitars Here - In Store Playing from Jon Hammond and Joe Berger Jon's archive https://archive.org/details/LegendaryHamburgMusikRotthoff1 Views 138 #138 Youtube https://youtu.be/DzFN8BAJpgw 53 views #53 Jon Hammond and Joe Berger In-store performance in the legendary Hamburg music shop 'Musik Rotthoff' - world-renowned for having sold The Beatles their most famous guitars and musical equipment and also supplied the equipment for The Star Club, Top Ten Club and still going strong as a supplier of both new and rare vintage instruments, amplification, sound reinforcement, lighting and all accessories - located in St. Pauli Hamburg Germany http://www.musik-rotthoff.de/ - Joe Berger is playing Futhark Guitars - Jon Hammond is playing Hammond Sk1 organ made by Suzuki Musical Instruments - special thanks to Hr. Claus-Dieter Rotthoff and his sonMaik Rotthoff - JH — with Jon Hammond, Joe Berger and Maik Rotthoff inSt. Pauli. The Father Son: Maik Rotthoff and Claus-Dieter Rotthoff - Claus' father sold Paul McCartney his famous Höfner 'Beatle Bass' and other gear for The Beatles - keeping the legacy going in St. Pauli Hamburg! - Jon Hammond L to R Claus-Dieter Rotthoff, Joe Berger, Jon Hammond - in-store Musik Rotthoff Musik Rotthoff, Musical Instruments, The Beatles, St. Pauli, Hamburg, Legendary Music Store, Blues, Hammond Organ, In Store, HD 720p H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 17 Files download 5 Original Producer Jon Hammond Language English Jon's archive https://archive.org/details/JonHammondJAZZBEAUXSCOTTMUNIWNEWHammondCast Views 612 #612 Youtube https://youtu.be/7W1zinL5iCQ 4,257 views #4257 Priceless film inside WNEW 1130AM New York with 2 Radio Legends: Al JAZZBEAUX COLLINS and SCOTT MUNI on JON HAMMOND'S HammondCast: Hear Scott Muni tell Jazzbeaux about his days at "WABeatlesC" on the date commemorating when the Beatles first hit the shores of USA! As previously broadcast on Jon's TV show The Jon Hammond Show (24th year) and HammondCast on CBS' KYCY/KYOU 1550AM San Francisco California. Enjoy! *Official site: http://www.HammondCast.com c)2006 Usage Attribution-NonCommercial-NoDerivs Topics WNEW, Jazzbeaux, Scott Muni, HammondCast, BEATLES, WABeatlesC 512KB MPEG4 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 16 Files download 5 Original Producer Jon Hammond Scott Muni wiki https://en.wikipedia.org/wiki/Scott_Muni Scott Muni (May 10, 1930 – September 28, 2004, aged 74) was an American disc jockey, who worked at the heyday of the AM Top 40 format and then was a pioneer of FM progressive rock radio. Rolling Stone magazine termed him "legendary" Born Donald Allen Muñoz in Wichita, Kansas, Muni grew up in New Orleans. He joined the United States Marine Corps and began broadcasting there in 1950, reading "Dear John" letters over Radio Guam. After leaving the Corps and having considered acting as a career, he began working as a disc jockey; in 1953 he began working at WSMB in New Orleans. His mentor was Marshall Pearce. In 1955 he began broadcasting at station WAKR in Akron, Ohio, and after that worked in Kankakee, Illinois. Views 96 #96 Youtube https://youtu.be/mN36dsQEFPo 149 views #149 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Meckelnburg Vorpommern, Landesjugendjazzorchester, NDR Archive, Big Band, Michael Leuschner, Heinz Lichius, Camera, Zeughaus Wismar, Landesmusikrat, Jon Hammond, #HammondOrgan #Jazz #Wismar download 1 file H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT Organ Meets Bigband in The Zeughaus Wismar - Camera: Heinz Lichius Am 30.07.2015 ist das Landesjugendjazzorchester Mecklenburg-Vorpommern (LaJazzO MV) mit seinem diesjährigen Solisten Jon Hammond in der Hansestadt Wismar zu Gast. https://www.facebook.com/events/1625578051045838/ Nachdem sich in den vergangenen Jahren das LaJazzO MV mit den in der Big Band vorkommenden Instrumenten musikalisch auseinandersetzte, wird in 2015 die Jazzorgel musikalisch thematisiert werden. Unter dem Titel "Organ meets Big Band" wird dieses sehr traditionsreiche Instrument der Jazzgeschichte in den Mittelpunkt der Konzertreihe im folgenden Jahr gestellt. Als Jazzinstrument wurde es von Fats Waller in den 30er Jahren eingeführt und hatte seine Hochzeit in den 50er Jahren durch seine Vertreter wie Jimmy Smith. Der international renommierte New Yorker Jazzorganist Jon Hammond wird zusammen mit dem LaJazzO MV unter der Leitung von Michael Leuschner den besonderen Charme dieses Instrumentes wieder zum Leben erwecken. Im Programm sind unter anderem Titel von Jimmy Smith, arrangiert von Steve Grey - eine Leihgabe aus dem Archiv der NDR-Bigband. Jon Hammond studierte in den siebziger Jahren am Berklee College of Music und am City College San Francisco. Konzertreisen führten ihn quer durch die Vereinigten Staaten und Kanada. In seiner eigenen 'Jon Hammond Show' spielte er mit Musikern wie Dizzy Gillespie, Paul Butterfield, Jaco Pastorius, John Entwistle, Sammy Davis Jr., Percy Sledge und vielen anderen. Auch in Europa fand und findet seine Musik unverändert viele Anhänger. Die Medien berichten wiederholt von einem unverwechselbaren und prägenden Sound. Jon Hammond hat u.a. auf der 20. Frankfurter Musikmesse mitgewirkt und tritt vornehmlich in Hamburg auf. "The Jon Hammond Show" is a funky, swinging Jazz instrumental revue, featuring notable international soloists and reflecting the influences of Miles Davis, The Crusaders and Jimmy Smith. Programm: "Organ meets Bigband" Leitung: Michael Leuschner Donnerstag, d. 30.07.2015, 19:00 Zeughaus Wismar with Elli Soosz, Jan Rolle, Daniel Be, Leon Saleh, Gabriel Rosenbach, Michael Leuschner, Heinz Lichius, Matthis Rasche, Hörni Thorun, Paul Gramkow, Marie Birkholz, Jan Boge, Ole Si, Elisabeth Guericke, Nane Schüßler, Henning Schiewer, Noah Jens, Oliver Herlitzka, Anne-Katrin Meyer and Al Tobias at Zeughaus Wismar Producer Jon Hammond Language German Jon's archive https://archive.org/details/6842260423 AFM Local 6 Member Jon Hammond https://afm6.org/member-profile/jon-hammond-wheres-the-gig/ JON HAMMOND: “WHERE’S THE GIG?” - Alex Walsh Jon Hammond is a musician, composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows. “Every time I see a musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.” THE EARLY YEARS Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.” Jon played his first gig at a senior citizens luncheon when he was eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.” In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got to open for his band, Copperhead.” Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.” Jon in the early 70s Jon moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it yourself.” When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.” LATE RENT In 1981 Jon took a trip to Paris where he broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings, including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”. The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New York with his band Jon Hammond and the Late Rent Session Men. Jon Hammond Band Onstage at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond In 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.” LIVING ABROAD Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion. He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100 expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.” In the early 90s, when his New York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.” Jon stayed at a friend’s house and played a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.” Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show anywhere. PRESENT DAY In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line was ‘Hello, Hello, Hello! Wake up or go back to sleep…’” Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.” Jon has released four CDs For more info visit www.jonhammondband.com Jon's archive https://archive.org/details/JonHammondCakeFlowersandLateRent25YearsMusikmesseWarmUpPartyinJazzkeller Youtube http://youtu.be/hozrJpHvV-4 Jon Hammond Band Facebook https://www.facebook.com/video.php?v=1011779378850859&pnref=story Dankeschön / Thanks for the flowers Musikmesse Team! and all my friends who came out for this very special evening - Jon Hammond Chocolate on Chocolate Cake at Jon Hammond's annual musikmesse Warm Up Party in jazzkeller Frankfurt with Jon Hammond Band and special guests for this special occasion celebrating 25 years in Musikmesse. Special acknowledgement of Wilhelm P. "Charly" Hosenseidl R.I.P. who was the Director of musikmesse years 1989-2008 now Directed by Wolfgang Luecke, special thanks to Messe Frankfurt Projekt and Presse Team! Jon Hammond Band: Joe Berger guitar Tony Lakatos tenor saxophone Giovanni Totò Gulino drums Jon Hammond - XB-2 Hammond Organ - special thanks Hiromitsu Ono Chief Engineer Suzuki Musical Instruments designed my instrument which took me all around the world many times "Late Rent" Jon Hammond theme song for Jon Hammond Show MNNTV and HammondCast Show KYOU Radio San Francisco CBS Radio Network Thanks Joe Lamond President CEO NAMM, TecAmp Jürgen Kunze and Thomas Eich - Puma Combo bass amp powering Jon Hammond's organ Dankeschoen to Yücel Atiker, Tino Pavlis, Poehl, Bernie Capicchiano, Michael Falkenstein Hammond Suzuki Deutschland, Peggy Behling, Christine Vogel Messe Frankfurt, Saray Pastanesı Baeckerei & Konditorei for Chocolate on Chocolate 25 Years Musikmesse Celebration Cake - Mainzer Landstrasse 131, 60327 Frankfurt am Main, Eugen Hahn Jazzkeller Frankfurt Team Kleine Bockenheimerstr. 18a Frankfurt http://www.HammondCast.com/ Journal Frankfurt Article by Detlef Kinsler, LINK: http://journal-frankfurt.de/funkyjazz Musik Rotthoff, Beatles Bought Guitars, In Store Performance, Jon Hammond Band, #Rotthoff #Beatles #HammondOrgan
Hammond Party Night - Shaking Out The New XK-5 Organ from Hammond Suzuki
October 13, 2016
#WATCHMOVIE HERE: Hammond Party Night - Shaking Out The New XK-5 Organ from Hammond Suzuki Jon's archive https://archive.org/details/JonHammondBandAtXK5OrganDebutHammondOrganUSAPartySoundCheckNashville Views 190 #190 Youtube https://youtu.be/Zse4xuv6-eg 5,891 views #5891 Full High Definition Film: Jon Hammond Band at XK-5 Hammond Organ Debut with Introduction by "Gregg" Gregory Gronowski the late great Marketing and Sales Genius for Hammond Suzuki USA - Jon Hammond at the XK-5 aka XK5 new Hammond Organ, Kayleigh Moyer drums - POCKET FUNK *Note: For a short time Top Secret Organ project was referred to also as Flexi-B - but not for long! It is The XK-5 Hammond Organ Folks! - JH Good to see my friend Jason'tae Blackmun again, excellent young player folks! - Jon Hammond #NAMMShow #Blackmun Jon Hammond with Suzuki Musical Instruments Team from Hamamatsu at Hammond Party - makers of Hammond Organs and Leslie Speaker Products #HammondSuzuki Leslie "Chuggy" Carter on Jon Hammond Band at Hammond Party playing Gon Bops congas - Soundcheck Nashville #GonBops #Chuggy Jon Hammond with young Hammond wiz Jayden Arnold aka Maestro ! - #HammondParty #Maestro Jon Hammond XK5 Hammond Organ shakeout - Kayleigh Moyer drums #XK5 #Kayleigh #KayleighMoyer Masato Tomie Chief Engineer XK5 Hammond Organ Project - photo by Jon Hammond *Note: Tomie is guitarist with Black Market Band! #Tomie #BlackMarket "Gregg" Gregory Gronowski the late great Sales and Marketing Genius for Hammond Suzuki and Zenith introducing Jon Hammond at Hammond Party #Gregg #HammondParty #Marketing #Genius "Gregg" Gregory Gronowski the late great Sales and Marketing Genius for Hammond Suzuki and Zenith - photo by Jon Hammond #Gronowski *Note: Very very sadly soon after this piece was filmed in Nashville Gregg Gregory Gronowski passed away suddenly on August 19th of 2016 - Remembering Gregg Grownoski folks, R.I.P. Gregg! - Jon Hammond - Hammond Organ USA Party SoundCheck Nashville: Kayleigh Moyer drums, Chuggy Carter congas percussion, Joe Berger guitar, Jon Hammond at the new XK-5 organ - Summer NAMM 2016 fifth Sound Soul Summit Hammond Organ USA co-sponsored by Keyboard Magazine and SoundCheck Nashville - Event: "the first public showing of Hammond’s new XK5 organ and Heritage Series expanded systems, which represent the cutting edge of technology applied to recreating the precise touch, feel, and sound of the classic Hammond B-3. Special thanks HSUSA Hammond Organ USA Team Gregg Gronowski, Scott May, Ray Gerlich - Suzuki Musical Instruments Team who came directly from Hamamatsu-shi, Shizuoka, Japan Suzuki World Headquarters to the party - Mrs. Suzuki, Masuo Terada, Shigeyuki Ohtaka, Shuji Suzuki Team - Summer NAMM Show Team - as seen on Jon Hammond Show MNN TV Channel 1, 34th year in Manhattan New York City greater New York area and streaming worldwide. #XK5 #HammondOrgan #NAMMShow #SummerNAMM #HammondOrgan - The NAMM Show Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics NAMM Show, Summer NAMM, Hammond Organ, XK-5 Hammond, Funk Band, Kayleigh Moyer, drums, SoundCheck Nashville, Hammond Organ USA Ray Gerlich long-time Hammond Organ Service Supervisor and Jon Hammond - Nashville Summer NAMM Show #HammondOrgan #Service #Gerlich H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 28 Files download 5 Original Producer Jon Hammond Audio/Visual sound, color Language English Jon's archive https://archive.org/details/GetBackInTheGroove1981VersionByJonHammond by Jon Hammond Published October 9, 2015 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics 1981 Soul Music, 1965 Hammond B3, Jon Hammond, ASCAP Composer, #HammondOrgan CNN iReport http://ireport.cnn.com/docs/DOC-1276063 Vimeo https://vimeo.com/142036587 Youtube https://youtu.be/gtS5gcODsS4 Facebook video https://www.facebook.com/jonhammondband/videos/vb.133709526657853/1141905649171564/?type=3&theater Get Back in The Groove 1981 Version by Jon Hammond with vocal for DTI Records http://www.jonhammondband.com Jon Hammond Band - Jon Hammond Organ Group ©JON HAMMOND International ASCAP Producer Jon Hammond Language English Jon's archive https://archive.org/details/OrganMeetsBigbandInTheZeughausWismar Jon's archive https://archive.org/details/NAMMBelieveInMusicAwardsAndPurdieShuffleBrunchSet Location: NAMM Sheraton Park Hotel at the Anaheim Resort Acoustic Stage Jon Hammond Funk Unit Event Date: Thursday, January 21, 2016 - 9:00pm to 9:40pm Genre: Rock Website: http://www.jonhammondband.com Facebook: http://www.facebook.com/jonhammondband Add to Calendar https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit-0 Artist Info Jon Jon Hammond Organ / Organist Leader Joe Joe Berger guitar / guitarist #TheNAMMShow #HammondOrgan #NAMM #Sheraton - The NAMM Show Event Date: Thursday, January 21, 2016 - 9:00pm to 9:40pm Add to Calendar Jon's archive https://archive.org/details/TinosHammondOrgan80thAnniversaryFilmDocumentaryTrailer CNN iReport http://ireport.cnn.com/docs/DOC-1263982 Youtube https://youtu.be/2AX5CRnBWkA Producer Tino's Hammond Organ 80th Anniversary Film Documentary Trailer: Tino Pavlis - by Jon Hammond Published August 13, 2015 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Hammond Organs, 80th Anniversary Hammond Organ, Tino Pavlis, Producer, Co-Producer, Joe Berger, Jon Hammond, NAMM Show, musikmesse, Suzuki Musical Instruments, Hamamatsu, B3, New B3mk2, Sk1, #HammondOrgan #80thAnniversary Jon's archive https://archive.org/details/RoyClarkTelevisionInterviewWithJonHammond Roy Clark Television Interview with Jon Hammond just before Roy appeared on the American Eagle Awards in Nashville Tennessee during Summer NAMM Show - Roy Clark an American Living Legend and long-time member of The Grand Ole Opry and The Country Music Hall of Fame - Roy's wiki https://en.wikipedia.org/wiki/Roy_Clark Roy Linwood Clark (born April 15, 1933) is an American country music musician and performer. He is best known for hosting Hee Haw, a nationally televised country variety show, from 1969 to 1992. Roy Clark has been an important and influential figure in country music, both as a performer and helping to popularize the genre. During the 1970s, Clark frequently guest-hosted for Johnny Carson on The Tonight Show and enjoyed a 30-million viewership for Hee Haw. Clark is highly regarded and renowned as a guitarist and banjo player, and is also skilled on classical guitar and several other instruments. Although he has had hit songs as a pop vocalist (e.g., "Yesterday, When I Was Young" and "Thank God and Greyhound"), his instrumental skill has had an enormous effect on generations of bluegrass and country musicians. He has been a member of the Grand Ole Opry, since 1987 and The Country Music Hall of Fame. BIOGRAPHY: Born in Meherrin, Virginia, Clark lived as a teenager in southeast Washington, D.C., where his father worked at the Washington Navy Yard. At 14, Clark began playing banjo, guitar, and mandolin, and by age 15 he had already won two National Banjo Championships and world banjo/guitar flatpick championships. He was simultaneously pursuing a sporting career, first as a baseball player and then as a boxer, before dedicating himself solely to music. At 17, he had his first appearance on the Grand Ole Opry. At the age of 23, Clark obtained his pilot's license and then bought a 1953 Piper Tri-Pacer (N1132C), which he flew for many years. This plane was raffled off on December 17, 2012, to benefit the charity Wings of Hope. He has owned other planes, including a Mitsubishi MU-2, Stearman PT-17 and Mitsubishi MU-300 Diamond 1A bizjet. By 1955, he was a regular on Jimmy Dean's Washington, D.C., television program. Dean, who valued punctuality among musicians in his band, the Texas Wildcats, fired Clark for habitual tardiness, telling him, "You're the most talented person I've ever fired." Clark married Barbara Joyce Rupard on August 31, 1957. In 1960, Clark went out to Las Vegas, where he worked as a guitarist in a band led by former West Coast Western Swing bandleader-comedian Hank Penny. During the very early 1960s, he was also prominent in the backing band for Wanda Jackson—known as the Party Timers—during the latter part of her rockabilly period. When Dean was tapped to host The Tonight Show in the early 1960s, he asked Clark to appear, introducing him to a national audience for the first time. Subsequently, Clark appeared on The Beverly Hillbillies as a recurring character (actually two: he played businessman Roy Halsey and Roy's mother, Myrtle). Once, on an episode of the Sunday evening Jackie Gleason Show dedicated to country music, Clark played a blistering rendition of "Down Home". Later, he appeared on an episode of The Odd Couple wherein he played "Malagueña". In 1963, Clark signed to Capitol Records and had three top ten hits. He switched to Dot Records and again scored hits. He later recorded for ABC Records, which had acquired Dot, and MCA Records, which absorbed the ABC label. Clark as "Myrtle Halsey" on The Beverly Hillbillies, 1968. In the mid '60s, he co-hosted, along with Buck Owens, a weekday daytime country variety series for NBC entitled "Swingin' Country", which was cancelled after two seasons. In 1969, Clark and Buck Owens were the hosts of Hee Haw. The show was dropped by CBS Television in 1971 but continued to run in syndication for twenty-one more years. During its tenure, Clark was a member of the Million Dollar Band and participated in a host of comedy sketches. In 1983, Clark opened the Roy Clark Celebrity Theatre in Branson, Missouri, becoming the first country music star to have his own venue there, thus beginning a trend which led to Branson becoming a center of live music performance, as it is today. Many of the celebrities who play in Branson first performed at the Roy Clark Celebrity Theatre. Clark frequently played in Branson during the 1980s and 1990s. He has since sold the venue (now owned by the Hughes Brothers and renamed the Hughes American Family Theatre) and gone back to a fairly light touring schedule, which usually includes a performance with Ramona Jones and the Jones Family Band at their annual tribute to Clark's old Hee Haw co-star Grandpa Jones in Mountain View, Arkansas. In addition to his musical skill, Clark has often displayed his talents as a comedian and actor. During his years on Hee Haw, Clark entertained with numerous comedy sketches, including a recurring feature where he played the clerk of the "Empty Arms Hotel". Clark released several albums of his comedic performances, to varying critical acclaim and commercial success. Clark is one of the few surviving regular male cast members from the show. Clark has endorsed Mosrite, Gretsch, and many other brands of guitars during his career. He currently endorses Heritage Guitars, which makes a Roy Clark model. On August 22, 1987, Clark was made a member of the Grand Ole Opry. He plays an annual benefit concert at Longwood University in Farmville, Virginia, the proceeds of which go to fund scholarships for aspiring musicians. For many years Clark has made his home in Tulsa, Oklahoma. Roy Clark Elementary School in Tulsa's Union School District was named in his honor in 1978. Fellow Oklahoma resident Mickey Mantle arranged for Clark to sing "Yesterday When I Was Young" at his funeral (which Clark did in 1995). On May 17, 2009, Clark was inducted into the Country Music Hall of Fame along with Barbara Mandrell and Charlie McCoy. On September 23, 2010, Clark sang "God Bless America" during the seventh-inning stretch at Dodger Stadium in a game featuring the Los Angeles Dodgers versus the San Diego Padres. On April 12, 2011, Clark was honored by the Oklahoma House of Representatives. He will be honored by the Oklahoma Music Hall of Fame as Oklahoma's Music Ambassador for Children and will be presented with a commendation from Oklahoma Governor Mary Fallin. Producer Jon Hammond Language English Roy Clark and Jon Hammond in Nashville Tennessee at the American Eagle Awards American Eagle Awards, Roy with awardees Vince Gill & Emmylou Harris, Vince Gill - John Conlee from Grand Ole Opry Roy Clark playing his famous Gibson Byrdland Jon Hammond playing his famous Gibson Byrdland Flip Wilson (December 8, 1933 – November 25, 1998) and Roy Clark Jon Hammond and Roy Clark in the Green Room at American Eagle Awards Facebook video https://www.facebook.com/hammondcast/videos/10153558221872102/ Youtube https://youtu.be/dPFiUlSe-98 Jon's archive https://archive.org/details/JonHammondSuzukiWorldHeadquartersInHouseConcertJonHammondPt3of3 Views 1,311 #1311 Youtube https://youtu.be/1Uok7LV6OZk Facebook video https://www.facebook.com/hammondcast/videos/10153664601472102/ Concert in Suzuki Musical Instruments Headquarters Hamamatsu-shi, Shizuoka, Japan #浜松市 #TBT First time together Koei Tanaka Chromatic Suzuki Harmonica - Official Facebook Page Master and Jon Hammond at Digital New B3 Organ, special concert for Manji Suzuki President Founder of Suzuki Musical Instruments makers of Hammond Organs and Leslie Speakers products and everybody in the company at end of work day in special Suzuki Hall, soulful performance Hamamatsu (浜松市 Hamamatsu-shi?, lit. "Coast Pine Tree") is a city located in western Shizuoka Prefecture, Japan https://en.wikipedia.org/wiki/Hamamatsu As of September 1, 2015, the city had an estimated population of 789,407, making it the prefecture's largest city and a population density of 507 persons per km2. The total area was 1,558.06 km2 (601.57 sq mi). On July 1, 2005, Hamamatsu absorbed the cities of Tenryū and Hamakita, the town of Haruno (from Shūchi District), the towns of Hosoe, Inasa and Mikkabi (all from Inasa District), the towns of Misakubo and Sakuma, the village of Tatsuyama (all from Iwata District), and the towns of Maisaka and Yūtō (both from Hamana District) to become the current and expanded city of Hamamatsu. It became a city designated by government ordinance on April 1, 2007 - http://www.HammondCast.com Jon's archive https://archive.org/details/JazzFunkTributeToCannonballAdderlyWithNDRHornsJonHammondBand Full High Definition #HighDef #Youtube https://youtu.be/ihMErpJ_J9A Jazz Funk Tribute to Cannonball Adderley and Lutz Büchner NDR Horns Jon Hammond Band - Auster Jazz Series concert Hamburg Eimsbüttel. Funky Heinz Lichius drums, Michael Leuschner trumpet, Lutz Büchner tenor, Ernst-Friedrich Fiete Felsch alto, Joe Berger guitar, Jon Hammond organ bass - special thanks Nicolai Ditsch for operating the camera, this concert was filmed in High Definition - Frank Blume, Torsten Wendt - Knut Benzner NDR Redaktion - Musik Rotthoff support - Gideon Schier / Baltic Soul Weekender http://www.HammondCast.com in Auster Bar #LutzBüchner #NDRJazz #MichaelLeuschner Rest In Peace Lutz Büchner 5. August 1968 in Bremen; † 11. März 2016 in Tokio, Japan deutscher Jazzsaxophonist Producer Jon Hammond Audio/Visual sound, color Language English Jon Hammond and Gregg Gronowski discussing music and Hammond organs - miss you Gregg! - Jon Hammond Big honor to be introduced by "Gregg" Gregory Gronowski at special Hammond Party playing the new Hammond XK-5 Organ in Nashville, RIP Gregg Gronowski sadly! - Jon Hammond Gregg Gronowski, Hammond Party, XK-5 Hammond, Top Secret Organ, #Gronowski #HammondOrgan #Project #Funk #Nashville #NAMMShow
Jon's Blue Angels Clip + Driving Home From Solo Organ Music Gig
October 12, 2016
#WATCHMOVIE HERE: Jon's Blue Angels Clip + Driving Home From Solo Organ Music Gig Jon's archive https://archive.org/details/JonsBlueAngelsClipDrivingHomeFromSoloOrganMusicGig Youtube https://youtu.be/fa5w_WUICe0 NMB Live Presents... Hi Jon - was this from San Francisco Fleet Week this last weekend? If so, it was being streamed live right here on NMB. NMB LIVE aka NuMuBu https://www.nmblive.com/153010-profile-jon-hammond.html https://youtu.be/fa5w_WUICe0?t=10 Tue., Oct. 11, 2016 - 11:27 PM Jon Hammond Thanks very much cats! Yes SF CA here, music from yesterday, I played 3 gigs in hospitals - recorded in Monophonic HiFi, back to Mono - glad you dug it...felt pretty good, I was ready to play 3 more gigs after the 3rd! Merci, best wishes from sunny California - sun just went down here, Jon Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Air Show, Blue Angels, San Francisco Bay, Golden Gate Bridge, Jon Hammond, Solo Organ gig, Hammond Organ The Blue Angels: Aerial Shower Effect - Jon Hammond Northbound on famous Golden Gate Bridge at dusk in the suicide lane - Jon Hammond Jon Hammond at the organ onstage at the famous The Fillmore Jon Hammond photo by Holda Paoletti-kampl - 30th year at Frankfurt musikmesse - appeared in Accordions Worldwide megasite "Musikmesse Mythe from USA Jon Hammond coming for the 30th year" LINK: http://www.accordions.com/frankfurt2016/7-april.html Jon Hammond's Blue Angels Clip + Driving From Solo Organ Gig Music by the San Francisco Bay - Jon Hammond at the Sk1 Hammond Organ http://www.HammondCast.com Winter NAMM Show, L to R Jon Hammond, Masuo Terada, Shuji Suzuki - Suzuki Musical Instruments makers of Hammond Organs and Leslie Speaker products - soon will be appearing in Tokyo at Music Fair in Tokyo 2016 H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 23 Files download 5 Original Producer Jon Hammond Language English Jon's archive https://archive.org/details/BlueAngels2012FleetWeekAirShowAtSfoWithMusicFromJonHammondBand Views 542 #542 Youtube https://youtu.be/2C3KtLtMVm8 2,004 views #2004 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Blue Angels, Fleet Week, 2012, SFO, United Airlines, F-22 Raptor, America's Pride, Jon Hammond Band, Airport, US Navy flight demonstration squadron, McDonnell Douglas F/A-18 Hornet America's pride The Blue Angels here at SFO to perform fearlessly in honor of Fleet Week 2012 with support from United Airlines Team at United Family Day very special annual event, special thanks to all these fine folks it takes to make it happen. From the Firefighters, to the Mechanics, Air Controllers, Crew, Food Preparations even the Imperial Storm Troopers from Star Wars were on hand for this very special family day - with music here from The Jon Hammond Band with special guest Lee Oskar harmonica, recent performance in Frankfurt Germany at the famous Jazzkeller "Tribute to 9/11 - Get Back In The Groove" Tony Lakatos tenor sax, Giovanni Gulino drums, Joe Berger guitar, Jon Hammond at Sk1 organ, enjoy folks! Sincerely, Jon Hammond http://www.HammondCast.com Blue Angels, Fleet Week, SFO, United Airlines, F-22 Raptor, America's Pride, Jon Hammond Band, Airport "The mission of the United States Navy Flight Demonstration Squadron is "to showcase the pride and professionalism of the United States Navy and Marine Corps by inspiring a culture of excellence and service to country through flight demonstrations and community outreach." Lockheed C-130 Hercules "Fat Albert" H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 30 Files download 4 Original Run time 11 minutes 23 seconds Producer Jon Hammond Audio/Visual sound Jon's archive https://archive.org/details/JonHammondFleetWeek2010AirShowvideoandmusicbyJonHammond Views 832 #832 Jon's archive https://archive.org/details/HeadPhoneFunkMasterpieceJonHammondBandWithBernardPurdieSideCamera Views 173 #173 Youtube https://youtu.be/VfGi_QFZalc 189 views #189 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Funk, Head Phone, NAMM Show, Bernard Purdie, Drums, Hammond Organ, Jon Hammond, Band, B3 organ Allowed on Timeline Side Camera - thanks Tino Pavlis & Joachim Wiesel Jon Hammond Band showcase for Hammond Organ USA / Suzuki Musical Instruments at The NAMM Show in honor of 80th anniversary of Hammond Organs on the Sound Soul Summit program - Jon Hammond original funk composition "Head Phone" featuring legendary Fatback Funk drummer Bernard "Pretty" Purdie and Jon's long-time colleague Joe Berger on guitar, from Tokyo Japan Koei Tanaka Suzuki Harmonica artist Suzuki Harmonica - Alex Budman tenor saxophone and Jon Hammond at the B3mk2 organ and high-power model 3300 Leslie Speaker with FOH mix by Brian English Audio Denny Mack - MC Stephen Fortner & Scott May Side Camera - thanks Tino Pavlis & Joachim Wiesel Jon Hammond Band showcase for Hammond Organ USA / Suzuki Musical Instruments at The NAMM Show in honor of 80th anniversary of Hammond Organs on the Sound Soul Summit program *Note: Jon Hammond Band played immediately before the late great KEITH EMERSON on the program, Keith was up next - Jon Hammond original funk composition "Head Phone" featuring legendary Fatback Funk drummer Bernard "Pretty" Purdie and Jon's long-time colleague Joe Berger on guitar, from Tokyo Japan Koei Tanaka Suzuki Harmonicas artist Suzuki Harmonica - Alex Budman tenor saxophone and Jon Hammond at the B3mk2 organ and high-power model 3300 Leslie Speaker with FOH mix by Brian English Audio Denny Mack - Youtube LINK: https://youtu.be/1r0SSgNoJXU - MC Stephen Fortner and Scott May Producer Jon Hammond Language English Interviews Sennheiser Jon Hammond Headphones Microphones Organ Accordion Music Archive NAMM Musikmesse L to R Dr. Andreas Sennheiser, Jon Hammond, Daniel Sennheiser Jon's archive http://ia601507.us.archive.org/7/items/HeadPhoneStickWithSennheiser/Head%20Phone%20stick%20with%20Sennheiser.mp4 Sennheiser (headphones) Momentum series with tribute to Lutz Büchner on solo section: Head Phone stick with Sennheiser (headphones) Jon Hammond's 20th annual Musikmesse Session in Jazzkeller Hofheim - funky jazz with Giovanni Totò Gulino drums, Peter Klohmann tenor saxo, Joe Berger guitar, Jon Hammond at the Sk1 Hammond organ - Jon's keyboard stand by Bespeco Professional, Audio: Philipp, Konrad Neupert, Marvin Gans Jazzkeller Hofheim Team - special thanks Jeff Guilford / JJ guitars for operating the camera http://www.HammondCast.com Sennheiser HD 25-1 NAMM Oral History Interview Jon Hammond by Dan Del Fiorentino and Tony Arambarri Jon's archive https://archive.org/details/JonHammondJonHammond_NAMM.orgOralHistoryInterviewDate_January13_2011FullVersion_0 Views 144 #144 Youtube https://youtu.be/Faq_A58v4sE 275 views #275 Usage Attribution-NonCommercial-NoDerivs Topics NAMM Oral History, Musikmesse, Mini-B, NAMM, G37, G27, Leslie Speaker, Onions, Jazz, Blues, Musicians Union, Local 802, ASCAP, KYOU Radio, Anaheim, Frankfurt, B3 Organ, XB-2, Leslie Speaker Jon's archive https://archive.org/details/JonHammondJonHammondBandannualMusikmesseWarmUpParty2013Blues Views 290 #290 Youtube https://youtu.be/zQBZ1N-xq9Y 262 views #262 Jon Hammond Band Musikmesse Warm Up Party 2013 Blues
MY HOME AWAY FROM HOME
Jon Hammond zum 27. Mal auf der Musikmesse
Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller Jon Hammond Music Travel and Soft News http://minicasts.podomatic.com/play/1030803/8180711 By Jon Hammond's Podcast 3m 46s -
JOURNAL FRANKFURT: Was war für Sie zuerst da - die Frankfurter Musikmesse oder Auftritte im Jazzkeller?
Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show -- Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind.
Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden - wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren?
Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses "lucky light on me", eine tolle Erfahrung. Seitdem nenne ich Frankfurt "My Good Luck City" und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine "Musikmesse Warm Up Party" dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht.
Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN "Profile TV "-Show "Sound Police". Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin.
Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren?
Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich "Swinging Funky Jazz and Blues" und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Totó Giovanni Gulino, diesen tollen Schlagzeuger, Und das unterziehe ich jetzt einen echten Härttest (lacht).
27. März 2013 Interview: Detlef Kinsler
http://www.jonhammondband.com — with Tony Lakatos, Joe Berger, Totó Giovanni Gulino, Pmauriat Albest, Jon Hammond Band and P Mauriat HQ at Jazzkeller.. Podomatic http://minicasts.podomatic.com/play/1030803/8180711 Jon's archive https://archive.org/details/JonHammondBand2ndSetAfterBirthdayCakeBreak Youtube https://youtu.be/o2--TIC-frk Vimeo https://vimeo.com/166375459 Facebook video https://www.facebook.com/hammondcast/videos/10153459987517102/ Note from Jon Hammond Video: Tino Pavlis https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736 Best Party of The Year! Jon Hammond’s annual musikmesse Warm Up Party in Jazzkeller Tuesday April 5th 2016 celebrating 30 years Jon Hammond – organ Joe Berger – guitar Peter Klohmann – saxophone Giovanni Totò Gulino – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic - Jon's birthday cake by Saray Pastanesi Jon Hammond Band Frankfurt to Nashville With Detour to Hollywood Musikmesse ASCAP Expo Summer NAMM Show http://kernelpanichammondcast.blogspot.com/2016/05/frankfurt-to-nashville-with-detour-to.html Jon's archive https://archive.org/details/TinosHammondOrgan80thAnniversaryFilmDocumentaryTrailer Sennheiser In The News led by system designer Norbert Hilbich AMBEO 3D audio soundscapes guidePORT system wow! Jon Hammond Courtesy of Installation AV integration in a networked world LINK http://www.installation-international.com/sennheiser-to-provide-3d-music-for-va-revolution-exhibition/ Photo: Dave Robinson --Sennheiser audio solutions - Daniel Sennheiser, CEO of Sennheiser – pictured (centre) holding a replica of a 1968 set of Sennheiser headphones - Installation AV Says: "Sennheiser has announced a new collaboration with the Victoria and Albert Museum (V&A) in London for the forthcoming exhibition You Say You Want a Revolution? Records & Rebels 1966 – 1970. The exhibition will open to the public on 10 September 2016 and run until 26 February 2017, following which it will tour internationally. Sennheiser will provide immersive sound utilising its AMBEO 3D audio technology delivered through a guidePORT audio guide system. Curated by Geoffrey Marsh and Victoria Broackes, the curatorial team behind the V&A’s David Bowie is, the new exhibition is designed in six distinct sections. It will explore the late 1960s through hundreds of exhibits from the V&A’s extensive collections alongside a selection of loans that range from design, music, film, fashion and consumer products to photography, posters and books. It is designed by Nissen Richards Studio, with video content designed by Fray studio, and sound design by Carolyn Downing. Music will play a key role in the exhibition, said Broakes: “The music running through You Say You Want a Revolution will represent the backbone and heart of the exhibition; it will be an object in itself. Therefore, we are delighted to be working with Sennheiser once again. Their expertise in 3D immersive audio will push the limits of the sound experience still further.” Working closely with the exhibition’s sound designer Carolyn Downing, the Sennheiser team, led by system designer Norbert Hilbich (left of picture), will be setting up two AMBEO 3D audio soundscapes. One will place visitors in an immersive environment evoking the political issues and fight against censorship and the establishment of the late 1960s while the other will recreate a live concert atmosphere with upmixed audio material from the period. Hilbich told Installation that the new exhibition will contain a lot more music than David Bowie is. “We have quite a big bunch of songs that they think we should transfer to 3D audio, but the process is not finished. There are plenty of ideas – we now have to [think about] how we put it into operation, what will it sound like, which part of the songs we should take and so on.” After being set up in the studio, Hilbich added, the mix will be adjusted on site to suit the acoustics of the venue – as was also done with the Bowie exhibition. Visitors will be accompanied through the exhibition by a Sennheiser audio guide system. The guidePORT system will deliver hundreds of personal, automatically triggered stereo feeds simultaneously. It will transmit real-time, lip-sync audio to fully immerse visitors in the sights and sounds of the late 1960s. The system at the V&A will comprise 750 receiver units with high-quality headphones, along with several transmission and trigger units that will be hidden from sight. Robert Genereux (right of picture), business director system design at Sennheiser, said: “The headphone part [using the guidePORT system] will be similar, but along the way they are going to create ‘disturbances’ in the headphone experience in different sections. This will be a little bit of a difference [from] the guidePORT experience for Bowie, which is uniform all the way from the beginning to the ‘show moment’.” Daniel Sennheiser, CEO of Sennheiser – pictured (centre) holding a replica of a 1968 set of Sennheiser headphones – commented: “We are absolutely thrilled to cooperate with the Victoria and Albert Museum on yet another fantastic project. The V&A is uniquely positioned to curate an exhibition about this transformational time in our more recent history. The artistic quality of the exhibition together with spectacular exhibits and an innovative state-of-the-art sound experience, featuring Sennheiser’s AMBEO 3D audio technology, will make this exhibition a truly immersive experience.” New: "PXC 550 WIRELESS TRANSFORM YOUR JOURNEY. UPGRADE TO FIRST CLASS." - Jon Hammond You’ve travelled a lot, in every class, but nothing compares to the experience of travelling with the PXC 550 Wireless. You’re on the move but always stay in touch. When moving in between places the PXC 550 Wireless is your ideal companion, keeping you connected and comfortable. Photo courtesy of PSN Europe: Dave Robinson Blue Angel Rocketing Straight Up in To The Skies - Jon Hammond All 6 Blue Angels in formation headed back to OAK after successful Air Show for Fleet Week 2016 San Francisco! - Jon Hammond Blue Angels, Dashcam, Fleet Week, Jon Hammond, Solo Organ, #Gig #BlueAngels #GoldenGate #HammondOrgan
Cable Access TV Preview 1015 Jon Hammond Show Music Pictorial Special Around The World Jazz Blues Soft News
October 8, 2016
#WATCHMOVIE HERE: Cable Access TV Preview 1015 Jon Hammond Show Music Pictorial Special Around The World Jazz Blues Soft News #1015 Jon's archive https://archive.org/details/CableAccessTVPreview1015JonHammondShowMusicPictorialSpecialAroundTheWorldJazzBluesSoftNews by Jon Hammond Published October 8, 2016 Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Lutz Büchner, NDR Jazz, Blues and News, XK-5 Organ, Sk1 Hammond, Radio, TV, Jon Hammond Show Jon Hammond Show aka HammondCast - Radio & TV Cable Access TV Preview 1015 Jon Hammond Show Music Pictorial Special Around The World Jazz Blues Soft News #1015 Description JON HAMMOND Instruments: Organ, Accordion, Piano, Guitar Attended: Berklee College of Music 1974, City College San Francisco Languages: English, German Musician: Jon Hammond is one of the premier B3 PLAYERS in the world. Jon has played professionally since age 12. Beginning as a solo accordionist, he later played Hammond B3 organ in a number of important San Francisco bands. His all original group HADES opened shows for Tower of Power, Quicksilver Messenger Service and Michael Bloomfield. Eddie Money and Barry Finnerty became musical associates. Moving East he attended Berklee College of Music and played venues as diverse as Boston's "Combat Zone" in the striptease clubs during the '70's and the exclusive Wychmere Harbor Club in Cape Cod, where he was house organist and developed a lasting friendship with House Speaker Tip O'Neill. He also toured the Northeast and Canada with the successful show revue "Easy Living", and continued his appearances at nightclubs in Boston and New York. Subsequently Hammond lived and traveled in Europe, where he has an enthusiastic following. TV/Video Producer: In 1981 Jon formed BackBeat Productions. Assisted by Lori Friedman (Video by LORI), the innovative TV show "The Jon Hammond Show" became a Manhattan Cable TV favorite. Jon's "Live on the street" video style included news events, as well as live music/video clips of Dizzy Gillespie, Paul Butterfield, Jaco Pastorius, John Entwistle, Sammy Davis Jr., Percy Sledge and many others...#LISTEN AUDIOPHILE HERE: AUDIO Audiophile Quality Pro Tools Recordings from NDR Studio 1 on HammondCast 25 Radio Broadcast Jon's archive https://archive.org/details/HammondCast_25 Views 3,740 #3740 HammondCast 25 from organist/accordionist Jon Hammond, broadcasting from San Francisco with Clifford Brown Jr. & Chris Cortez talking about Jon's music and fresh new tracks from Jon's forthcoming record: "NDR SESSIONS Projekt" with saxophonist LUTZ BÜCHNER, trombonist JOE GALLARDO, drummer HEINZ LICHIUS and JON HAMMOND on the new Hammond XK-3 organ/bass recorded in NDR Radio's Studo 1 with NDR Engineer RUDY GROSSER at the controls..Moving East he attended Berklee College of Music and played venues as diverse as Boston's "Combat Zone" in the striptease clubs during the '70's and the exclusive Wychmere Harbor Club in Cape Cod, where he was house organist with Lou Colombo. Jon Hammond played Hammond organ on the Mike Myers movie "The LOVE GURU" (unseen) Paramount Pictures backing up Telma Hopkins as "Lillian Roanoke" when she sings "Star Spangled Banner" at the Hockey game. Jon Hammond's Sennheiser evolution microphone Monophonic Recorder combo Headphone HD 25-1 Classic and Songs http://www.HammondCast.com Lutz Büchner, NDR Jazz, Blues and News, #XK5 #B3 #NAMM #Musikmesse #HammondOrgan H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 38 Files download 5 Original Producer Jon Hammond Language English Sennheiser In The News led by system designer Norbert Hilbich AMBEO 3D audio soundscapes guidePORT system wow! Jon Hammond Courtesy of Installation AV integration in a networked world LINK http://www.installation-international.com/sennheiser-to-provide-3d-music-for-va-revolution-exhibition/ Photo: Dave Robinson --Sennheiser audio solutions - Daniel Sennheiser, CEO of Sennheiser – pictured (centre) holding a replica of a 1968 set of Sennheiser headphones - Installation AV Says: "Sennheiser has announced a new collaboration with the Victoria and Albert Museum (V&A) in London for the forthcoming exhibition You Say You Want a Revolution? Records & Rebels 1966 – 1970. David Bowie Is has been on tour ever since the March 2013 V&A launch: it’s visited Toronto, Sao Paolo, Chicago, Melbourne, the Netherlands and is about to open in Tokyo. Daniel remarks, “If [Records and Rebels] is successful, I would love it to go on tour – but that is the V&A’s decision.” Is Daniel a big fan of music from the era? “I would have loved to have been alive at that time. I’m a big fan of Zappa, Hendrix, Bob Dylan. I play guitar and piano – but I have more passion than talent!” www.sennheiser.com http://www.vam.ac.uk/content/exhibitions/exhibition-you-say-you-want-a-revolution-records-and-rebels-1966-70/ " Jon Hammond's Sennheiser evolution microphone Monophonic Recorder combo Headphone HD 25-1 Classic and Song Jon Hammond: Back to Mono with Sennheiser combo TASCAM product DR-10X Plug-on Micro Linear PCM Recorder for XLR Connection (flipped over): Monophonic High fidelity Folks! True Hi-fi Jon Hammond playing his 1968 Gibson Byrdland - owned since 18 years old Front and Back Jon Hammond's 1968 Gibson Byrdland Jon Hammond interviewing the great Roy Clark with Sennheiser evolution e855 microphone - Roy is a long-time Gibson Byrdland virtuoso! Jon Hammond 1965 Fender Bandmast Blackface on the bench Jon's Bandmaster Fender Head paired with Bag End 15" coaxial speaker bottom Jon Hammond flanked by Sennheiser co-CEO's Dr. Andreas Sennheiser and Daniel Sennheiser Jon's archive https://archive.org/details/JonHammondJAZZBEAUXSCOTTMUNIWNEWHammondCast Views 612 #612 Youtube https://youtu.be/7W1zinL5iCQ 4,257 views #4257 Priceless film inside WNEW 1130AM New York with 2 Radio Legends: Al JAZZBEAUX COLLINS and SCOTT MUNI on JON HAMMOND'S HammondCast: Hear Scott Muni tell Jazzbeaux about his days at "WABeatlesC" on the date commemorating when the Beatles first hit the shores of USA! As previously broadcast on Jon's TV show The Jon Hammond Show (24th year) and HammondCast on CBS' KYCY/KYOU 1550AM San Francisco California. Enjoy! *Official site: http://www.HammondCast.com c)2006 Usage Attribution-NonCommercial-NoDerivs Topics WNEW, Jazzbeaux, Scott Muni, HammondCast, BEATLES, WABeatlesC 512KB MPEG4 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 16 Files download 5 Original Producer Jon Hammond Scott Muni wiki https://en.wikipedia.org/wiki/Scott_Muni Scott Muni (May 10, 1930 – September 28, 2004, aged 74) was an American disc jockey, who worked at the heyday of the AM Top 40 format and then was a pioneer of FM progressive rock radio. Rolling Stone magazine termed him "legendary" Born Donald Allen Muñoz in Wichita, Kansas, Muni grew up in New Orleans. He joined the United States Marine Corps and began broadcasting there in 1950, reading "Dear John" letters over Radio Guam. After leaving the Corps and having considered acting as a career, he began working as a disc jockey; in 1953 he began working at WSMB in New Orleans. His mentor was Marshall Pearce. In 1955 he began broadcasting at station WAKR in Akron, Ohio, and after that worked in Kankakee, Illinois. Career Muni then spent almost 50 years at stations in New York City. He became a Top 40 broadcaster at 570 WMCA in the late 1950s, just before the start of their "Good Guys" era, and did a number of record hops in the New York area. In 1960, he moved to rival Top 40 station 770 WABC. There he did an early evening show called "Scotland's Yard" and was among the first WABC DJs to capture the attention of the teenage audience for which the station would become famous. He also participated in the competition to cover The Beatles on their first visits to the United States, and thus began a long association with them. In 1965, Muni left WABC and ran the Rolling Stone Night Club while doing occasional fill-in work for WMCA. Muni had explored some opportunities beyond radio: for a short time he co-hosted a local weekly television show on WABC-TV 7 with Bruce "Cousin Brucie" Morrow, and he would go on to record the spoken single "Letter to an Unborn Child", about a soldier with a premonition, which was released in 1967 to little acclaim. Muni decided to return to radio, and in 1966, he joined 98.7 WOR-FM, one of the earliest stations in the country to program free-form Progressive Rock music. The progressive format did not last at that station. In 1967 Muni moved to 102.7 WNEW-FM, which had been running a format of pop hits and show tunes, hosted by an all-woman staff. This time, the Progressive Rock format really took hold, with WNEW-FM becoming a legendary rock station. Muni stayed there for three decades as the afternoon DJ and sometimes program director. Muni was described by fellow WNEW-FM DJ Dennis Elsas as "the heart and soul of the place". Under assorted management changes during the 1990s WNEW-FM lost its way, and in 1998 Muni ended up hosting a one-hour noontime classic rock program at WAXQ "Q104.3", where he worked until suffering a stroke in early 2004. Muni's low, gravelly voice was instantly recognizable and often lampooned, both by other disc jockeys and by impressionists such as on Imus in the Morning. He was often known to his listeners by the nicknames "Scottso" or "The Professor", the latter to emphasize both his rock expertise and his age difference with most of his audience. While he sometimes spoke in roundabout phrases and succumbed to progressive rock radio clichés such as "That was a tasty cut from ...", he also conveyed on the air and in his professional relationships a gruff immediacy that was a by-product of both his time in the Marines and his earlier Top 40 skills. A bizarre exchange occurred in August 1972 when a hostage-holding bank robber called Muni on the air and engaged him in a long, often nonsensical conversation; the two peppered their post-hippie speech with discussions of Bob Dylan music and requests to hear the Grateful Dead. Muni specialized in playing records from up-and-coming, or sometimes just-plain-obscure, acts from the United Kingdom on his weekly Friday "Things from England" segment. He also hosted the syndicated radio programs Ticket to Ride and Scott Muni's World of Rock. Muni often referred to "we interviewed so and so," making reference to himself and either "Black" Earl Douglas or another producer. Indeed, Muni was friendly with many of the musicians whom he played, and they would often stop by the studio to visit on-air. He played poker in the studio with the Grateful Dead, and he would let Emerson, Lake & Palmer browse the station's huge record library and put on whatever they liked. An oft-related story tells that he was interviewing Jimmy Page when the guitarist suddenly passed out from the aftereffects of the Led Zeppelin lifestyle. Muni calmly put on a record, revived Page, and completed the interview on the studio floor. Muni was close to John Lennon and his family, and after Lennon's murder he vowed to always open his show with a Lennon or Beatles record, a pledge that he kept for the balance of his career. In addition to radio broadcasting, Muni also did voice-over work for radio and television; the most known were a commercial for Rolaids antacid ("How do you spell relief?") and promos for Monday Night Football. His voice is also heard giving the introduction on the 1971 live albums Chicago at Carnegie Hall and Melanie at Carnegie Hall. Muni also voiced many Radio & TV commercials such as Rolaids, JCPenney, Ricoh, etc. He also voiced episodes of NBC's Friday Night Videos during 1985-86 and also voiced promos for ABC Sports which included boxing events on Wide World of Sports as well as Monday Night Football, the USFL on ABC, the Pro Bowlers Tour, the Sugar Bowl, the 1994 Stanley Cup Playoffs & Auto Racing including the Indy 500. Personal life Muni had three children with his first wife and two with his second wife, to whom he was married from 1966 until his death in 2004. Death and legacy He died on September 28, 2004 at the age of 74 in New York City and is buried in St. Gertrude's Roman Catholic Cemetery in Colonia, New Jersey. Muni is included in an exhibit display of important disc jockeys at the Rock and Roll Hall of Fame. The DJs at Q104.3 keep Muni's promise to New York listeners and still start their noon hour with the "12 o'clock Beatles Block". Muni was inducted into the Rock Radio Hall of Fame in the Legends of Rock Radio-Programming" category for his work at WNEW in 2014. AP Obit for Scott Muni 'The Professor' of rock Scott Muni dies - Posted 9/29/2004 3:17 PM Updated 9/29/2004 3:24 PM Large Size Movie File: http://ia801302.us.archive.org/32/items/OnAirWithJazzboCollinsAndYoshisJonHammondBandFeb.91994/On%20Air%20with%20Jazzbo%20Collins%20and%20Yoshi's%20Jon%20Hammond%20Band%20Feb.%209,%201994.m4v Jon's archive https://archive.org/details/OnAirWithJazzboCollinsAndYoshisJonHammondBandFeb.91994 CNN iReport http://ireport.cnn.com/docs/DOC-1268257 Youtube https://youtu.be/Hjw0_uLg8-E Facebook Video https://www.facebook.com/jonhammondband/videos/vb.133709526657853/1122434651118664/?type=3&theater by Jon Hammond Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics Jazzbeaux Collins, Al Jazzbo Collins, Jon Hammond, Yoshi's Oakland, Bennett Friedman, James Preston, Barry Finnerty, #HammondOrgan #AFMLocal6 #MusiciansUnion HammondCast dot Com Worldwide Lutz Büchner, NDR Jazz, Blues and News, XK-5 Organ, Sk1 Hammond, Radio, TV, Jon Hammond Show, #1015 #Jazz #Radio #TV #HammondOrgan